Un Americans And Anti Communists
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Author | : Joseph Litvak |
Publisher | : Duke University Press |
Total Pages | : 306 |
Release | : 2009-11-25 |
Genre | : Literary Criticism |
ISBN | : 0822390841 |
In a bold rethinking of the Hollywood blacklist and McCarthyite America, Joseph Litvak reveals a political regime that did not end with the 1950s or even with the Cold War: a regime of compulsory sycophancy, in which the good citizen is an informer, ready to denounce anyone who will not play the part of the earnest, patriotic American. While many scholars have noted the anti-Semitism underlying the House Un-American Activities Committee’s (HUAC’s) anti-Communism, Litvak draws on the work of Theodor W. Adorno, Hannah Arendt, Alain Badiou, and Max Horkheimer to show how the committee conflated Jewishness with what he calls “comic cosmopolitanism,” an intolerably seductive happiness, centered in Hollywood and New York, in show business and intellectual circles. He maintains that HUAC took the comic irreverence of the “uncooperative” witnesses as a crime against an American identity based on self-repudiation and the willingness to “name names.” Litvak proposes that sycophancy was (and continues to be) the price exacted for assimilation into mainstream American culture, not just for Jews, but also for homosexuals, immigrants, and other groups deemed threatening to American rectitude. Litvak traces the outlines of comic cosmopolitanism in a series of performances in film and theater and before HUAC, performances by Jewish artists and intellectuals such as Zero Mostel, Judy Holliday, and Abraham Polonsky. At the same time, through an uncompromising analysis of work by informers including Jerome Robbins, Elia Kazan, and Budd Schulberg, he explains the triumph of a stoolpigeon culture that still thrives in the America of the early twenty-first century.
Author | : Professor Robert Justin Goldstein |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 381 |
Release | : 2014-06-28 |
Genre | : History |
ISBN | : 1472413784 |
Anti-communism has long been a potent force in American politics, capable of gripping both government and popular attention. Nowhere is this more evident that the two great 'red scares' of 1919-20 and 1946-54; the latter generally - if somewhat inaccurately - termed McCarthyism. The interlude between these two major scares has tended to garner less attention, but as this volume makes clear, the lingering effects of 1919-20 and the gathering storm-clouds of 'McCarthyism' were clearly visible throughout the 20s and 30s, even if in a more low-key way. Indeed, the period between the two great red scares was marked by frequent instances of political repression, often justified on anti-communist grounds, at local, state and federal levels. Yet these events have been curiously neglected in the history of American political repression and anti-communism, perhaps because much of the material deals with events scattered in time and space which never reached the intensity of the two great scares. By focusing on this twenty-five year 'interim' period, the essays in this collection bridge the gap between the two high-profile 'red scares' thus offering a much more contextualised and fluid narrative for American anti-communism. In so doing the rationale and motivations for the 'red scares' can be seen as part of an evolving political landscape, rather than as isolated bouts of hysteria exploding onto - and then vanishing from - the political scene. Instead, a much more nuanced appreciation of the conflicting interests and fears of government, politicians, organised labour, free-speech advocates, employers, and the press is offered, which will be of interest to anyone wishing to better understand the political history of modern America.
Author | : William I Hitchcock |
Publisher | : Simon and Schuster |
Total Pages | : 672 |
Release | : 2018-03-20 |
Genre | : Biography & Autobiography |
ISBN | : 1451698437 |
A New York Times bestseller, this is the “outstanding” (The Atlantic), insightful, and authoritative account of Dwight Eisenhower’s presidency. Drawing on newly declassified documents and thousands of pages of unpublished material, The Age of Eisenhower tells the story of a masterful president guiding the nation through the great crises of the 1950s, from McCarthyism and the Korean War through civil rights turmoil and Cold War conflicts. This is a portrait of a skilled leader who, despite his conservative inclinations, found a middle path through the bitter partisanship of his era. At home, Eisenhower affirmed the central elements of the New Deal, such as Social Security; fought the demagoguery of Senator Joseph McCarthy; and advanced the agenda of civil rights for African-Americans. Abroad, he ended the Korean War and avoided a new quagmire in Vietnam. Yet he also charted a significant expansion of America’s missile technology and deployed a vast array of covert operations around the world to confront the challenge of communism. As he left office, he cautioned Americans to remain alert to the dangers of a powerful military-industrial complex that could threaten their liberties. Today, presidential historians rank Eisenhower fifth on the list of great presidents, and William Hitchcock’s “rich narrative” (The Wall Street Journal) shows us why Ike’s stock has risen so high. He was a gifted leader, a decent man of humble origins who used his powers to advance the welfare of all Americans. Now more than ever, with this “complete and persuasive assessment” (Booklist, starred review), Americans have much to learn from Dwight Eisenhower.
Author | : Carol A Stabile |
Publisher | : MIT Press |
Total Pages | : 302 |
Release | : 2018-10-16 |
Genre | : History |
ISBN | : 1906897867 |
How forty-one women—including Dorothy Parker, Gypsy Rose Lee, and Lena Horne—were forced out of American television and radio in the 1950s “Red Scare.” At the dawn of the Cold War era, forty-one women working in American radio and television were placed on a media blacklist and forced from their industry. The ostensible reason: so-called Communist influence. But in truth these women—among them Dorothy Parker, Lena Horne, and Gypsy Rose Lee—were, by nature of their diversity and ambition, a threat to the traditional portrayal of the American family on the airwaves. This book from Goldsmiths Press describes what American radio and television lost when these women were blacklisted, documenting their aspirations and achievements. Through original archival research and access to FBI blacklist documents, The Broadcast 41 details the blacklisted women's attempts in the 1930s and 1940s to depict America as diverse, complicated, and inclusive. The book tells a story about what happens when non-male, non-white perspectives are excluded from media industries, and it imagines what the new medium of television might have looked like had dissenting viewpoints not been eliminated at such a formative moment. The all-white, male-dominated Leave it to Beaver America about which conservative politicians wax nostalgic existed largely because of the forcible silencing of these forty-one women and others like them. For anyone concerned with the ways in which our cultural narrative is constructed, this book offers an urgent reminder of the myths we perpetuate when a select few dominate the airwaves.
Author | : Robert Mayhew |
Publisher | : Scarecrow Press |
Total Pages | : 234 |
Release | : 2005 |
Genre | : Biography & Autobiography |
ISBN | : 9780810852761 |
In October 1947, more than twenty years after leaving Russia, Ayn Rand testified before the House Un-American Activities Committee (HUAC), which was investigating communist infiltration of the motion picture industry. The focus of that testimony was Song of Russia, a 1944 pro-Soviet film that Rand decried for its unrealistic, absurdly flattering portrait of life in the communist country. Ayn Rand scholar Robert Mayhew focuses on this controversial period of American and Hollywood history by examining both the film and the furor surrounding Rand's HUAC testimony. His analysis provides the first detailed history of any of the pro-Soviet films to come out of 1940s Hollywood. Mayhew begins by offering a brief synopsis of the MGM film, followed by an account of its production, as well as its reception. Most significantly, Mayhew analyzes Rand's appearance before HUAC and discusses the response to her much-maligned testimony. By carefully scrutinizing this one episode in the history of communism and anti-communism in 1940s Hollywood, Mayhew presents a more accurate picture of those times and the issues surrounding them. His study allows for a re-evaluation of the role of communism in Hollywood, the nature of the HUAC, and even the Hollywood Ten. This book should be of interest to anyone interested in the life and thought of Ayn Rand, as well as to anyone interested in the history of Hollywood communism and of American film.
Author | : Harry S. Truman |
Publisher | : University of Missouri Press |
Total Pages | : 614 |
Release | : 1998 |
Genre | : Biography & Autobiography |
ISBN | : 9780826212030 |
This correspondence, which encompasses Truman's courtship of his wife, his service in the senate, his presidency, and after, reveals not only the character of Truman's mind but also a shrewd observer's view of American politics.
Author | : Hubert Villeneuve |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 481 |
Release | : 2020-04-16 |
Genre | : Biography & Autobiography |
ISBN | : 0228003199 |
Fred C. Schwarz (1913–2009) was an Australian-born medical doctor and evangelical preacher who settled in the United States in the early 1950s, where he founded the Christian Anti-Communism Crusade. His work as an anticommunist educator spanned five decades; his campaigns attracted large crowds, strengthened grassroots conservatism, and influenced political leaders. By the late 1950s, the Crusade had become one of the most important conservative organizations in America, turning numerous citizens into lifelong right-wing militants. In Teaching Anticommunism Hubert Villeneuve sheds light on Schwarz's fascinating career and organization, which left a distinct mark on the United States and was also active internationally. Cold War anticommunism in the US consisted of more than the House Un-American Activities Committee and the campaign led by Senator Joseph McCarthy. Villeneuve shows that, by the early 1960s, Schwarz's Crusade was an integral part of a burgeoning American anticommunist subculture that united grassroots conservatives of all stripes. Its influence continued, paving the way for the development of the "New Right" that began in the 1970s. In addition to exploring the life and work of Schwarz, the book highlights the transnational dimension of US conservatism by outlining the Crusade's role in worldwide anticommunist networks that operated throughout the Cold War. Packed with unnerving evidence but leavened with humorous anecdotes and insights into a mercurial figure, Teaching Anticommunism provides a unique perspective on the evolution of the contemporary American right wing and its global connections.
Author | : Larry Ceplair |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 385 |
Release | : 2011-10-05 |
Genre | : History |
ISBN | : 1440800480 |
This compelling, critical analysis of anti-communism illustrates the variety of anti-Communist styles and agendas, thereby making a persuasive case that the "threat" of domestic communism in Cold War America was vastly overblown. In the United States today, communism is an ideology or political movement that barely registers in the consciousness of our nation. Yet merely half a century ago, "communist" was a buzzword that every citizen in our nation was aware of—a term that connoted "traitor" and almost certainly a characterization that most Americans were afraid of. Anti-Communism in Twentieth-Century America: A Critical History provides a panoramic perspective of the types of anti-communists in the United States between 1919 and the collapse of the Soviet Union. It explains the causes and exceptional nature of anti-communism in the United States, and divides it into eight discrete categories. This title then thoroughly examines the words and deeds of the various anti-Communists in each of these categories during the three "Red Scares" in the past century. The work concludes with an unapologetic assessment of domestic anti-communism. This book allows readers to more fully comprehend what the anti-communists meant with their rhetoric, and grasp their impact on the United States during the 20th century and beyond—for example, how anti-communism has reappeared as anti-terrorism.
Author | : Allison Hepler |
Publisher | : Rowman & Littlefield |
Total Pages | : 209 |
Release | : 2018-06-12 |
Genre | : History |
ISBN | : 1498569404 |
In 1953, Mary Knowles was fired as a branch librarian for the Morrill Memorial Library, a public library in Norwood, Massachusetts. She had been called before the Senate Internal Security Subcommittee and, when asked if she’d ever been a member of the Communist Party, she declined to answer, relying on her Fifth Amendment rights. She was fired less than three weeks later. Knowles thought she was unlikely to find a position as a librarian again and left the area. She found a job at a small library outside Philadelphia, where anticommunists who learned of her past tried to create public support for a Loyalty Oath, resulting in the loss of public funding for the library. The resulting controversy eventually brought national attention to the local Quakers who had hired Knowles, the FBI was asked to investigate, Knowles was convicted of contempt of Congress, and the Quakers were subpoenaed and testified before the House Un-American Activities Committee. Knowles, however, was never fired from this position, retiring from the library in 1979. This book illustrates the impact of McCarthyism on small towns and “ordinary” people and local officials, some of whom abided by the standards of the era. There were others however, who challenged the status quo. Their actions provide readers with models of behavior often at odds with what has been thought of as the 1950s. People who spoke up risked families and jobs. At the same time, anticommunists also tapped into citizens’ fears of the cold war, not just of Communists but of a broad swath of people who promoted social justice and equality. The resulting interactions as described in this book offer important lessons on how fear and bravery operate local communities against the backdrop of (and involvement with) national events.
Author | : Glenn Frankel |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 417 |
Release | : 2017-02-21 |
Genre | : History |
ISBN | : 1620409488 |
From the New York Times-bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize-winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.