Universal Biography Containing A Copious Account Critical And Historical Of The Life And Character Labors And Actions Of Eminent Person
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A Catalogue of Books in the Richmond Library, Athenacum Building
Author | : Richmond library, Richmond, Va |
Publisher | : |
Total Pages | : 112 |
Release | : 1855 |
Genre | : |
ISBN | : |
A Classical Dictionary; Containing a Copious Account of All the Proper Names Mentioned in Ancient Authors:
Author | : John Lemprière |
Publisher | : |
Total Pages | : 892 |
Release | : 1820 |
Genre | : Classical dictionaries |
ISBN | : |
Catalogue of the Pennsylvania State Library
Author | : Pennsylvania State Library |
Publisher | : |
Total Pages | : 1478 |
Release | : 1859 |
Genre | : Bibliography |
ISBN | : |
Universal Catalogue of Books on Art: L to Z
Author | : National Art Library (Great Britain) |
Publisher | : |
Total Pages | : 1140 |
Release | : 1870 |
Genre | : Art |
ISBN | : |
Retaining the Old Episcopal Divinity
Author | : Jake Griesel |
Publisher | : Oxford University Press |
Total Pages | : 257 |
Release | : 2022 |
Genre | : Religion |
ISBN | : 0197624324 |
"John Edwards of Cambridge (1637-1716) has typically been portrayed as a marginalized 'Calvinist' in an overwhelmingly 'Arminian' later Stuart Church of England. In Retaining the Old Episcopal Divinity, Jake Griesel challenges this depiction of Edwards and the theological climate of his contemporary Church. Griesel demonstrates that Edwards was recognized in his own day and the immediately following generations as one of the preeminent conforming divines of the period, who featured prominently in notable theological controversies concerning contemporaries such as John Locke, Gilbert Burnet, Daniel Whitby, William Whiston, and Samuel Clarke. Despite some Arminian opposition, Edwards' theological works are shown to have enjoyed a warm reception among sizable segments of the established Church's clergy, many of whom shared his Reformed convictions. Instead of a theological misfit, this study contends that the anti-Arminian Edwards was a decidedly mainstream churchman. Griesel's reassessment has ramifications far beyond the figure of Edwards, however, and ultimately serves as a prism through which to visualize with much greater clarity the broader theological landscape of the later Stuart Church of England, and particularly the place of Reformed orthodoxy within it. It substantially develops recent research on the persisting vitality of Reformed theology within the post-Restoration Church by demonstrating to an unprecedented extent the sheer strength and numbers of conforming Reformed divines between the Restoration and the evangelical revivals. Finally, Griesel problematizes the idea that the post-Restoration Church developed a fairly homogeneous 'Anglican' identity, and argues instead that the Church in this period was theologically and ecclesio-politically variegated"--
First Proofs of the Universal Catalogue of Books on Art
Author | : National Art Library (Great Britain) |
Publisher | : |
Total Pages | : 1142 |
Release | : 1870 |
Genre | : Art |
ISBN | : |