Un Una In 1968
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| Author | : William M. Sherzer |
| Publisher | : University Press of America |
| Total Pages | : 177 |
| Release | : 2012-05-04 |
| Genre | : Literary Criticism |
| ISBN | : 0761858008 |
The Spanish Literary Generation of 1968: José Maria Guelbenzu, Lourdes Ortiz, and Ana María Moix serves multiple purposes. Most importantly, it is an overview of an important moment in Spanish literary history that is connected to an extremely important moment in world history, 1968, as well as what that year represents in many countries, such as France, Germany, Mexico, and the United States. This text aims to show how young writers who were coming of age precisely at that moment incorporated into their novels the new ideas that they found in the writing of many foreign authors, generally unknown to previous generations, whose works were essential to their development. The author has focused on three authors who he feels are most representative of their generation, and follows with a lengthy study of the critical reception they have received over time. Finally, in an appendix, one will find excerpts of an unpublished novel by Lourdes Ortiz and interviews with all three authors. It is hoped that this text, with its extensive bibliography, will serve as a valuable source for students and professors alike.
| Author | : Susana Draper |
| Publisher | : Duke University Press |
| Total Pages | : 265 |
| Release | : 2018-08-09 |
| Genre | : History |
| ISBN | : 1478002492 |
Recognizing the fiftieth anniversary of the protests, strikes, and violent struggles that formed the political and cultural backdrop of 1968 across Europe, the United States, and Latin America, Susana Draper offers a nuanced perspective of the 1968 movement in Mexico. She challenges the dominant cultural narrative of the movement that has emphasized the importance of the October 2nd Tlatelolco Massacre and the responses of male student leaders. From marginal cinema collectives to women’s cooperative experiments, Draper reveals new archives of revolutionary participation that provide insight into how 1968 and its many afterlives are understood in Mexico and beyond. By giving voice to Mexican Marxist philosophers, political prisoners, and women who participated in the movement, Draper counters the canonical memorialization of 1968 by illustrating how many diverse voices inspired alternative forms of political participation. Given the current rise of social movements around the globe, in 1968 Mexico Draper provides a new framework to understand the events of 1968 in order to rethink the everyday existential, political, and philosophical problems of the present.
| Author | : |
| Publisher | : Bib. Orton IICA / CATIE |
| Total Pages | : 354 |
| Release | : |
| Genre | : |
| ISBN | : |
| Author | : Aliza S. Wong |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 267 |
| Release | : 2018-12-15 |
| Genre | : Performing Arts |
| ISBN | : 1442269049 |
Since the silent days of cinema, Westerns have been one of the most popular genres, not just in the United States but around the world. International filmmakers have been so taken by westerns that many directors have produced versions of their own, despite lacking access to the American West. Nowhere has the Western been more embraced outside of the United States than Italy. In the 1960s, as Hollywood heroes like John Wayne and Randolph Scott were aging, Italian filmmakers were revitalizing the western, securing younger American actors for their productions and also making stars of homegrown talent. Movies directed and produced by Italians have been branded “spaghetti westerns”—a genre that boastsseveral hundred films. In Spaghetti Westerns: A Viewer’s Guide, Aliza S. Wong identifies the most significant westerns all’italiana produced as well as the individuals who significantly contributed to the genre. The author profiles such American actors as Clint Eastwood, Eli Wallach, and Lee Van Cleef; composers including Ennio Morricone and Carlo Rustichelli; and, of course, directors like Sergio Corbucci and Sergio Leone. The most memorable movies of the genre are also examined, includingCompañeros, Django; A Fistful of Dollars; The Good, the Bad, and the Ugly; and They Call Me Trinity. In addition to citing pivotal films and filmmakers, this volume also highlights other relevant aspects of the genre, including popular shooting locations, subgenres like the Zapata western, and the films and filmmakers who were inspired by the spaghetti western, including Quentin Tarantino, Richard Rodriguez, and Takashi Miike. An introduction to a unique homage of American cinema, Spaghetti Westerns: A Viewer’s Guide allows fans and scholars alike to learn more about a genre that continues to fascinate audiences.
| Author | : Stewart R. Craggs |
| Publisher | : Routledge |
| Total Pages | : 527 |
| Release | : 2019-05-03 |
| Genre | : Music |
| ISBN | : 0429777434 |
First published in 1998, music scored for film has only relatively recently received the critical attention which it merits. Many composers in the twentieth century have written works for films or documentaries, a number feeling that this aspect of their output has been undervalued. This dictionary complements other studies which have appeared in recent years which look at the technical and theoretical issues concerned with film music composition. Arranged alphabetically by composer, the volume comprises over 500 entries covering all nationalities. Each entry includes very brief biographical information on the composer, followed by a list of the films (with dates) for which he or she has composed. Details of recordings are also given. The dictionary’s international coverage ensures that it will become a standard reference work for all those interested in the history of twentieth-century music and the development of film.
| Author | : Olivier Debroise |
| Publisher | : UNAM |
| Total Pages | : 482 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 9789703238293 |
"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among many others. The edition is illustrated with 612 full-colorplates of the art produced during these last three decades of the twentieth century reflect the social, political and technical developments in Mexico and ranged from painting andphotography to poster design, installation, performance, experimental theatre, super-8 cinema, video, music, poetry and popular culture like the films and ephemeral actionsof 'Panic' by Alejandro Jodorowsky, Pedro Friedeberg's pop art, the conceptual art, infrarrealists and urban independent photography, artists books, the development ofcontemporary political photography, the participation of Mexican artists in Fluxus in the seventies and the contribution of Ulises Carrión to the international artist book movement and popular rock music, the pictorial battles of the eighties and the emergence of a variant of neo-conceptual art in 1990. The exhibition is curated by Olivier Debroise, Pilar García de Germenos, Cuauhtémoc Medina, Álvaro Vázquez Mantecón"--Provided by vendor.
| Author | : Austin Fisher |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 305 |
| Release | : 2014-02-06 |
| Genre | : Performing Arts |
| ISBN | : 0857737708 |
Ever more popular in the age of DVDs, eBay and online fandom, the Spaghetti Westerns of the 1960s have undergone a mainstream renaissance which has nevertheless left their intimate relationship to the troubled politics of 1960s Italy unexamined. Radical Frontiers reappraises the genre in relation to the revolutionary New Left and the events of 1968 to uncover the complexities of a cinematic milieu too often dismissed as formulaic and homogeneous. Establishing the backdrop of post-war Italy in which the Roman studio system actively blended Italian and American culture, Austin Fisher looks in detail at the works of Damiano Damiani, Sergio Sollima, Sergio Corbucci, Giulio Questi and Giulio Petroni and how these directors reformatted the Hollywood Western to yield new resonance for militant constituencies and radical groups. Radical Frontiers identifies the main variants of these militant Westerns, which brazenly endorsed violent peasant insurrection in the 'Mexico' of the popular imagination, turning the camera on the hitherto heroic colonialists of the West and exposing the brutal mechanisms of a society infested with latent fascism. The ways in which the films' artistic failures reflect the ideological confusions of the radical groups is examined and the genre's legacy is reappraised, as the revolutionary energy of Italy's New Left becomes subsumed amidst the conflicting agendas of New Hollywood, blaxploitation and the 'grindhouse' revival of Tarantino, Rodriguez and Raimi. Reclaiming the Spaghetti Western from the domain of the merely cool and repositioning it within the spectrum of late-1960s radical cinema, Radical Frontiers analyses the genre's narrative and cinematographic inscriptions in their political context to uncover Far Left doctrines in these tales of outlaws and sheriffs, banditry and redemptive violence.
| Author | : Andrew Dowling |
| Publisher | : Apollo Books |
| Total Pages | : 228 |
| Release | : 2013 |
| Genre | : History |
| ISBN | : 9781845195304 |
This book examines the transformation of the Catalan nation in socio-economic, political and historical terms, and offers an innovative interpretation of the determinants of its nationalist mobilisation. With Franco's and Spanish nationalism's victory in 1939, and the consolidation of a long-lasting dictatorship, it appeared certain that the Catalan national movement would be crushed. Yet, this did not happen and Catalan nationalism and identity re-emerged at the end of Franco's dictatorship in 1975 more firmly rooted than before. The core of this book traces the Francoist repression and the nationalist response to it, demonstrating how new political actors reconfigured Catalan nationalism over the course of the Franco regime (1939--1975). Post-Franco, Catalan cultural and political identity was consolidated and Catalonia became the most successful state-less nationalism in western Europe. The 21st century has been marked by an ever-growing independence movement, culminating in the vast demonstration in the city of Barcelona in July 2010. Andrew Dowling provides multi-faceted viewpoints in historic perspective, and reflects on possible steps and outcomes for this new pro-independence turn in Catalan nationalism. This study will appeal not only to students of Spain but also to those interested in nationalism as a separate issue of enquiry. The themes treated in the book -- Franco's Spain, nationalism, anarchism, Catholicism, communism and the Catalan role in Spain's transition to democracy -- make this work an essential point of reference for students and researchers in Hispanic studies, modern European history and political science. Published in association with the Catalan Observatory, London School of Economics.
| Author | : |
| Publisher | : |
| Total Pages | : 1482 |
| Release | : |
| Genre | : Medicine |
| ISBN | : |
| Author | : Giorgio Righetti |
| Publisher | : Giuffrè Editore |
| Total Pages | : 4409 |
| Release | : 2008 |
| Genre | : Law |
| ISBN | : 8814137862 |
