Underground Rap As Religion
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| Author | : Jon Ivan Gill |
| Publisher | : Routledge |
| Total Pages | : 292 |
| Release | : 2019-10-28 |
| Genre | : Religion |
| ISBN | : 1351391321 |
Underground rap is largely a subversive, grassroots, and revolutionary movement in underground hip-hop, tending to privilege creative freedom as well as progressive and liberating thoughts and actions. This book contends that many practitioners of underground rap have absorbed religious traditions and ideas, and implement, critique, or abandon them in their writings. This in turn creates processural mutations of God that coincide with and speak to the particular context from which they originate. Utilising the work of scholars like Monica Miller and Alfred North Whitehead, Gill uses a secular religious methodology to put forward an aesthetic philosophy of religion for the rap portion of underground hip-hop. Drawing from Whiteheadian process thought, a theopoetic argument is made. Namely, that it is not simply the case that is God the "poet of the world", but rather rap can, in fact, be the poet (creator) of its own form of quasi-religion. This is a unique look at the religious workings and implications of underground rap and hip hop. As such, it will be of keen interest to scholars of Religious Studies, Hip-Hop Studies and Process Philosophy and Theology.
| Author | : Monica R. Miller |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 294 |
| Release | : 2015-04-23 |
| Genre | : Social Science |
| ISBN | : 1472507223 |
Now a global and transnational phenomenon, hip hop culture continues to affect and be affected by the institutional, cultural, religious, social, economic and political landscape of American society and beyond. Over the past two decades, numerous disciplines have taken up hip hop culture for its intellectual weight and contributions to the cultural life and self-understanding of the United States. More recently, the academic study of religion has given hip hop culture closer and more critical attention, yet this conversation is often limited to discussions of hip hop and traditional understandings of religion and a methodological hyper-focus on lyrical and textual analyses. Religion in Hip Hop: Mapping the Terrain provides an important step in advancing and mapping this new field of Religion and Hip Hop Studies. The volume features 14 original contributions representative of this new terrain within three sections representing major thematic issues over the past two decades. The Preface is written by one of the most prolific and founding scholars of this area of study, Michael Eric Dyson, and the inclusion of and collaboration with Bernard 'Bun B' Freeman fosters a perspective internal to Hip Hop and encourages conversation between artists and academics.
| Author | : Kamaludeen Mohamed Nasir |
| Publisher | : Indiana University Press |
| Total Pages | : 222 |
| Release | : 2020-12-01 |
| Genre | : Social Science |
| ISBN | : 0253053056 |
How do Muslims who grew up after September 11 balance their love for hip-hop with their devotion to Islam? How do they live the piety and modesty called for by their faith while celebrating an art form defined, in part, by overt sexuality, violence, and profanity? In Representing Islam, Kamaludeen Mohamed Nasir explores the tension between Islam and the global popularity of hip-hop, including attempts by the hip-hop ummah, or community, to draw from the struggles of African Americans in order to articulate the human rights abuses Muslims face. Nasir explores state management of hip-hop culture and how Muslim hip-hoppers are attempting to "Islamize" the genre's performance and jargon to bring the music more in line with religious requirements, which are perhaps even more fraught for female artists who struggle with who has the right to speak for Muslim women. Nasir also investigates the vibrant underground hip-hop culture that exists online. For fans living in conservative countries, social media offers an opportunity to explore and discuss hip-hop when more traditional avenues have been closed. Representing Islam considers the complex and multifaceted rise of hip-hop on a global stage and, in doing so, asks broader questions about how Islam is represented in this global community.
| Author | : Christopher Partridge |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 561 |
| Release | : 2023-06-15 |
| Genre | : Social Science |
| ISBN | : 1350286982 |
The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology, cultural analysis, and sociology. It comprises 30 updated essays and six new chapters covering the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular.
| Author | : Jon Ivan Gill |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 113 |
| Release | : 2022-04-14 |
| Genre | : Philosophy |
| ISBN | : 1725252783 |
Based on the categories of mainstream philosophy of religion, we must ask the question if said categories are adequate to describe the conceptual frameworks of traditions not philosophically dependent on Western theistic understandings, such as religious traditions and philosophies of life emerging from the continent of Africa and appearing in the United States, the Caribbean, North, Central, and South America, and Europe. This book host students from Pomona College and Pitzer College (Claremont Colleges, Claremont, California) who have analyzed the field of philosophy of religion as it stands to determine which of its insights can be applied to Afro-diasporic and Afrofuturist notions of "religion" and which ones cannot. Their reflections in these chapters will ask: how do we define Afro-diasporic religion, what would a robust philosophy of religion of Afro-diasporic and Afrofuturist religions draw from, what categories would/should it contain, how would we construct such a non-Western methodology of philosophy of religion, and what sources would we use to construct such a philosophy of religion? In an attempt to aesthetically experience what Afro-diasporic and Afrofuturist philosophies of religion are/could be, the text will rely heavily on fiction novels, poetry, music, movies, and texts written by Afro-diasporic people from various social locations and perspectives on some African notions of religion, among other centers of reflection.
| Author | : Christina Zanfagna |
| Publisher | : Univ of California Press |
| Total Pages | : 218 |
| Release | : 2017-08-29 |
| Genre | : Music |
| ISBN | : 0520296206 |
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop—a movement merging Christianity and hip hop culture—to “save” themselves and the city. Converting street corners to open-air churches and gangsta rap beats into anthems of praise, holy hip hoppers used gospel rap to navigate complicated social and spiritual realities and to transform the Southland’s fractured terrains into musical Zions. Armed with beats, rhymes, and bibles, they journeyed through black Lutheran congregations, prison ministries, African churches, reggae dancehalls, hip hop clubs, Nation of Islam meetings, and Black Lives Matter marches. Zanfagna’s fascinating ethnography provides a contemporary and unique view of black LA, offering a much-needed perspective on how music and religion intertwine in people's everyday experiences.
| Author | : Erika D. Gault |
| Publisher | : Routledge |
| Total Pages | : 280 |
| Release | : 2019-11-18 |
| Genre | : Religion |
| ISBN | : 0429589654 |
Christians and Christianity have been central to Hip Hop since its inception. This book explores the intersection of Christians and Hip Hop and the multiple outcomes of this intersection. It lays out the ways in which Christians and Hip Hop overlap and diverge. The intersection of Christians and Hip Hop brings together African diasporic cultures, lives, memories and worldviews. Moving beyond the focus on rappers and so-called "Christian Hip Hop," each chapter explores three major themes of the book: identifying Hip Hop, irreconcilable Christianity, and boundaries.There is a self-identified Christian Hip Hop (CHH) community that has received some scholarly attention. At the same time, scholars have analyzed Christianity and Hip Hop without focusing on the self-identified community. This book brings these various conversations together and show, through these three themes, the complexities of the intersection of Christians and Hip Hop. Hip Hop is more than rap music, it is an African diasporic phenomenon. These three themes elucidate the many characteristics of the intersection between Christians and Hip Hop and our reasoning for going beyond "Christian Hip Hop." This collection is a multi-faceted view of how religious belief plays a role in Hip Hoppas' lives and community. It will, therefore, be of great interest to scholars of Religion and Hip Hop, Hip Hop, African Diasporas, Religion and the Arts, Religion and Race and Black Theology as well as Religious Studies more generally.
| Author | : Bruce David Forbes |
| Publisher | : Univ of California Press |
| Total Pages | : 459 |
| Release | : 2017-03-01 |
| Genre | : Religion |
| ISBN | : 0520965221 |
The connection between popular culture and religion is an enduring part of American life. With seventy-five percent new content, the third edition of this multifaceted and popular collection has been revised and updated throughout to provide greater religious diversity in its topics and address critical developments in the study of religion and popular culture. Ideal for classroom use, this expanded volume gives increased attention to the implications of digital culture and the increasingly interactive quality of popular culture provides a framework to help students understand and appreciate the work in diverse fields, methods, and perspectives contains an updated introduction, discussion questions, and other instructional tools
| Author | : Eric Mazur |
| Publisher | : Routledge |
| Total Pages | : 675 |
| Release | : 2010-10-04 |
| Genre | : Religion |
| ISBN | : 1136993126 |
Exploring the blurred boundary between religion and pop culture, God in the Details offers a provocative look at the breadth and persistence of religious themes in the American consciousness. This new edition reflects the explosion of online activity since the first edition, including chapters on the spiritual implications of social networking sites, and the hazy line between real and virtual religious life in the online community Second Life. Also new to this edition are chapters on the migration of black male expression from churches to athletic stadiums, new configurations of the sacred and the commercial, and post 9/11 spirituality and religious redemption through an analysis of vampire drama, True Blood. Popular chapters on media, sports, and other pop culture experiences have been revised and updated, making this an invaluable resource for students and scholars alike.
| Author | : Ebony A. Utley |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 204 |
| Release | : 2012-06-11 |
| Genre | : Music |
| ISBN | : 0313376697 |
This book provides an enlightening, representative account of how rappers talk about God in their lyrics—and why a sense of religion plays an intrinsic role within hip hop culture. Why is the battle between good and evil a recurring theme in rap lyrics? What role does the devil play in hip hop? What exactly does it mean when rappers wear a diamond-encrusted "Jesus" around their necks? Why do rappers acknowledge God during award shows and frequently include prayers in their albums? Rap and Religion: Understanding the Gangsta's God tackles a sensitive and controversial topic: the juxtaposition—and seeming hypocrisy—of references to God within hip hop culture and rap music. This book provides a focused examination of the intersection of God and religion with hip hop and rap music. Author Ebony A. Utley, PhD, references selected rap lyrics and videos that span three decades of mainstream hip hop culture in America, representing the East Coast, the West Coast, and the South in order to account for how and why rappers talk about God. Utley also describes the complex urban environments that birthed rap music and sources interviews, award acceptance speeches, magazine and website content, and liner notes to further explain how God became entrenched in hip hop.
