Urban Bush Women
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Author | : Nadine George-Graves |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 256 |
Release | : 2010-07-08 |
Genre | : Performing Arts |
ISBN | : |
"The author's long-term engagement with the company has given her unprecedented access to Urban Bush Women. This Clearly contributes to her in-depth understanding of the dynamics of the company and of the choreographic processes that undergird Urban Bush Women Concert Pieces."---Sarah Davies Cordova, author of Paris Dances: Textual Choreographies in the Ninettenth-Century French Novel --
Author | : Nadine George-Graves |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 249 |
Release | : 2010-07-08 |
Genre | : Performing Arts |
ISBN | : 029923553X |
Provocative, moving, powerful, explicit, strong, unapologetic. These are a few words that have been used to describe the groundbreaking Brooklyn-based dance troupe Urban Bush Women. Their unique aesthetic borrows from classical and contemporary dance techniques and theater characterization exercises, incorporates breath and vocalization, and employs space and movement to instill their performances with emotion and purpose. Urban Bush Women concerts are also deeply rooted in community activism, using socially conscious performances in places around the country—from the Kennedy Center, the Lincoln Center, and the Joyce, to community centers and school auditoriums—to inspire audience members to engage in neighborhood change and challenge stereotypes of gender, race, and class. Nadine George-Graves presents a comprehensive history of Urban Bush Women since their founding in 1984. She analyzes their complex work, drawing on interviews with current and former dancers and her own observation of and participation in Urban Bush Women rehearsals. This illustrated book captures the grace and power of the dancers in motion and provides an absorbing look at an innovative company that continues to raise the bar for socially conscious dance.
Author | : Ananya Chatterjea |
Publisher | : Wesleyan University Press |
Total Pages | : 404 |
Release | : 2004-12-28 |
Genre | : Performing Arts |
ISBN | : 9780819567338 |
First major study of two important contemporary female dancers.
Author | : Petra Kuppers |
Publisher | : Routledge |
Total Pages | : 314 |
Release | : 2020-07-24 |
Genre | : Performing Arts |
ISBN | : 1000155366 |
Community Performance: A Reader is the first book to provide comprehensive teaching materials for this significant part of the theatre studies curriculum. It brings together core writings and critical approaches to community performance work, presenting practices in the UK, USA, Australia and beyond. Offering a comprehensive anthology of key writings in the vibrant field of community performance, spanning dance, theatre and visual practices, this Reader uniquely combines classic writings from major theorists and practitioners such as Augusto Boal, Paolo Freire, Dwight Conquergood and Jan Cohen Cruz, with newly commissioned essays that bring the anthology right up to date with current practice. This book can be used as a stand-alone text, or together with its companion volume, Community Performance: An Introduction, to offer an accessible and classroom-friendly introduction to the field of community performance.
Author | : Thera Rasing |
Publisher | : LIT Verlag Münster |
Total Pages | : 372 |
Release | : 2002 |
Genre | : History |
ISBN | : 9783825856113 |
Interpretation of female initiation rites among Christian women in contemporary urban Zambia. These rites are examined in the context of socio-economic changes. The emphasis is on ethnographic data gathered in the field.
Author | : CAConrad |
Publisher | : Wave Books |
Total Pages | : 162 |
Release | : 2014-09-09 |
Genre | : Poetry |
ISBN | : 1940696003 |
"The (Soma)tic Exercises are innovative and crucial to our art form. . . . Conrad must be one of the most original practitioners of poetry forging new territory."—The Rumpus "There was a time some of us believed poetry and poets could save the world; CAConrad never stopped believing it."—The Huffington Post From "M.I.A. ESCALATOR": The ultrasound machine gives the parents the ability to talk to the unborn by their gender, taking the intersexed nine-month conversation away from the child. The opportunities limit us in our new world. Encourage parents to not know, encourage parents to allow anticipation on either end. Escalators are a nice ride, slowly rising and falling, writing while riding, notes for the poem, meeting new people at either end, "Excuse me, EXCUSE ME. . . ." My escalator notes became a poem. CAConrad's ECODEVIANCE contains twenty-three new (Soma)tic writing exercises and their resulting poems, in which he pushes his political and ecological efforts even further. These exercises, unorthodox steps in the writing process, work to break the reader and writer out of the quotidian and into a more politically and physically aware present. In performing these rituals, CAConrad looks through a sharper lens and confirms the necessity of poetry and politics. CAConrad is the author of several books of poetry and essays. A 2014 Lannan Fellow, a 2013 MacDowell Fellow, and a 2011 Pew Fellow, he also conducts workshops on (Soma)tic poetry and Ecopoetics.
Author | : PAWLET. BROOKES |
Publisher | : |
Total Pages | : |
Release | : 2016 |
Genre | : |
ISBN | : 9780992631932 |
Author | : Laura Flanders |
Publisher | : Verso |
Total Pages | : 374 |
Release | : 2005-04-17 |
Genre | : Biography & Autobiography |
ISBN | : 9781844675302 |
The Bushwomen--women appointed to the inner circle of the president's cabinet and sub-cabinet--are a strange breed. In this bestseller, Flanders investigates how they rose to high office, where they might be headed, and whether their power is a victory for women's equality.
Author | : Patricia Smith |
Publisher | : Coffee House Press |
Total Pages | : 84 |
Release | : 2013-11-18 |
Genre | : Poetry |
ISBN | : 1566893658 |
In minute-by-minute detail, Patricia Smith tracks Hurricane Katrina as it transforms into a full-blown mistress of destruction. From August 23, 2005, the day Tropical Depression Twelve developed, through August 28 when it became a Category Five storm with its “scarlet glare fixed on the trembling crescent,” to the heartbreaking aftermath, these poems evoke the horror that unfolded in New Orleans as America watched it on television. Assuming the voices of flailing politicians, the dying, their survivors, and the voice of the hurricane itself, Smith follows the woefully inadequate relief effort and stands witness to families held captive on rooftops and in the Superdome. She gives voice to the thirty-four nursing home residents who drowned in St. Bernard Parish and recalls the day after their deaths when George W. Bush accompanied country singer Mark Willis on guitar: The cowboy grins through the terrible din, *** And in the Ninth, a choking woman wails Look like this country done left us for dead. An unforgettable reminder that poetry can still be “news that stays news,” Blood Dazzler is a necessary step toward national healing. Patricia Smith is the author of four previous collections of poetry, including Teahouse of the Almighty, winner of the Hurston/Wright Legacy Award and the Paterson Poetry Prize. A record-setting, national poetry slam champion, she was featured in the film Slamnation, on the HBO series Def Poetry Jam, and is a frequent contributor to Harriet, the Poetry Foundation’s blog. Visit her website at www.wordwoman.ws.
Author | : Peggy Schwartz |
Publisher | : Yale University Press |
Total Pages | : 457 |
Release | : 2011-05-31 |
Genre | : Biography & Autobiography |
ISBN | : 030015643X |
Pearl Primus (1919-1994) blazed onto the dance scene in 1943 with stunning works that incorporated social and racial protest into their dance aesthetic. In "The Dance Claimed Me," Peggy and Murray Schwartz, friends and colleagues of Primus, offer an intimate perspective on her life and explore her influences on American culture, dance, and education. They trace Primus's path from her childhood in Port of Spain, Trinidad, through her rise as an influential international dancer, an early member of the New Dance Group (whose motto was "Dance is a weapon"), and a pioneer in dance anthropology. Primus traveled extensively in the United States, Europe, Israel, the Caribbean, and Africa, and she played an important role in presenting authentic African dance to American audiences. She engendered controversy in both her private and professional lives, marrying a white Jewish man during a time of segregation and challenging black intellectuals who opposed the "primitive" in her choreography. Her political protests and mixed-race tours in the South triggered an FBI investigation, even as she was celebrated by dance critics and by contemporaries like Langston Hughes. For "The Dance Claimed Me," the Schwartzes interviewed more than a hundred of Primus's family members, friends, and fellow artists, as well as other individuals to create a vivid portrayal of a life filled with passion, drama, determination, fearlessness, and brilliance.