Uncle Toms Cabin As Visual Culture
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Author | : Jo-Ann Morgan |
Publisher | : University of Missouri Press |
Total Pages | : 242 |
Release | : 2007 |
Genre | : Art |
ISBN | : 082621715X |
"Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher.
Author | : Harriet Beecher Stowe |
Publisher | : |
Total Pages | : 342 |
Release | : 1852 |
Genre | : African Americans |
ISBN | : |
Author | : Martha J. Cutter |
Publisher | : University of Georgia Press |
Total Pages | : 328 |
Release | : 2017-08-15 |
Genre | : Social Science |
ISBN | : 0820351156 |
From the 1787 Wedgwood antislavery medallion featuring the image of an enchained and pleading black body to Quentin Tarantino’s Django Unchained (2012) and Steve McQueen’s Twelve Years a Slave (2013), slavery as a system of torture and bondage has fascinated the optical imagination of the transatlantic world. Scholars have examined various aspects of the visual culture that was slavery, including its painting, sculpture, pamphlet campaigns, and artwork. Yet an important piece of this visual culture has gone unexamined: the popular and frequently reprinted antislavery illustrated books published prior to Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852) that were utilized extensively by the antislavery movement in the first half of the nineteenth century. The Illustrated Slave analyzes some of the more innovative works in the archive of antislavery illustrated books published from 1800 to 1852 alongside other visual materials that depict enslavement. Martha J. Cutter argues that some illustrated narratives attempt to shift a viewing reader away from pity and spectatorship into a mode of empathy and interrelationship with the enslaved. She also contends that some illustrated books characterize the enslaved as obtaining a degree of control over narrative and lived experiences, even if these figurations entail a sense that the story of slavery is beyond representation itself. Through exploration of famous works such as Uncle Tom’s Cabin, as well as unfamiliar ones by Amelia Opie, Henry Bibb, and Henry Box Brown, she delineates a mode of radical empathy that attempts to destroy divisions between the enslaved individual and the free white subject and between the viewer and the viewed.
Author | : Thomas F. Gossett |
Publisher | : |
Total Pages | : 780 |
Release | : 1985 |
Genre | : Fiction |
ISBN | : |
This study of Uncle Tom's Cabin presents the complex social forces that have influenced the reading of the novel. Gossett examines Stowe's early life and the circumstances that transformed her into a major figure in the antislavery struggle. He describes the process of the composition of the novel; compares its reception in the North, the South and in England; examines the idyllic pictures of slavery in the "anti-Tom" novels of the l850s; and compares the novel with several of the popular stage adaptations. The author reveals how the novel has been reconstituted by every reading of it and how the readings have proceeded from different social agendas for resolving the race problems. He also covers the main ideas and characters of the novel, displays its dual character (it was instrumental in ending slavery but fostered new stereotypes of blacks), and illuminates the importance of racial themes in American cultural and political history. ISBN 0-87074-189-6: $29.95.
Author | : John MacKay |
Publisher | : University of Wisconsin Pres |
Total Pages | : 175 |
Release | : 2013-07-31 |
Genre | : History |
ISBN | : 0299292932 |
Harriet Beecher Stowe's 1852 antislavery novel Uncle Tom's Cabin was the nineteenth century's best-selling novel worldwide; only the Bible outsold it. It was known not only as a book but through stage productions, films, music, and commercial advertising as well. But how was Stowe's novel—one of the watershed works of world literature—actually received outside of the American context? True Songs of Freedom explores one vital sphere of Stowe's influence: Russia and the Soviet Union, from the 1850s to the present day. Due to Russia's own tradition of rural slavery, the vexed entwining of authoritarianism and political radicalism throughout its history, and (especially after 1945) its prominence as the superpower rival of the United States, Russia developed a special relationship to Stowe's novel during this period of rapid societal change. Uncle Tom's Cabin prompted widespread reflections on the relationship of Russian serfdom to American slavery, on the issue of race in the United States and at home, on the kinds of writing appropriate for children and peasants learning to read, on the political function of writing, and on the values of Russian educated elites who promoted, discussed, and fought over the book for more than a century. By the time of the Soviet Union's collapse in 1991, Stowe's novel was probably better known by Russians than by readers in any other country. John MacKay examines many translations and rewritings of Stowe's novel; plays, illustrations, and films based upon it; and a wide range of reactions to it by figures famous (Leo Tolstoy, Ivan Turgenev, Marina Tsvetaeva) and unknown. In tracking the reception of Uncle Tom's Cabin across 150 years, he engages with debates over serf emancipation and peasant education, early Soviet efforts to adapt Stowe's deeply religious work of protest to an atheistic revolutionary value system, the novel's exploitation during the years of Stalinist despotism, Cold War anti-Americanism and antiracism, and the postsocialist consumerist ethos.
Author | : Mary H. Eastman |
Publisher | : DigiCat |
Total Pages | : 279 |
Release | : 2022-05-28 |
Genre | : Fiction |
ISBN | : |
This book is a plantation fiction novel. It was a strong commercial success and bestseller. Based on her growing up in Warrenton, Virginia, of an elite planter family, Eastman portrays plantation owners and slaves as mutually respectful, kind, and happy beings.
Author | : Sarah N. Roth |
Publisher | : Cambridge University Press |
Total Pages | : 331 |
Release | : 2014-07-21 |
Genre | : History |
ISBN | : 1139992805 |
In the decades leading to the Civil War, popular conceptions of African American men shifted dramatically. The savage slave featured in 1830s' novels and stories gave way by the 1850s to the less-threatening humble black martyr. This radical reshaping of black masculinity in American culture occurred at the same time that the reading and writing of popular narratives were emerging as largely feminine enterprises. In a society where women wielded little official power, white female authors exalted white femininity, using narrative forms such as autobiographies, novels, short stories, visual images, and plays, by stressing differences that made white women appear superior to male slaves. This book argues that white women, as creators and consumers of popular culture media, played a pivotal role in the demasculinization of black men during the antebellum period, and consequently had a vital impact on the political landscape of antebellum and Civil War-era America through their powerful influence on popular culture.
Author | : Michele Wallace |
Publisher | : Duke University Press |
Total Pages | : 532 |
Release | : 2004-12-06 |
Genre | : Biography & Autobiography |
ISBN | : 9780822334132 |
DIVA collection of writings from the ‘90s by the popular Black feminist scholar and journalist on film, art, and politics./div
Author | : Barbara Hochman |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : African Americans in literature |
ISBN | : 9781558498938 |
This work explores a transformation in the cultural meaning of Stowe's influential book by addressing changes in reading practices and a shift in widely shared cultural assumptions. These changes reshaped interpretive conventions and generated new meanings for Stowe's text in the wake of the Civil War.
Author | : Tracy C Davis |
Publisher | : University of Michigan Press |
Total Pages | : 415 |
Release | : 2020-04-20 |
Genre | : Performing Arts |
ISBN | : 0472037765 |
As Harriet Beecher Stowe’s novel Uncle Tom’s Cabin traveled around the world, it was molded by the imaginations and needs of international audiences. For over 150 years it has been coopted for a dazzling array of causes far from what its author envisioned. This book tells thirteen variants of Uncle Tom’s journey, explicating the novel’s significance for Canadian abolitionists and the Liberian political elite that constituted the runaway characters’ landing points; nineteenth-century French theatergoers; liberal Cuban, Romanian, and Spanish intellectuals and social reformers; Dutch colonizers and Filipino nationalists in Southeast Asia; Eastern European Cold War communists; Muslim readers and spectators in the Middle East; Brazilian television audiences; and twentieth-century German holidaymakers. Throughout these encounters, Stowe’s story of American slavery serves as a paradigm for understanding oppression, selectively and strategically refracting the African American slave onto other iconic victims and freedom fighters. The book brings together performance historians, literary critics, and media theorists to demonstrate how the myriad cultural and political effects of Stowe’s enduring story has transformed it into a global metanarrative with national, regional, and local specificity.