Utrecht And The International Caravaggesque Movement
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| Author | : Liesbeth Monica Helmus |
| Publisher | : |
| Total Pages | : 104 |
| Release | : 2014 |
| Genre | : Painting, Dutch |
| ISBN | : 9782954327921 |
Partant de l'hypothèse selon laquelle les peintres caravagesques du Nord (Utrecht et les Flandres) ont donné leur propre interprétation du Caravage, et que leurs tableaux sont toujours reconnaissables, même lorsqu'ils sont peints à Rome, notre séminaire explore dans quelle mesure c'est aussi le cas chez les suiveurs français ou espagnols. Une dernière conférence sera dédiée à la place des peintres caravagesques dans le marché international.
| Author | : Benedict Nicolson |
| Publisher | : |
| Total Pages | : 274 |
| Release | : 1979 |
| Genre | : Art |
| ISBN | : |
| Author | : NatashaT. Seaman |
| Publisher | : Routledge |
| Total Pages | : 198 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351541129 |
The first in-depth study of the Utrecht artist to address questions beyond connoisseurship and attribution, this book makes a significant contribution to Ter Brugghen and Northern Caravaggist studies. Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, Natasha Seaman nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings, all depicting New Testament subjects. They include Ter Brugghen's largest and first known signed work (Crowning with Thorns), his most archaizing (the Crucifixion), and the two paintings most directly related to the works of Caravaggio (the Doubting Thomas and the Calling of Matthew). By examining the ways in which Ter Brugghen's paintings deliberately diverge from Caravaggio's, Seaman sheds new light on the Utrecht artist and his work. For example, she demonstrates that where Caravaggio's paintings are boldly illusionistic and mimetic, thus de-emphasizing their materiality, Ter Brugghen's works examined here create the opposite effect, connecting their content to their made form. This study not only illuminates the complex meanings of the paintings addressed here, but also offers insights into the image debates and the status of devotional art in Italy and Utrecht in the seventeenth century by examining one artist's response to them.
| Author | : Christopher Wright |
| Publisher | : Humanities Press International |
| Total Pages | : 298 |
| Release | : 1989 |
| Genre | : Art |
| ISBN | : |
Catalogus bij een tentoonstelling van 143 Nederlandse 17e eeuwse schilderijen uit Engels openbaar bezit.
| Author | : Collezione Koelliker |
| Publisher | : |
| Total Pages | : 82 |
| Release | : 2005 |
| Genre | : Painting |
| ISBN | : |
| Author | : Lilian H. Zirpolo |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 285 |
| Release | : 2023-04-05 |
| Genre | : Art |
| ISBN | : 1538141795 |
Michelangelo Merisi da Caravaggio’s life was turbulent and short. He was only in his late thirties when he died and yet he managed to achieve tremendous artistic success. A native of Caravaggio, near Milan, he was born in 1571 and moved to Rome after training with Simone Peterzano, a pupil of Titian. In the papal city, his talent was recognized by the influential collector and art connoisseur Cardinal Francesco Maria del Monte, who promoted his art. Within a few years Caravaggio became one of the most sought-after painters in Italy and abroad. His style was so striking and unique that artists from all over adopted it as their own. Caravaggio: A Reference Guide to His Life and Works focuses on his life, his works, and legacy. It features a chronology, an introduction offers a brief account of his life, a cross-referenced dictionary section contains entries on his individual paintings, public commissions his patrons, his followers, and the techniques he used in rendering his works.
| Author | : Walter A. Liedtke |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 1109 |
| Release | : 2007 |
| Genre | : Painters |
| ISBN | : 1588392732 |
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
| Author | : Thijs Weststeijn |
| Publisher | : Amsterdam University Press |
| Total Pages | : 477 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : 9089640274 |
How did painters and their public speak about art in Rembrandt's age? This book about the writings of the painter-poet Samuel van Hoogstraten, one of Rembrandt's pupils, examines a wide variety of themes from painting practice and theory from the Dutch Golden Age. It addresses the contested issue of 'Dutch realism' and its hidden symbolism, as well as Rembrandt's concern with representing emotions in order to involve the spectator. Diverse aspects of imitation and illusion come to the fore, such as the theory behind sketchy or 'rough' brushwork and the active role played by the viewer's imagination. Taking as its starting point discussions in Rembrandt's studio, this unique study provides an ambitious overview of Dutch artists' ideas on painting.
| Author | : Walter A. Liedtke |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 642 |
| Release | : 2001 |
| Genre | : Art, Dutch |
| ISBN | : 0870999737 |
Walter Liedtke, curator of European paintings at the Metropolitan Museum of Art in New York, has assembled a splendid catalog of Vermeer and his artistic milieu. Seven lengthy, well-illustrated chapters (Liedtke wrote five, Dutch art historians Michiel Plomp and Marten Jan Bok wrote the others) describe life in the city of Delft; the painters Carel Fabritius, Leonart Bramer, and others who preceded Vermeer; the careers of Vermeer and De Hooch; the making of drawings and prints in 17th-century Delft; and the collecting of art in the same period. The catalog follows: each painting, print, and drawing accompanied by a lengthy catalog essay. Oversize: 12.25x9.75". c. Book News Inc.
| Author | : Hans Vlieghe |
| Publisher | : Yale University Press |
| Total Pages | : 356 |
| Release | : 1998-01-01 |
| Genre | : Art |
| ISBN | : 9780300104691 |
02 This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp. This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp.
