The Reminiscences of Alexander Dyce

The Reminiscences of Alexander Dyce
Author: Alexander Dyce
Publisher:
Total Pages: 284
Release: 2015-12-18
Genre: Literary Collections
ISBN: 9780814253519

Alexander Dyce was extraordinarily gregarious, and it can be said that he crossed paths with nearly everyone of consequence in England during the first half of the nineteenth century. Any list of his friends and acquaintances that consisted of only the most famous among them would include Wordsworth, Southey, Campbell, Leigh Hunt, and the luminaries of the Rogers Circle, along with many others. Dyce wrote about all of them in his reminiscences, at which he was apparently still working when he died in May of 1869, and which are published here for the first time. He wrote, too, of the great of the theater, which was the passion of his life. He was the first modern editor of the drama of George Peele, Robert Greene, Thomas Middleton, and John Webster, and the first to edit competently Christopher Marlowe and the plays of Beaumont and Fletcher. His edition of Shakespeare was one of the nineteenth century's best, and he missed few of the major theatrical events of his time. His records of plays and performances, actors and writers, scholars and critics, are all marked by scrupulous attention to significant and telling detail. Though he sometimes reports anecdotes that have become familiar from other sources, he focuses on his personal reactions to the persons he met, the spectacles he viewed, and the parties he attended, thereby bringing to history the immediacy of personal encounter. Dyce's reminiscences are, then, a rich mine of important information on his times and those who lived them. They are, in addition-and no less importantly-a thoroughly entertaining account of a fascinating age, rendered by a man of humane wit, rare insight, and remarkable taste and sensitivity. Richard J. Schrader is assistant professor of English at Princeton University.

Sound States

Sound States
Author: Adalaide Morris
Publisher: UNC Press Books
Total Pages: 517
Release: 2018-06-15
Genre: Literary Criticism
ISBN: 1469647753

By investigating the relationship between acoustical technologies and twentieth-century experimental poetics, this collection, with an accompanying compact disc, aims to 'turn up the volume' on printed works and rethink the way we read, hear, and talk about literary texts composed after telephones, phonographs, radios, loudspeakers, microphones, and tape recorders became facts of everyday life. The collection's twelve essays focus on earplay in texts by James Joyce, Ezra Pound, H.D., Samuel Beckett, William Burroughs, Amiri Baraka, Bob Kaufman, Robert Duncan, and Kamau Brathwaite and in performances by John Cage, Caribbean DJ-poets, and Cecil Taylor. From the early twentieth-century soundscapes of Futurist and Dadaist 'sonosphers' to Henri Chopin's electroacoustical audio-poames, the authors argue, these states of sound make bold but wavering statements--statements held only partially in check by meaning. The contributors are Loretta Collins, James A. Connor, Michael Davidson, N. Katherine Hayles, Nathaniel Mackey, Steve McCaffery, Alec McHoul, Toby Miller, Adalaide Morris, Fred Moten, Marjorie Perloff, Jed Rasula, and Garrett Stewart.