Utopias In Latin America
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| Author | : Jean-François Lejeune |
| Publisher | : Princeton Architectural Press |
| Total Pages | : 272 |
| Release | : 2005-02-03 |
| Genre | : Architecture |
| ISBN | : 1568984898 |
This landmark collection of illustrated essays explores the vastly underappreciated history of America's other cities -- the great metropolises found south of our borders in Central and South America. Buenos Aires, So Paulo, Mexico City, Caracas, Havana, Santiago, Rio, Tijuana, and Quito are just some of the subjects of this diverse collection. How have desires to create modern societies shaped these cities, leading to both architectural masterworks (by the likes of Luis Barragn, Juan O'Gorman, Lcio Costa, Roberto Burle Marx, Carlos Ral Villanueva, and Lina Bo Bardi) and the most shocking favelas? How have they grappled with concepts of national identity, their colonial history, and the continued demands of a globalized economy? Lavishly illustrated, Cruelty and Utopia features the work of such leading scholars as Carlos Fuentes, Edward Burian, Lauro Cavalcanti, Fernando Oayrzn, Roberto Segre, and Eduardo Subirats, along with artwork ranging from colonial paintings to stills from Chantal Akerman's film From the Other Side. Also included is a revised translation of Spanish King Philip II's influential planning treatise of 1573, the "Laws of the Indies," which did so much to define the form of the Latin American city.
| Author | : Héctor Olea Galaviz |
| Publisher | : Yale University Press |
| Total Pages | : 618 |
| Release | : 2004-01-01 |
| Genre | : Art |
| ISBN | : 0300102690 |
In the twentieth century, avant-garde artists from Mexico, Central and South America, and the Caribbean created extraordinary and highly innovative paintings, sculptures, assemblages, mixed-media works, and installations. This innovative book presents more than 250 works by some seventy of these artists (including Gego, Joaquin Torres-Garcia, Xul Solar, and Jose Clemente Orozco) and artists' groups, along with interpretive essays by leading authorities and newly translated manifestoes and other theoretical documents written by the artists. Together the images and texts showcase the astonishing artistic achievements of the Latin American avant-garde. The book focuses on two decisive periods: the return from Europe in the 1920s of Latin American avant-garde pioneers; and the expansion of avant-garde activities throughout Latin America after World War II as artists expressed their independence from developments in Europe and the United States. As the authors explain, during these periods Latin American art was fueled by the belief that artistic creations could present a form of utopia - an inversion of the original premise that drove the European avant-garde - and serve as a model for
| Author | : Mario Vargas Llosa |
| Publisher | : |
| Total Pages | : 303 |
| Release | : 2018-02-27 |
| Genre | : Art |
| ISBN | : 0374253730 |
WINNER OF THE NOBEL PRIZE IN LITERATURE A landmark collection of essays on the Nobel laureate’s conception of Latin America, past, present, and future Throughout his career, the Nobel Prize winner Mario Vargas Llosa has grappled with the concept of Latin America on a global stage. Examining liberal claims and searching for cohesion, he continuously weighs the reality of the continent against the image it projects, and considers the political dangers and possibilities that face this diverse set of countries. Now this illuminating and versatile collection assembles these never-before-translated criticisms and meditations. Reflecting the intellectual development of the writer himself, these essays distill the great events of Latin America’s recent history, analyze political groups like FARC and Sendero Luminoso, and evaluate the legacies of infamous leaders such as Papa Doc Duvalier and Fidel Castro. Arranged by theme, they trace Vargas Llosa’s unwavering demand for freedom, his embrace of and disenchantment with revolutions, and his critique of nationalism, populism, indigenism, and corruption. From the discovery of liberal ideas to a defense of democracy, buoyed by a passionate invocation of Latin American literature and art, Sabers and Utopias is a monumental collection from one of our most important writers. Uncompromising and adamantly optimistic, these social and political essays are a paean to thoughtful engagement and a brave indictment of the discrimination and fear that can divide a society.
| Author | : Luis Camnitzer |
| Publisher | : University of Texas Press |
| Total Pages | : 273 |
| Release | : 2010-01-01 |
| Genre | : Art |
| ISBN | : 0292783493 |
Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the "periphery" to the "center," Camnitzer has had to confront fundamental questions about making art in the Americas, asking himself and others: What is "Latin American art"? How does it relate (if it does) to art created in the centers of New York and Europe? What is the role of the artist in exile? Writing about issues of such personal, cultural, and indeed political import has long been an integral part of Camnitzer's artistic project, a way of developing an idiosyncratic art history in which to work out his own place in the picture. This volume gathers Camnitzer's most thought-provoking essays—"texts written to make something happen," in the words of volume editor Rachel Weiss. They elaborate themes that appear persistently throughout Camnitzer's work: art world systems versus an art of commitment; artistic genealogies and how they are consecrated; and, most insistently, the possibilities for artistic agency. The theme of "translation" informs the texts in the first part of the book, with Camnitzer asking such questions as "What is Latin America, and who asks the question? Who is the artist, there and here?" The texts in the second section are more historically than geographically oriented, exploring little-known moments, works, and events that compose the legacy that Camnitzer draws on and offers to his readers.
| Author | : Joanne Rappaport |
| Publisher | : Duke University Press Books |
| Total Pages | : 368 |
| Release | : 2005-09-20 |
| Genre | : History |
| ISBN | : |
DIVExplores how participants in the indigenous movement in Cauca, Colombia--including indigenous, non-indigenous, scholars, and shamans--have helped define a new sense of Colombian nationhood./div
| Author | : Patrick S. Barrett |
| Publisher | : Pluto Press (UK) |
| Total Pages | : 328 |
| Release | : 2008-10-20 |
| Genre | : History |
| ISBN | : |
Leading scholars discuss ideology and hotly contested post-structuralist theory.
| Author | : Jan Rus |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 330 |
| Release | : 2003 |
| Genre | : Chiapas (Mexico) |
| ISBN | : 9780742511484 |
The Maya Indian peoples of Chiapas had been mobilizing politically for years before the Zapatista rebellion that brought them to international attention. This authoritative volume explores the different ways that Indians across Chiapas have carved out autonomous cultural and political spaces in their diverse communities and regions. Offering a consistent and cohesive vision of the complex evolution of a region and its many cultures and histories, this work is a fundamental source for understanding key issues in nation building. In a unique collaboration, the book brings together recognized authorities who have worked in Chiapas for decades, many linking scholarship with social and political activism. Their combined perspectives, many previously unavailable in English, make this volume the most authoritative, richly detailed, and authentic work available on the people behind the Zapatista movement.
| Author | : Samuel Moyn |
| Publisher | : Harvard University Press |
| Total Pages | : 346 |
| Release | : 2012-03-05 |
| Genre | : History |
| ISBN | : 0674256522 |
Human rights offer a vision of international justice that today’s idealistic millions hold dear. Yet the very concept on which the movement is based became familiar only a few decades ago when it profoundly reshaped our hopes for an improved humanity. In this pioneering book, Samuel Moyn elevates that extraordinary transformation to center stage and asks what it reveals about the ideal’s troubled present and uncertain future. For some, human rights stretch back to the dawn of Western civilization, the age of the American and French Revolutions, or the post–World War II moment when the Universal Declaration of Human Rights was framed. Revisiting these episodes in a dramatic tour of humanity’s moral history, The Last Utopia shows that it was in the decade after 1968 that human rights began to make sense to broad communities of people as the proper cause of justice. Across eastern and western Europe, as well as throughout the United States and Latin America, human rights crystallized in a few short years as social activism and political rhetoric moved it from the hallways of the United Nations to the global forefront. It was on the ruins of earlier political utopias, Moyn argues, that human rights achieved contemporary prominence. The morality of individual rights substituted for the soiled political dreams of revolutionary communism and nationalism as international law became an alternative to popular struggle and bloody violence. But as the ideal of human rights enters into rival political agendas, it requires more vigilance and scrutiny than when it became the watchword of our hopes.
| Author | : K. Beauchesne |
| Publisher | : Springer |
| Total Pages | : 346 |
| Release | : 2011-10-24 |
| Genre | : Social Science |
| ISBN | : 0230339611 |
An exploration of the concept of utopia in Latin America from the earliest accounts of the New World to current cultural production, the carefully selected essays in this volume represent the latest research on the topic by some of the most important Latin Americanists working in North American academia today.
| Author | : Felipe Correa |
| Publisher | : University of Texas Press |
| Total Pages | : 179 |
| Release | : 2016-06-07 |
| Genre | : Architecture |
| ISBN | : 1477309411 |
During the last decade, the South American continent has seen a strong push for transnational integration, initiated by the former Brazilian president Fernando Henrique Cardoso, who (with the endorsement of eleven other nations) spearheaded the Initiative for the Integration of Regional Infrastructure in South America (IIRSA), a comprehensive energy, transport, and communications network. The most aggressive transcontinental integration project ever planned for South America, the initiative systematically deploys ten east-west infrastructural corridors, enhancing economic development but raising important questions about the polarizing effect of pitting regional needs against the colossal processes of resource extraction. Providing much-needed historical contextualization to IIRSA’s agenda, Beyond the City ties together a series of spatial models and offers a survey of regional strategies in five case studies of often overlooked sites built outside the traditional South American urban constructs. Implementing the term “resource extraction urbanism,” the architect and urbanist Felipe Correa takes us from Brazil’s nineteenth-century regional capital city of Belo Horizonte to the experimental, circular, “temporary” city of Vila Piloto in Três Lagoas. In Chile, he surveys the mining town of María Elena. In Venezuela, he explores petrochemical encampments at Judibana and El Tablazo, as well as new industrial frontiers at Ciudad Guayana. The result is both a cautionary tale, bringing to light a history of societies that were “inscribed” and administered, and a perceptive examination of the agency of architecture and urban planning in shaping South American lives.
