Unaustralian Art
Download Unaustralian Art full books in PDF, epub, and Kindle. Read online free Unaustralian Art ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Tony Bennett |
| Publisher | : Routledge |
| Total Pages | : 306 |
| Release | : 2020-05-25 |
| Genre | : Art |
| ISBN | : 0429590008 |
This book brings together leading scholars and practitioners to take stock of the frictions generated by a tumultuous time in the Australian art field and to probe what the crises might mean for the future of the arts in Australia. Specific topics include national and international art markets; art practices in their broader social and political contexts; social relations and institutions and their role in contemporary Australian art; the policy regimes and funding programmes of Australian governments; and national and international art markets. In addition, the collection will pay detailed attention to the field of indigenous art and the work of Indigenous artists. This book will be of interest to scholars in contemporary art, art history, cultural studies, and Indigenous peoples.
| Author | : Charles Green |
| Publisher | : Taylor & Francis |
| Total Pages | : 345 |
| Release | : 2024-09-19 |
| Genre | : Art |
| ISBN | : 1040144969 |
This book is a portrait of the period when modern art became contemporary art. It explores how and why writers and artists in Australia argued over the idea of a distinctively Australian modern and then postmodern art from 1962, the date of publication of a foundational book, Australian Painting 1788–1960, up to 1988, the year of the Australian Bicentennial. Across nine chapters about art, exhibitions, curators and critics, this book describes the shift from modern art to contemporary art through the successive attempts to define a place in the world for Australian art. But by 1988, Australian art looked less and less like a viable tradition inside which to interpret ‘our’ art. Instead, vast gaps appeared, since mostly male and often older White writers had limited their horizons to White Australia alone. National stories by White men, like borders, had less and less explanatory value. Underneath this, a perplexing subject remained: the absence of Aboriginal art in understanding what Australian art was during the period that established the idea of a distinctive Australian modern and then contemporary art. This book reflects on why the embrace of Aboriginal art was so late in art museums and histories of Australian art, arguing that this was because it was not part of a national story dominated by colonial, then neo-colonial dependency. It is important reading for all scholars of both global and Australian art, and for curators and artists.
| Author | : Simon Knell |
| Publisher | : Routledge |
| Total Pages | : 274 |
| Release | : 2016-01-22 |
| Genre | : Social Science |
| ISBN | : 1317432428 |
Are national galleries different from other kinds of art gallery or museum? What value is there for the nation in a collection of international masterpieces? How are national galleries involved in the construction national art? National Galleries is the first book to undertake a panoramic view of a type of national institution – which are sometimes called national museums of fine art – that is now found in almost every nation on earth. Adopting a richly illustrated, globally inclusive, comparative view, Simon Knell argues that national galleries should not be understood as ‘great galleries’ but as peculiar sites where art is made to perform in acts of nation building. A book that fundamentally rewrites the history of these institutions and encourages the reader to dispense with elitist views of their worth, Knell reveals an unseen geography and a rich complexity of performance. He considers the ways the national galleries entangle art and nation, and the differing trajectories and purposes of international and national art. Exploring galleries, artists and artworks from around the world, National Galleries is an argument about how we think about and study these institutions. Privileging the situatedness of each national gallery performance, and valuing localism over universalism, Knell looks particularly at how national art is constructed and represented. He ends with examples that show the mutability of national art and by questioning the necessity of art nationalism.
| Author | : Bénédicte Miyamoto |
| Publisher | : Manchester University Press |
| Total Pages | : 468 |
| Release | : 2021-06-15 |
| Genre | : Art |
| ISBN | : 1526149699 |
This collection offers a response to the view that migration disrupts national heritage. Investigating the mediation provided by migrant art, it asks how we can rethink art history in a way that uproots its reliance on space and place as stable definitions of style. Beginning with an invaluable overview of migration studies terminology and concepts, Art and migration opens dialogues between academics of art history and migrations studies through a series of essays and interviews. It also re-evaluates the cultural understanding of borders and revisits the contours of the art world – a supposedly globalised community re-assessed here as structurally bordered by art market dynamics, career constraints, gatekeeping and patronage networks.
| Author | : Bill Leak |
| Publisher | : Scribe Publications |
| Total Pages | : 197 |
| Release | : 2013-01-01 |
| Genre | : Humor |
| ISBN | : 192184485X |
'Freedom of speech is the freedom to offend and that means the freedom to offend anyone.' - Bill Leak. A new collection of the art and observations of cartoonist, painter and all-round contrarian - the incomparable Bill Leak. The public has rarely held politicians and the practice of politics in such contempt. Luckily Bill Leak is here to guide us through the darkness. UnAustralian of the Year contains Leak's best editorial cartoons since 2007 and is a satirical history of an extraordinary period in Australian politics: from the enthusiastic popular mandate enjoyed by Kevin Rudd's Labor after the 2007 federal election to the brutal merry-go-round of party leaders culminating in the rancour and instability surrounding Julia Gillard's minority government. In a series of reflections Leak writes with his customary directness and acerbic wit on a range of topics: his recent accident and recovery from brain damage; the blessings of manic-depression for the creative artist; the art of editorial cartooning and his commitment to free expression; portrait painting and the contemporary art scene.
| Author | : Rina Arya |
| Publisher | : Manchester University Press |
| Total Pages | : 328 |
| Release | : 2016-05-03 |
| Genre | : Art |
| ISBN | : 1784997722 |
An impressive list of authors examine how abjection can be discussed in relation to a host of different subjects, including marginality and gender.
| Author | : Eleni Pavlides |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 295 |
| Release | : 2014-08-11 |
| Genre | : Literary Collections |
| ISBN | : 1443865907 |
Un-Australian Fictions sets out to analyse a subset of Australian literary fictions published between 1988 and 2008 – from the bicentenary of British settlement to the global financial crisis and into a new millennium. During a new transnational era, Australians faced sober and unsettling times. Already accorded the status of national obsession, issues of national identity were vigorously contested. Concepts such as the nation, multiculturalism and globalisation became topics for heated discussion in the public sphere. Australia’s literary communities were not immune or isolated from these ongoing discussions. The “un-Australian fictions” which this book studies represent the challenges which these texts, in their own unique way, bring to the Australian national ethos and the national mythology, which is predicated on traditions such as masculism; a bush ethos; the pre-eminence of white colonial settlement; connectedness to an imaginative European geography; as well as an unbreakable tie to Britain. As un-Australian fictions, these texts reflect the destabilisation of what were once certain, spatial and psychic borders and orders of Australianness. They affect as well as reflect, the wider conversation that continues today about what being Australian means in a new millennium.
| Author | : Eric Wagner |
| Publisher | : University of Washington Press |
| Total Pages | : 266 |
| Release | : 2020-04-20 |
| Genre | : Nature |
| ISBN | : 0295746947 |
On May 18, 1980, people all over the world watched with awe and horror as Mount St. Helens erupted. Fifty-seven people were killed and hundreds of square miles of what had been lush forests and wild rivers were to all appearances destroyed. Ecologists thought they would have to wait years, or even decades, for life to return to the mountain, but when forest scientist Jerry Franklin helicoptered into the blast area a couple of weeks after the eruption, he found small plants bursting through the ash and animals skittering over the ground. Stunned, he realized he and his colleagues had been thinking of the volcano in completely the wrong way. Rather than being a dead zone, the mountain was very much alive. Mount St. Helens has been surprising ecologists ever since, and in After the Blast Eric Wagner takes readers on a fascinating journey through the blast area and beyond. From fireweed to elk, the plants and animals Franklin saw would not just change how ecologists approached the eruption and its landscape, but also prompt them to think in new ways about how life responds in the face of seemingly total devastation.
| Author | : Suzanne Little |
| Publisher | : Taylor & Francis |
| Total Pages | : 197 |
| Release | : 2022-12-30 |
| Genre | : Social Science |
| ISBN | : 100082344X |
This book offers a unique Australian perspective on the global crisis in refugee protection. Using performance as both an object and a lens, this volume explores the politics and aesthetics of migration control, border security and refugee resistance. The first half of the book, titled On Stage, examines performance objects such as verbatim and documentary plays, children’s theatre, immersive performance, slam poetry, video art and feature films. Specifically, it considers how refugees, and their artistic collaborators, assert their individuality, agency and authority as well as their resistance to cruel policies like offshore processing through performance. The second half of the book, titled Off Stage, employs performance as a lens to analyse the wider field of refugee politics, including the relationship between forced migrants and the forced displacement of First Nations peoples that underpins the settler-colonial state, philosophies of cosmopolitanism, the role of the canon in art history and the spectacle of bordering practices. In doing so, it illuminates the strategic performativity—and nonperformativity—of the law, philosophy, the state and the academy more broadly in the exclusion and control of refugees. Taken together, the chapters in this volume draw on, and contribute to, a wide range of disciplines including theatre and performance studies, cultural studies, border studies and forced migration studies, and will be of great interest to students and scholars in all four fields.
| Author | : Florencia San Martín |
| Publisher | : Amherst College Press |
| Total Pages | : 332 |
| Release | : 2023-10-06 |
| Genre | : Art |
| ISBN | : 1943208581 |
The first volume to theorize and historicize contemporary artistic practices from Chile in the English language, Dismantling the Nation begins from a position of radical criticism against the nation-state of Chile and its capitalist, heteronormative, and extractivist rule. At a truly pivotal moment in the country’s history, when it is redefining what it wants to be, the works here propose a way of forging a feminist and decolonial future for Chile. The authors attend to practices from distinct locations in Chile, reconceptualizing geographical borders from a transnational and transdisciplinary perspective while engaging with ecocriticism and Indigenous epistemologies. This is an essential volume for anyone looking to understand the current social, political, and artistic movements in Chile.
