Understanding Of Visual Arts Theory And Practice
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| Author | : Rajkumar Pandey |
| Publisher | : Blue Rose Publishers |
| Total Pages | : 240 |
| Release | : 2024-09-04 |
| Genre | : Art |
| ISBN | : |
Understanding of Visual Arts: Theory and Practice" is a comprehensive guide designed for students and enthusiasts of fine arts. This book delves into the fundamental concepts of visual arts, covering essential topics such as the Elements of Art, Principles of Composition, and the Six Limbs of Arts (Shadang). It also explores various mediums, techniques, and the difference between two-dimensional and three-dimensional art. Special emphasis is placed on drawing and rendering, perspective, aesthetics, and the cultural impact of art on society. Additionally, the book offers insights into Indian folk arts, photography, and career opportunities in the field of visual arts. Richly illustrated and thoughtfully structured, this book serves as both a theoretical framework and a practical guide, making it an invaluable resource for BFA students and anyone passionate about visual arts.
| Author | : Graeme Sullivan |
| Publisher | : SAGE |
| Total Pages | : 294 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9781412905367 |
'Art Practice as Research' presents a compelling argument that the creative and cultural inquiry undertaken by artists is a form of research. The text explores themes, practice, and contexts of artistic inquiry and positions them within the discourse of research.
| Author | : James Elkins |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 221 |
| Release | : 2020-12-07 |
| Genre | : Art |
| ISBN | : 311072247X |
The End of Diversity in Art Historical Writing is the most globally informed book on world art history, drawing on research in 76 countries. In addition some chapters have been crowd sourced: posted on the internet for comments, which have been incorporated into the text. It covers the principal accounts of Eurocentrism, center and margins, circulations and atlases of art, decolonial theory, incommensurate cultures, the origins and dissemination of the "October" model, problems of access to resources, models of multiple modernisms, and the emergence of English as the de facto lingua franca of art writing.
| Author | : Otto G. Ocvirk |
| Publisher | : |
| Total Pages | : 244 |
| Release | : 1968 |
| Genre | : Art |
| ISBN | : |
| Author | : Julie Reiss |
| Publisher | : Vernon Press |
| Total Pages | : 172 |
| Release | : 2019-03-31 |
| Genre | : Art |
| ISBN | : 162273436X |
Art, Theory and Practice in the Anthropocene contributes to the growing literature on artistic responses to global climate change and its consequences. Designed to include multiple perspectives, it contains essays by thirteen art historians, art critics, curators, artists and educators, and offers different frameworks for talking about visual representation and the current environmental crisis. The anthology models a range of methodological approaches drawn from different disciplines, and contributes to an understanding of how artists and those writing about art construct narratives around the environment. The book is illustrated with examples of art by nearly thirty different contemporary artists.
| Author | : George Adolphus Storey |
| Publisher | : |
| Total Pages | : 338 |
| Release | : 1910 |
| Genre | : Geometrical drawing |
| ISBN | : |
| Author | : Mariusz Stanowski |
| Publisher | : CRC Press |
| Total Pages | : 190 |
| Release | : 2021-06-09 |
| Genre | : Science |
| ISBN | : 1000393666 |
The book Theory and Practice of Contrast completes, corrects and integrates the foundations of science and humanities, which include: theory of art, philosophy (aesthetics, epistemology, ontology, axiology), cognitive science, theory of information, theory of complexity and physics. Through the integration of these distant disciplines, many unresolved issues in contemporary science have been clarified or better understood, among others: defining impact (contrast) and using this definition in different fields of knowledge; understanding what beauty/art is and what our aesthetic preferences depend on; deeper understanding of what complexity and information are in essence, and providing their general definitions. Complexity means integration, value and goodness - concepts that seem to be neglected today. The book also has a high degree of integration/complexity, although each chapter introduces a new issue. The last chapter: "Binary Model of the Universe" draws attention to the need for including in physics the analysis of our mind and the resulting new possibilities, which include the mentioned (digital) model of the universe. Despite the difficult issues raised here, this study is written in accessible language and may be interesting not only for scientists and academics.
| Author | : Anna Bentkowska-Kafel |
| Publisher | : Intellect Books |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : Computer art |
| ISBN | : 9781841502489 |
Digital creativity is boundless. Art practitioners and scholars continue to explore what technology has to offer and practice-based research is redefining their disciplines. What happens when an artist experiments with bio-scientific data and discovers something the scientists failed to notice? How do virtual telematic environments affect our relationship with the object and our understanding of identity and presence? Interactive engagement with the creative process takes precedence over the finite piece thus affecting the roles of the artist and the viewer. The experience of arts computing in.
| Author | : Steven J. Corbett |
| Publisher | : |
| Total Pages | : |
| Release | : 2019 |
| Genre | : Arts |
| ISBN | : 9781646420247 |
"The performing and visual arts have much to offer writing studies in terms of process, creativity, design, delivery, and habits of mind (and body). This collection is intended for teachers and researchers of writing in and across the disciplines, in both secondary and post-secondary settings, and for those outside of writing studies who wish to infuse more writing into their performing and visual arts curricula and courses. Contributors showcase ways of knowing and doing in the performing and visual arts. This collection expands on the concepts and ideas from the special issue of the journal Across the Disciplines (https://wac.colostate.edu/atd/special/arts/), especially in terms of writing pedagogy, assessment, and secondary-school connections in the performing and visual arts. Contributors also offer teachers in the performing and visual arts practical designs and strategies for teaching writing in their fields"--
| Author | : Ian Heywood |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 816 |
| Release | : 2017-04-20 |
| Genre | : Art |
| ISBN | : 1350026506 |
Visual culture has become one of the most dynamic fields of scholarship, a reflection of how the study of human culture increasingly requires distinctively visual ways of thinking and methods of analysis. Bringing together leading international scholars to assess all aspects of visual culture, the Handbook aims to provide a comprehensive and authoritative overview of the subject. The Handbook embraces the extraordinary range of disciplines which now engage in the study of the visual - film and photography, television, fashion, visual arts, digital media, geography, philosophy, architecture, material culture, sociology, cultural studies and art history. Throughout, the Handbook is responsive to the cross-disciplinary nature of many of the key questions raised in visual culture around digitization, globalization, cyberculture, surveillance, spectacle, and the role of art. The Handbook guides readers new to the area, as well as experienced researchers, into the topics, issues and questions that have emerged in the study of visual culture since the start of the new millennium, conveying the boldness, excitement and vitality of the subject.
