Unofficial Art In The Soviet Union
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Author | : Paul Sjeklocha |
Publisher | : Univ of California Press |
Total Pages | : 338 |
Release | : 2023-12-22 |
Genre | : Art |
ISBN | : 0520329007 |
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
Author | : Igor Golomshtok |
Publisher | : Harvill Secker |
Total Pages | : 196 |
Release | : 1977 |
Genre | : Art |
ISBN | : |
Author | : Igor Golomshtok |
Publisher | : |
Total Pages | : 172 |
Release | : 1977 |
Genre | : Art, Soviet |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 8 |
Release | : 1977 |
Genre | : |
ISBN | : |
Author | : Museum of Soviet Unofficial Art (Jersey City, N.J.) |
Publisher | : |
Total Pages | : 106 |
Release | : 1980 |
Genre | : Dissenters, Artistic |
ISBN | : |
Author | : Marilyn Rueschemeyer |
Publisher | : Routledge |
Total Pages | : 154 |
Release | : 2016-09-16 |
Genre | : Political Science |
ISBN | : 1315288915 |
The blind mendicant in Ukrainian folk tradition is a little-known social order, but an important one. The singers of Ukrainian epics, these minstrels were organized into professional guilds that set standards for training and performance. Repressed during the Stalin era, this is their story.
Author | : Igor Golomshtok |
Publisher | : New York : Random House |
Total Pages | : 196 |
Release | : 1977 |
Genre | : Art |
ISBN | : |
Soviet in Exile is the definitive examination of unofficial art from the Soviet Union, richly illustrated in color and black-and-white. It is also the chilling story of the continuing repression of freedom of expression in that country. - Book Jacket.
Author | : Norton T. Dodge |
Publisher | : Acropolis Books (NY) |
Total Pages | : 136 |
Release | : 1977 |
Genre | : Art |
ISBN | : |
Author | : Jerome Bazin |
Publisher | : Central European University Press |
Total Pages | : 531 |
Release | : 2016-03-01 |
Genre | : Art |
ISBN | : 9633860830 |
This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe?s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists? strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period. ÿ
Author | : Diane Neumaier |
Publisher | : Rutgers University Press |
Total Pages | : 360 |
Release | : 2004 |
Genre | : Art |
ISBN | : 9780813534541 |
Photography possesses a powerful ability to bear witness, aid remembrance, shape, and even alter recollection. In Beyond Memory: Soviet Nonconformist Photography and Photo-Related Works of Art, the general editor, Diane Neumaier, and twenty-three contributors offer a rigorous examination of the medium's role in late Soviet unofficial art. Focusing on the period between the mid-1950s and the late 1980s, they explore artists' unusually inventive and resourceful uses of photography within a highly developed Soviet dissident culture. During this time, lack of high-quality photographic materials, complimented by tremendous creative impulses, prompted artists to explore experimental photo-processes such as camera and darkroom manipulations, photomontage, and hand-coloring. Photography also took on a provocative array of forms including photo installation, artist-made samizdat (self-published) books, photo-realist painting, and many other surprising applications of the flexible medium. Beyond Memory shows how innovative conceptual moves and approaches to form and content-echoes of Soviet society's coded communication and a Russian sense of absurdity-were common in the Soviet cultural underground. Collectively, the works in this anthology demonstrate how late-Soviet artists employed irony and invention to make positive use of difficult circumstances. In the process, the volume illuminates the multiple characters of photography itself and highlights the leading role that the medium has come to play in the international art world today. Beyond Memory stands on its own as a rigorous examination of photography's place in late Soviet unofficial art, while also serving as a supplement to the traveling exhibition of the same title.