Type And Image
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Author | : Philip B. Meggs |
Publisher | : John Wiley & Sons |
Total Pages | : 220 |
Release | : 1992-03-15 |
Genre | : Architecture |
ISBN | : 9780471284925 |
Type and Image The Language of Graphic Design Philip B. Meggs What is the essence of graphic design? How do graphic designers solve problems, organize space, and imbue their work with those visual and symbolic qualities that enable it to convey visual and verbal information with expression and clarity? The extraordinary flowering of graphic design in our time, as a potent means for communication and a major component of our visual culture, increases the need for designers, clients, and students to comprehend its nature. In this lively and lavishly illustrated book, the author reveals the very essence of graphic design. The elements that combine to form a design— sings, symbols, words, pictures, and supporting forms—are analyzed and explained. Graphic design’s ability to function as language, and the innovative ways that designers combine words and pictures, are discussed. While all visual arts share common spatial properties, the author demonstrates that graphic space has unique characteristics that are determined by its communicative function. Graphic designs can have visual and symbolic properties which empower them to communicate with deep expression and meaning. The author defines this property as graphic resonance and explains how it occurs. After defining design as a problem-solving process, a model for this process is developed and illustrated by an in-depth analysis of actual case histories. This book will provide insight and inspiration for everyone who is interested or involved in graphic communications. While most materials about form and meaning in design have a European origin, this volume is based on the dynamic and expressive graphic design of America. The reader will find inspiration, hundreds of exciting examples by many of America’s outstanding graphic designers, and keen insights in Type and Image.
Author | : Nancy Skolos |
Publisher | : Rockport Publishers |
Total Pages | : 192 |
Release | : 2006-06-01 |
Genre | : Design |
ISBN | : 1616735910 |
Working with type and image and the integration of these two elements to create persuasive and effective design pieces are the foundations of good graphic design. Yet, very little practical information exists for these tasks. This book changes all it. It gives designers the practical know-how to combine type and image for dynamic effect as well as to use them in contrast to create tension and meaning in design. Creating strong layouts is the most important as well as the most challenging of any project. This book inspires through excellence by exhibiting great design work then deconstructing the processes in simple visual terms. Type, Image, Message: Merging Pictures and Ideas looks at this respected art form while providing practical information that can be used by any designer wishing to hone the skills needed to merge type with images in an inspired manner.
Author | : Barbara Brownie |
Publisher | : |
Total Pages | : 224 |
Release | : 2012-09 |
Genre | : Letter-pictures |
ISBN | : 9787561160022 |
Alphabetic characters are now not only considered in terms of their potential to display linguistic information, but also their potential to act as artists' marks. This text presents a collection of contemporary works which challenge the divide between type and image.
Author | : Richard Poulin |
Publisher | : |
Total Pages | : 274 |
Release | : 2012-11 |
Genre | : Architecture |
ISBN | : 1592537790 |
This innovative volume is the first to provide the design student, practitioner, and educator with an invaluable comprehensive reference of visual and narrative material that illustrates and evaluates the unique and important history surrounding graphic design and architecture. Graphic Design and Architecture, A 20th Century History closely examines the relationship between typography, image, symbolism, and the built environment by exploring principal themes, major technological developments, important manufacturers, and pioneering designers over the last 100 years. It is a complete resource that belongs on every designer’s bookshelf.
Author | : Kevin Lynch |
Publisher | : MIT Press |
Total Pages | : 212 |
Release | : 1964-06-15 |
Genre | : Architecture |
ISBN | : 9780262620017 |
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
Author | : Ina Saltz |
Publisher | : Rockport Publishers |
Total Pages | : 208 |
Release | : 2019-02-12 |
Genre | : Design |
ISBN | : 1631596489 |
Typography Essentials: 100 Design Principles for Working with Type is a practical, hands-on resource that distills and organizes the many complex issues surrounding the effective use of typography. An essential reference for designers since 2009, Typography Essentials is now completely refreshed with updated text, new graphics and photos, and a whole new look. Divided into four sections—The Letter, The Word, The Paragraph, and The Page—the text is concise, compact, and easy to reference. Each of the 100 principles, which cover all practical aspects of designing with type, has an explanation and inspiring visual examples drawn from international books, magazines, posters, and more. Typography Essentials is for designers of every medium in which type plays a major role, and is organized and designed to make the process enjoyable and entertaining, as well as instructional.
Author | : Philip B. Meggs |
Publisher | : International Thomson Publishing Services |
Total Pages | : 200 |
Release | : 1992-01-01 |
Genre | : Graphic arts |
ISBN | : 9780442011659 |
Type and Image The Language of Graphic Design Philip B. Meggs What is the essence of graphic design? How do graphic designers solve problems, organize space, and imbue their work with those visual and symbolic qualities that enable it to convey visual and verbal information with expression and clarity? The extraordinary flowering of graphic design in our time, as a potent means for communication and a major component of our visual culture, increases the need for designers, clients, and students to comprehend its nature. In this lively and lavishly illustrated book, the author reveals the very essence of graphic design. The elements that combine to form a design- sings, symbols, words, pictures, and supporting forms-are analyzed and explained. Graphic design's ability to function as language, and the innovative ways that designers combine words and pictures, are discussed. While all visual arts share common spatial properties, the author demonstrates that graphic space has unique characteristics that are determined by its communicative function. Graphic designs can have visual and symbolic properties which empower them to communicate with deep expression and meaning. The author defines this property as graphic resonance and explains how it occurs. After defining design as a problem-solving process, a model for this process is developed and illustrated by an in-depth analysis of actual case histories. This book will provide insight and inspiration for everyone who is interested or involved in graphic communications. While most materials about form and meaning in design have a European origin, this volume is based on the dynamic and expressive graphic design of America. The reader will find inspiration, hundreds of exciting examples by many of America's outstanding graphic designers, and keen insights in Type and Image.
Author | : Bernd Scheffer |
Publisher | : Hatje Cantz Verlag |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Installations (Art) |
ISBN | : 9783775737838 |
This November, FACT is pleased to present the UK premiere of Type Motion, an exhibition featuring over 200 outstanding examples of text and typography being used alongside the moving image. The exhibition celebrates the creative possibilities of opening up uses of text far beyond print, and seeks to showcase not only the importance of writing, but how bringing it to life with movement is an artform in itself.
Author | : Agathe Jacquillat |
Publisher | : Laurence King Publishing |
Total Pages | : 0 |
Release | : 2011-04-20 |
Genre | : Design |
ISBN | : 9781856697132 |
This book is the most comprehensive showcase of three-dimensional letterforms ever written, featuring over 1,300 images of more than 300 projects by more than 160 emerging talents and established individuals and studios including Sagmeister Inc, Vaughan Oliver, Milton Glaser, Alvin Lustig, Louis Danziger, Roger Excoffon, Paul Elliman, Marian Bantjes, Geoff Kaplan, Clotilde Olyff, Italo Lupi, Marion Bataille, Antoine+Manuel, Frost*Design, Mervyn Kurlansky, Non-Format, Oded Ezer, Rowland Scherman, Post Typography, Rinzen, Underwares Type Workshop, J. Kyle Daevel, Ji Lee, Pleaseletmedesign and Strange Attractors Design.As well as pioneering milestones from as far back as the 1940s, this book focuses on recent and brand new typographic projects. 3D type specialist Andrew Byrom explains the context and motivation behind these innovative works in an insightful foreword.
Author | : Barbara Brownie |
Publisher | : Gingko Press |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Graphic design (Typography) |
ISBN | : 9781584234425 |
One of the most comprehensive surveys of type ever published, TYPE IMAGE showcases contemporary works that challenge the type/image divide. Letters, words and phrases in TYPE IMAGE are playfully crafted into landscapes, portraits, objects, or textures and patterns. Attention is paid to punctuation, pictorial typefaces and designers' takes on the contemporary mainstream use of emoticons. The accompanying text illuminates the history and relevancy of images composed from type.