Ultramarine Blue
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Author | : David Hornung |
Publisher | : Laurence King Publishing |
Total Pages | : 172 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9781856694193 |
Demystifying its subject for professionals and students alike, this title inspires confidence in colour's application to graphic design, illustration, painting, textile art, and textile design.
Author | : P. Bamfield |
Publisher | : Royal Society of Chemistry |
Total Pages | : 408 |
Release | : 2001 |
Genre | : Art |
ISBN | : 9780854044740 |
Providing an entry point both for new researchers and for established ones, this book develops and investigates new applications for colour chemistry.
Author | : Maximilian Toch |
Publisher | : |
Total Pages | : 412 |
Release | : 1916 |
Genre | : Paint |
ISBN | : |
Author | : R. M. Christie |
Publisher | : Royal Society of Chemistry |
Total Pages | : 228 |
Release | : 2001 |
Genre | : Art |
ISBN | : 9780854045730 |
This book provides an up-to-date insight into the chemistry behind the colour of the dyes and pigments that make our world so colourful. The impressive breadth of coverage starts with a dip into the history of colour science. Colour Chemistry then goes on to look at the structure and synthesis of the various dyes and pigments, along with their applications in the traditional areas of textiles, coatings and plastics, and also the ever-expanding range of "high-tech" applications. Also discussed are some of the environmental issues associated with the manufacture and use of colour. The broad and balanced coverage presented in this book makes it ideal for students and graduates. In addition, many specialists in industry or academia will also benefit from the overview of the subject that is provided.
Author | : Jane Blundell |
Publisher | : |
Total Pages | : |
Release | : 2015-04-26 |
Genre | : |
ISBN | : 9781320762601 |
PDF - This could be the most useful watercolour reference book you will ever find. This book has been designed for use by anyone with an interest in watercolour, whether beginner or very experienced artist. It contains hand-painted mixing charts created using a palette of only fifteen carefully chosen colours. Every possible 2-colour mix is shown, along with the most useful 3-colour mixes. The charts have been professionally photographed and colour-matched to be as true to life as possible. Each page is rich with notes about the various colour mixes and their suggested uses in paintings. This is a private PDF listing. Please do not share.
Author | : Victoria Finlay |
Publisher | : Getty Publications |
Total Pages | : 122 |
Release | : 2014-11-01 |
Genre | : Art |
ISBN | : 1606064290 |
The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.
Author | : R. F. Conley |
Publisher | : John Wiley & Sons |
Total Pages | : 468 |
Release | : 1996-12-17 |
Genre | : Science |
ISBN | : 9780471186403 |
Ein Handbuch für die Praxis der Dispersionstechnologie: Weitverstreute Daten aus der Literatur, technische Details und ausgewählte theoretische Grundlagen wurden zu einer übersichtlichen, gut verständlichen Darstellung aufbereitet, die nicht mit Mathematik und komplizierten Zusammenhängen überfrachtet ist. An zahlreichen Beispielen wird erklärt, wie sich verschiedene Dispersionszustände in den Eigenschaften des Produkts widerspiegeln; die Wirkung eines Dispersionsmittels wird auf stoffliche Aspekte, nicht Handelsnamen zurückgeführt. Der Anwender wird in die Lage versetzt, 'seine' Dispersionen gezielt zu verändern, um mechanischen, chemischen und ökologischen Anforderungen der Kunden gerecht zu werden. Mit Herstellerlisten für die technische Ausrüstung! Geschrieben in erster Linie für die industrielle Praxis - weniger für akademische Forschung und Lehre.
Author | : Heiden & Engle |
Publisher | : |
Total Pages | : 394 |
Release | : 2014-12-21 |
Genre | : Glass manufacture |
ISBN | : 9780974352954 |
Author | : Christina Z Anderson |
Publisher | : Routledge |
Total Pages | : 609 |
Release | : 2016-06-17 |
Genre | : Photography |
ISBN | : 1317326415 |
Gum Printing: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a two-part book on gum bichromate written by the medium’s leading expert, Christina Z. Anderson. Section One provides a step-by-step description of the gum printing process. From setting up the "dimroom" (no darkroom required!) to evaluating finished prints, it walks the reader through everything that is needed to establish a firm gum practice with the simplest of setups at home. Section Two showcases contemporary artists’ works, illustrating the myriad ways gum is conceptualized and practiced today. The works in these pages range from monochrome to colorful and from subtle to bold, representing a variety of genres, including still lifes, portraits, nudes, landscapes, urbanscapes and more. Featuring over 80 artists and 400 full-color images, Gum Printing is the most complete overview of this dynamic and expressive medium that has yet appeared in print. Key topics covered include: The history of gum Simple digital negatives for gum, platinum, and cyanotype Preparing supplies Making monochrome, duotone, tricolor, and quadcolor gum prints Printing gum over cyanotype Printing gum over platinum Troubleshooting gum Advice on developing a creative practice
Author | : United States Tariff Commission |
Publisher | : |
Total Pages | : 220 |
Release | : 1966 |
Genre | : Chemical industry |
ISBN | : |