Unified Reality Theory

Unified Reality Theory
Author: Steven Kaufman
Publisher: Balboa Press
Total Pages: 543
Release: 2015-12-04
Genre: Philosophy
ISBN: 150434376X

“Unified Reality Theory demonstrates that the source of reality is a universal consciousness, and that we are in no way separable from that source, and so in no way truly separable from each other or any other aspect of reality. I recommend this book to anyone interested in understanding the nature of reality and their place in it.” —Deepak Chopra Unified Reality Theory describes how all reality evolves from an absolute existence. It also demonstrates that this absolute existence must have consciousness as an attribute that’s intrinsic to its being. Thus, Unified Reality Theory shows that consciousness, rather than being a product of the evolution of physical reality, is itself the source of what we experience as physical reality, and that physical reality is itself but one aspect of an evolving universal consciousness. Unified Reality Theory shows that, most fundamentally, this absolute consciousness-existence evolves into reality by means of a single process: self-relation. That is, consciousness-existence becomes reality by forming relationships with itself, analogous in a very limited way to what happens to a rubber band that’s twisted upon itself, i.e., it remains whole while differentiating into other forms. Thus, Unified Reality Theory demonstrates that reality is a state of existential self-relation. The idea that the universe consists of existence which has formed relationships with itself isn’t new; Taoists have understood this idea for at least a couple of thousand years. What’s new here is the presentation of this idea in the form of a detailed and defined structural model that correlates with the behavior of physical reality as described by science in general and physics in particular. Ultimately, Unified Reality Theory uses science and logic to make the case that God exists, as a pervasive and absolute consciousness that transcends the realities of space and time, and that we, as well as everything else, are that!

Contemporary Japanese Philosophy

Contemporary Japanese Philosophy
Author: John W. M. Krummel
Publisher: Rowman & Littlefield
Total Pages: 297
Release: 2019-08-23
Genre: Philosophy
ISBN: 1786600862

Contemporary Japanese Philosophy: A Reader is an anthology of contemporary (post-war) Japanese philosophy showcasing a range of important philosophers and philosophical trends from 1945 to the present. This important and comprehensive volume introduces the reader to a variety of trends and schools of thought. The first part consists of selections and excerpts of writings from contemporary Japanese philosophers who have made original contributions to Japanese philosophy and promise contributions to world philosophy. Most of these selections appear in English for the first time. The second part consists of original essays written for this volume by scholars in Japanese philosophy on specific trends and tendencies of contemporary Japanese philosophy, such as feminist philosophy, the Kyoto School, and environmental philosophy, as well as future directions the field is likely to take. Ideal for classroom use, this is the ultimate resource for students and teachers of Japanese philosophy.

The Oxford Handbook of Aesthetics

The Oxford Handbook of Aesthetics
Author: Jerrold Levinson
Publisher: Oxford University Press
Total Pages: 844
Release: 2005-01-27
Genre: Art
ISBN: 9780199279456

'The Oxford Handbook of Aesthetics' has assembled 48 brand-new essays, making this a comprehensive guide available to the theory, application, history, and future of the field.

Art Theory as Visual Epistemology

Art Theory as Visual Epistemology
Author: Harald Klinke
Publisher: Cambridge Scholars Publishing
Total Pages: 155
Release: 2014-06-26
Genre: Art
ISBN: 1443862517

How can we “know”? What does “knowledge” mean? These were the fundamental questions of epistemology in the 17th century. In response to continental rationalism, the British empiricist John Locke proposed that the only knowledge humans can have is acquired a posterior. In a discussion of the human mind, he argued, the source of knowledge is sensual experience – mostly vision. Since vision and picture-making are the realm of art, art theory picked up on questions such as: are pictures able to represent knowledge about the world? How does the production of images itself generate knowledge? How does pictorial logic differ from linguistic logic? How can artists contribute to a collective search for truth? Questions concerning the epistemic potential of art can be found throughout the centuries up until the present day. However, these are not questions of art alone, but of the representational value of images in general. Thus, the history of art theory can contribute much to recent discussions in Visual Studies and Bildwissenschaften by showing the historic dimension of arguments about what images are or should be. “What is knowledge?” is as much a philosophic question as “What is an image?” Visual epistemology is a new and promising research field that is best investigated using an interdisciplinary approach that addresses a range of interconnected areas, such as internal and external images and the interplay of producer and perceiver of images. This publication outlines this territory by gathering together several approaches to visual epistemology by many distinguished authors.

The Cognitive-Theoretic Model of the Universe: A New Kind of Reality Theory

The Cognitive-Theoretic Model of the Universe: A New Kind of Reality Theory
Author: Christopher Michael Langan
Publisher: Mega Foundation Press
Total Pages: 94
Release: 2002-06-01
Genre: Philosophy
ISBN: 0971916225

Paperback version of the 2002 paper published in the journal Progress in Information, Complexity, and Design (PCID). ABSTRACT Inasmuch as science is observational or perceptual in nature, the goal of providing a scientific model and mechanism for the evolution of complex systems ultimately requires a supporting theory of reality of which perception itself is the model (or theory-to-universe mapping). Where information is the abstract currency of perception, such a theory must incorporate the theory of information while extending the information concept to incorporate reflexive self-processing in order to achieve an intrinsic (self-contained) description of reality. This extension is associated with a limiting formulation of model theory identifying mental and physical reality, resulting in a reflexively self-generating, self-modeling theory of reality identical to its universe on the syntactic level. By the nature of its derivation, this theory, the Cognitive Theoretic Model of the Universe or CTMU, can be regarded as a supertautological reality-theoretic extension of logic. Uniting the theory of reality with an advanced form of computational language theory, the CTMU describes reality as a Self Configuring Self-Processing Language or SCSPL, a reflexive intrinsic language characterized not only by self-reference and recursive self-definition, but full self-configuration and self-execution (reflexive read-write functionality). SCSPL reality embodies a dual-aspect monism consisting of infocognition, self-transducing information residing in self-recognizing SCSPL elements called syntactic operators. The CTMU identifies itself with the structure of these operators and thus with the distributive syntax of its self-modeling SCSPL universe, including the reflexive grammar by which the universe refines itself from unbound telesis or UBT, a primordial realm of infocognitive potential free of informational constraint. Under the guidance of a limiting (intrinsic) form of anthropic principle called the Telic Principle, SCSPL evolves by telic recursion, jointly configuring syntax and state while maximizing a generalized self-selection parameter and adjusting on the fly to freely-changing internal conditions. SCSPL relates space, time and object by means of conspansive duality and conspansion, an SCSPL-grammatical process featuring an alternation between dual phases of existence associated with design and actualization and related to the familiar wave-particle duality of quantum mechanics. By distributing the design phase of reality over the actualization phase, conspansive spacetime also provides a distributed mechanism for Intelligent Design, adjoining to the restrictive principle of natural selection a basic means of generating information and complexity. Addressing physical evolution on not only the biological but cosmic level, the CTMU addresses the most evident deficiencies and paradoxes associated with conventional discrete and continuum models of reality, including temporal directionality and accelerating cosmic expansion, while preserving virtually all of the major benefits of current scientific and mathematical paradigms.

Theory of Form

Theory of Form
Author: Florian Klinger
Publisher: University of Chicago Press
Total Pages: 187
Release: 2022-06-14
Genre: ART
ISBN: 022634715X

"The text is at once a meditation on theories of form and an essay on the painter Gerhard Richter as a philosophical pragmatist. Richter serves as the inspiration for a broader argument about the nature of "art" itself and for what Klinger professes to be a fresh approach to contemporary art more generally. He (1) addresses the widely conceded exhaustion of the modernist-postmodernist paradigm that has been used to negotiate the "essence of art" for decades and (2) offers what he says is a solution to the resulting gap that leaves us unclear on how to make art and talk about it. He draws on Kuhn's definition that a paradigm consists of the pre-theoretical framework of any practice: While rules and principles, where they exist, grow out of the paradigm, the paradigm can guarantee the functioning of a practice in the absence of rules. He sees Richter as relevant because the painter has never accepted the modern, neo-avant-garde, or postmodern movements as paradigms for his production. Klinger maintains that the goal of Richter's artistic program is "to replace traditional essentialist models of artistic form by a pragmatic model" of respecting the properties of actual physical substances at hand, such as paint, and making art in terms of process rather than with a prescribed end. This way, the modernist-postmodernist paradigm is neither affirmed nor perpetuated in the mode of its reversal, critique or deconstruction, but replaced by something else that forms an effective reaction to the situation without directly deriving from it"--

Helgoland

Helgoland
Author: Carlo Rovelli
Publisher: Penguin
Total Pages: 256
Release: 2021-05-25
Genre: Science
ISBN: 0593328906

Named a Best Book of 2021 by the Financial Times and a Best Science Book of 2021 by The Guardian “Rovelli is a genius and an amazing communicator… This is the place where science comes to life.” ―Neil Gaiman “One of the warmest, most elegant and most lucid interpreters to the laity of the dazzling enigmas of his discipline...[a] momentous book” ―John Banville, The Wall Street Journal A startling new look at quantum theory, from the New York Times bestselling author of Seven Brief Lessons on Physics, The Order of Time, and Anaximander. One of the world's most renowned theoretical physicists, Carlo Rovelli has entranced millions of readers with his singular perspective on the cosmos. In Helgoland, he examines the enduring enigma of quantum theory. The quantum world Rovelli describes is as beautiful as it is unnerving. Helgoland is a treeless island in the North Sea where the twenty-three-year-old Werner Heisenberg made the crucial breakthrough for the creation of quantum mechanics, setting off a century of scientific revolution. Full of alarming ideas (ghost waves, distant objects that seem to be magically connected, cats that appear both dead and alive), quantum physics has led to countless discoveries and technological advancements. Today our understanding of the world is based on this theory, yet it is still profoundly mysterious. As scientists and philosophers continue to fiercely debate the meaning of the theory, Rovelli argues that its most unsettling contradictions can be explained by seeing the world as fundamentally made of relationships rather than substances. We and everything around us exist only in our interactions with one another. This bold idea suggests new directions for thinking about the structure of reality and even the nature of consciousness. Rovelli makes learning about quantum mechanics an almost psychedelic experience. Shifting our perspective once again, he takes us on a riveting journey through the universe so we can better comprehend our place in it.

But Is It Art?

But Is It Art?
Author: Cynthia Freeland
Publisher: OUP Oxford
Total Pages: 254
Release: 2002-02-07
Genre: Art
ISBN: 0191504254

In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.