Understanding the New Black Poetry

Understanding the New Black Poetry
Author: Stephen Evangelist Henderson
Publisher:
Total Pages: 428
Release: 1973
Genre: Juvenile Nonfiction
ISBN:
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Stephen Henderson has edited an anthology of the best of black poetry with an emphasis on the poetry of the 60's. But this anthology differs from others in significant ways. First, the introduction is extensive, giving tentative answers to such questions as: What makes a poem black? Who decides? What criteria does one use? The author's thesis is that the new black poetry's main referents are black speech and black music. Second, the author explores the many forms that black poets use, commenting on what is black technically in the poetry. Third, the poems anthologized include examples from the oral (folk sermon, spirituals, blues, ballad, rap) as well as the literary tradition. -- From publisher's description.

Dudley Randall, Broadside Press, and the Black Arts Movement in Detroit, 1960-1995

Dudley Randall, Broadside Press, and the Black Arts Movement in Detroit, 1960-1995
Author: Julius E. Thompson
Publisher: McFarland
Total Pages: 356
Release: 2005-02-15
Genre: Social Science
ISBN: 9780786422647
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In 1965 Dudley F. Randall founded the Broadside Press, a company devoted to publishing, distributing and promoting the works of black poets and writers. In so doing, he became a major player in the civil rights movement. Hundreds of black writers were given an outlet for their work and for their calls for equality and black identity. Though Broadside was established on a minimal budget, Randall's unique skills made the press successful. He was trained as a librarian and had spent decades studying and writing poetry; most importantly, Randall was totally committed to the advancement of black literature. The famous and relatively unknown sought out Broadside, including such writers as Gwendolyn Brooks, Margaret Walker, Mae Jackson, Lance Jeffers, Etheridge Knight, Sonia Sanchez, Nikki Giovanni, Audre Lorde and Sterling D. Plumpp. His story is one of battling to promote black identity and equality through literature, and thus lifting the cultural lives of all Americans.

The Oxford Handbook of African American Language

The Oxford Handbook of African American Language
Author: Sonja Lanehart
Publisher: Oxford University Press
Total Pages: 928
Release: 2015-05-04
Genre: Language Arts & Disciplines
ISBN: 0199795509
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The goal of The Oxford Handbook of African American Language is to provide readers with a wide range of analyses of both traditional and contemporary work on language use in African American communities in a broad collective. The Handbook offers a survey of language and its uses in African American communities from a wide range of contexts organized into seven sections: Origins and Historical Perspectives; Lects and Variation; Structure and Description; Child Language Acquisition and Development; Education; Language in Society; and Language and Identity. It is a handbook of research on African American Language (AAL) and, as such, provides a variety of scholarly perspectives that may not align with each other -- as is indicative of most scholarly research. The chapters in this book "interact" with one another as contributors frequently refer the reader to further elaboration on and references to related issues and connect their own research to related topics in other chapters within their own sections and the handbook more generally to create dialogue about AAL, thus affirming the need for collaborative thinking about the issues in AAL research. Though the Handbook does not and cannot include every area of research, it is meant to provide suggestions for future work on lesser-studied areas (e.g., variation/heterogeneity in regional, social, and ethnic communities) by highlighting a need for collaborative perspectives and innovative thinking while reasserting the need for better research and communication in areas thought to be resolved.

Martin Luther King Jr., Heroism, and African American Literature

Martin Luther King Jr., Heroism, and African American Literature
Author: Trudier Harris
Publisher: University of Alabama Press
Total Pages: 197
Release: 2014-11-15
Genre: Biography & Autobiography
ISBN: 0817318445
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Defiance of the law, uses of indirection, moral lapses, and bad habits are as much a part of the folk-transmitted biography of King as they are a part of writers' depictions of him in literary texts. Harris first demonstrates that during the Black Arts Movement of the 1960s, when writers such as Nikki Giovanni, Sonia Sanchez, and LeRoi Jones (Amiri Baraka) were rising stars in African American poetry, King's philosophy of nonviolence was out of step with prevailing notions of militancy (Black Power), and their literature reflected that division. In the quieter times of the 1970s and 1980s and into the twenty-first century, however, treatments of King and his philosophy in African American literature changed. Writers who initially rejected him and nonviolence became ardent admirers and boosters, particularly in the years following his assassination. By the 1980s, many writers skeptical about King had reevaluated him and began to address him as a fallen hero.

Encyclopedia of African American Society

Encyclopedia of African American Society
Author: Gerald D. Jaynes
Publisher: SAGE Publications
Total Pages: 1113
Release: 2005-02-01
Genre: Social Science
ISBN: 1452265410
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Do your students or patrons ever ask you about African Americans in sports? How about African American Academy Award winners? Or perhaps you′re asked about more complex social issues regarding the unemployment rate among African Americans, or the number of African American men on death row? If these questions sound familiar, the Encyclopedia of African American Society is a must-have for your library. This two-volume reference seeks to capture the ways in which the tenets and foundations of African American culture have given rise to today′s society. Approaching the field from a "street level" perspective, these two volumes cover topics of universal interest in America: rap music, sports, television, cinema, racism, religion, literature, and much more. The Encyclopedia of African American Society is also the first comprehensive yet accessible reference set in this field to give voice to the turbulent historical trends–slavery, segregation, "separate but equal"–that are often ignored in favor of mere facts. This is a definitive, reliable, and accessible entry point to learning the basics about African American society. The encyclopedia is anchored by alphabetically arranged essays on such topics as abolitionism, affirmative action, and the civil rights movement. More than just a "who′s who", these volumes emphasize social issues and events—those filled with significance and consequence through history. Civil Rights, economic growth, law and justice, and politics—with all of their numerous subcategories—receive substantial coverage. The encyclopedia naturally contains hundreds of articles on notable African Americans (Martin Luther King, Jr., Jackie Robinson, Miles Davis), groundbreaking events (Emancipation Proclamation, Los Angeles Riots), sports and culture (Rap Music, Jazz), and significant heritage sites (Apollo Theater). This much needed two-volume encyclopedia should become a staple in collections at school, public, and academic libraries. Readers of all ages, backgrounds, and ethnic or racial groups will find fascinating material on every page. Key Features Nearly 700 signed articles Almost 50 photographs Complete list of African Americans in sports Halls of Fame Cross-referenced for easy links from one topic to another Reader′s guide facilitates easy browsing for relevant articles Clear, accessible writing style appropriate for high school and college students and interested lay readers Comprehensive index and bibliography Topics Covered Concepts and Theories Fine Arts, Theater, and Entertainment Health and Education History and Heritage Literature Media Movements and Events Music and Dance Organizations and Institutions Places Politics and Policy Popular Culture Religion and Beliefs The Road to Freedom Science, Technology, and Business Social Issues Special Populations Sports Advisory Board Sherri L. Barnes, Davidson Library, University of California, Santa Barbara W. Maurice Shipley, Ph.D., Ohio State University William H. Wiggins, Jr., Ph.D., Indiana University

Fields Watered with Blood

Fields Watered with Blood
Author: Margaret Walker
Publisher: University of Georgia Press
Total Pages: 386
Release: 2014
Genre: Literary Criticism
ISBN: 0820338869
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Representing an international gathering of scholars, Fields Watered with Blood constitutes the first critical assessment of the full scope of Margaret Walker’s literary career. As they discuss Walker’s work, including the landmark poetry collection For My People and the novel Jubilee, the contributors reveal the complex interplay of concerns and themes in Walker’s writing: folklore and prophecy, place and space, history and politics, gender and race. In addition, the contributors remark on how Walker’s emphases on spirituality and on dignity in her daily life make themselves felt in her writings and show how Walker’s accomplishments as a scholar, teacher, activist, mother, and family elder influenced what and how she wrote. A brief biography, an interview with literary critic Claudia Tate, a chronology of major events in Walker’s life, and a selected bibliography round out this collection, which will do much to further our understanding of the writer whom poet Nikki Giovanni once called “the most famous person nobody knows.”

Africa in Stereo

Africa in Stereo
Author: Tsitsi Ella Jaji
Publisher: Oxford University Press
Total Pages: 289
Release: 2014
Genre: Art
ISBN: 0199936374
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Stereomodernism and amplifying the Black Atlantic -- Sight reading: early Black South African transcriptions of freedom -- Négritude musicology: poetry, performance and statecraft in Senegal -- What women want: selling hi-fi in consumer magazines and film -- 'Soul to soul': echo-locating histories of slavery and freedom from Ghana -- Pirate's choice: hacking into (post- )pan-African futures -- Epilogue: Singing songs.

Free at Last?

Free at Last?
Author: Juan Battle
Publisher: Routledge
Total Pages: 462
Release: 2017-07-05
Genre: Social Science
ISBN: 1351519123
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As this volume indicates, the issues facing black America are diverse, and the tools needed to understand these phenomena cross disciplinary boundaries. In this anthology, the authors address a wide range of topics including race, gender, class, sexual orientation, globalism, migration, health, politics, culture, and urban issues-from a diversity of disciplinary perspectives.

Black Resonance

Black Resonance
Author: Emily J. Lordi
Publisher: Rutgers University Press
Total Pages: 304
Release: 2013-11-08
Genre: Literary Criticism
ISBN: 0813562511
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Ever since Bessie Smith’s powerful voice conspired with the “race records” industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women’s singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith’s blues and Richard Wright’s neglected film of Native Son, Mahalia Jackson’s gospel music and Ralph Ellison’s Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century’s most beloved and challenging voices.

The African American Sonnet

The African American Sonnet
Author: Timo Müller
Publisher: Univ. Press of Mississippi
Total Pages: 185
Release: 2018-08-02
Genre: Literary Criticism
ISBN: 1496817869
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Some of the best known African American poems are sonnets: Claude McKay's "If We Must Die," Countee Cullen's "Yet Do I Marvel," Gwendolyn Brooks's "First fight. Then fiddle." Yet few readers realize that these poems are part of a rich tradition that formed after the Civil War and comprises more than a thousand sonnets by African American poets. Paul Laurence Dunbar, Jean Toomer, Langston Hughes, Margaret Walker, and Rita Dove all wrote sonnets. Based on extensive archival research, The African American Sonnet: A Literary History traces this forgotten tradition from the nineteenth century to the present. Timo Müller uses sonnets to open up fresh perspectives on African American literary history. He examines the struggle over the legacy of the Civil War, the trajectories of Harlem Renaissance protest, the tensions between folk art and transnational perspectives in the thirties, the vernacular modernism of the postwar period, the cultural nationalism of the Black Arts movement, and disruptive strategies of recent experimental poetry. In this book, Müller examines the inventive strategies African American poets devised to occupy and reshape a form overwhelmingly associated with Europe. In the tightly circumscribed space of sonnets, these poets mounted evocative challenges to the discursive and material boundaries they confronted.