Two Studies in Chinese Literature

Two Studies in Chinese Literature
Author:
Publisher: U of M Center for Chinese Studies
Total Pages: 114
Release: 1968
Genre: Literary Criticism
ISBN:

A translation and study of the legendary diary of China's first travel writer on his way up a secluded mountain, and a formalist analysis of Yüan drama

Two Studies on Ming History

Two Studies on Ming History
Author: Charles O. Hucker
Publisher: U OF M CENTER FOR CHINESE STUDIES
Total Pages: 93
Release: 2021-01-19
Genre: History
ISBN: 0472038117

In the first study of Two Studies on Ming History, Charles O. Hucker presents an account of a military campaign that provides insight into the nature of civil officials’ authority, decision-making, and relationship with the Ming court. In the spring and summer of 1556, a Chinese renegade named Hsü Hai led an invading group of Japanese and Chinese soldiers on a plundering foray through the northeastern sector of Chekiang province. Opposing them was a military establishment that for years past had been battered by coastal raiders, now under the control of an ambitious and clever official named Hu Tsung-hsien. The campaign was not one of the most consequential in China’s military history, even during the Ming dynasty (1368–1644). But it was famous and well reported in its time, and it illustrates some of the unusual ways in which the Chinese of the imperial age coped with the often unusual military problems they faced. In the second part of Two Studies, Hucker presents a translation of K’ai-tu ch’uan-hsin, a popular narrative of a spontaneous demonstration in which literati and commoners alike rose up to defend an austere and incorruptible adherent to Confucian morality who had been doomed to die because of his defiance of the ruthless and heterodox clique that had usurped imperial power. In 1626, Chinese political morality was at one of its lowest ebbs. On the throne at Peking was an incompetent twenty-one-year-old emperor who was much too occupied with puttering at carpentry to pay attention to the government. Into the vacuum stepped Wei Chung-hsien, the favorite of the emperor’s governess. Wei used brutal terror to make himself undisputed master of the vast bureaucratic mechanism that administered China. One of Wei’s many victims was Chou Shun-ch’ang, a member of the official class who was said to have hated evil as a personal enemy. Chou became critical of Wei, an order was put out for Chou’s arrest, and a popular uprising occurred in protest.

Double Jeopardy

Double Jeopardy
Author: Ching-Hsi Perng
Publisher: University of Michigan Press
Total Pages: 195
Release: 2020-08-06
Genre: Language Arts & Disciplines
ISBN: 047290132X

Traditionally, criticism of plays from the Yüan Dynasty (1260–1368) has been dominated by the so-called poetic and socialist schools. Double Jeopardy instead rigorously evaluates a group of plays by aesthetic criteria generated from within the works themselves. It examines seven courtroom plays with special attention to language and the manipulation of dramatic characters—undoubtedly the most reliable indicators of the playwright’s strength and craftsmanship in such a stylized art form as Yüan tsa-chü drama. The analytical method adopted in Double Jeopardy is textual explication of the conventions of genre and the individual characteristics of each play. The innovation and creative vitality of each playwright emerges through close scrutiny of selected conventional aspects of courtroom dramas: the functions and placement patterns of lyric, verse, and prose as well as the custom of a single singing role and its implication for the presentation of dramatis personae. Because Yüan drama is driven by conventions, Perng demonstrates a method that can be applied not just to judgment reversal plays but to Yüan dramatic criticism as a whole. In pursuing a method of textual explication, Perng provides a basis on which a larger framework of criticism of Yüan drama may be built.

Chang Ch’un-ch’iao and Shanghai’s January Revolution

Chang Ch’un-ch’iao and Shanghai’s January Revolution
Author: Andrew G. Walder
Publisher: U OF M CENTER FOR CHINESE STUDIES
Total Pages: 165
Release: 2021-01-19
Genre: Social Science
ISBN: 0472038257

Shanghai’s January Revolution was a highly visible and, by all accounts, crucially important event in China’s Cultural Revolution. Its occurrence, along with the subsequent attempt to establish a “commune” form of municipal government, has greatly shaped our understanding both of the goals originally envisaged for the Cultural Revolution by its leaders and of the political positions held by the new corps of Party leaders thrust upward during its course—most notably Chang Ch’un ch’iao. At this interpretive level, the events in Shanghai seem to embody in microcosm the issues and conflicts in Chinese politics during the Cultural Revolution as a whole, while at the same time shaping our conception of what these larger issues and conflicts were. At the more general, theoretical level, however, the events in Shanghai provide us with an unusual opportunity (thanks to Red Guard raids on Party offices) to view the internal workings of the Party organization under a period of stress and to observe unrestrained interest group formation and mass political conflict through the press accounts provided by these unofficial groups themselves. The January Revolution thus provides us with an opportunity to develop better our more abstract, theoretical understanding of the functioning of the Chinese political system and the dynamics of the social system in which it operates. [1]

A Bibliography of Chinese Language Materials on the People's Communes

A Bibliography of Chinese Language Materials on the People's Communes
Author: Wei-yi Ma
Publisher: University of Michigan Press
Total Pages: 335
Release: 2020-08-06
Genre: Social Science
ISBN: 047290177X

A research tool for scholars studying modern China, particularly those focusing on the post-1949 communal system and economy. The work includes full bibliographic references to some 2,800 essay, articles, pamphlets, and other materials in Chinese taken from more than 130 publications, primarily from mainland. The entries are arranged are arranged topically with annotations. Includes a geographic index to the communes referred to in the listed items.

Chinese Domestic Politics and Foreign Policy in the 1970s

Chinese Domestic Politics and Foreign Policy in the 1970s
Author: Allen S. Whiting
Publisher: University of Michigan Press
Total Pages: 97
Release: 2020-08-06
Genre: Social Science
ISBN: 0472901818

Chinese Domestic Politics and Foreign Policy in the 1970s undertakes a systematic examination of selected aspects of Peking’s foreign policy, using content analysis, both quantitative and qualitative, of the media. The first study treats media images of the United States and Taiwan in 1976–77; the second analyzes domestic politics and foreign trade, 1971–1976. [1, 2]

Mao Zedong’s “Talks at the Yan’an Conference on Literature and Art”

Mao Zedong’s “Talks at the Yan’an Conference on Literature and Art”
Author: Bonnie McDougall
Publisher: University of Michigan Press
Total Pages: 129
Release: 2020-06-01
Genre: Social Science
ISBN: 0472901338

The writings of Mao Zedong have been circulated throughout the world more widely, perhaps, than those of any other single person this century. The “Talks at the Yan’an Conference on Literature and Art” has occupied a prominent position among his many works and has been the subject of intense scrutiny both within and outside China. This text has undoubted importance to modern Chinese literature and history. In particular, it reveals Mao’s views on such questions as the relationship between writers or works of literature and their audience, or the nature and value of different kinds of literary products. In this translation and commentary, Bonnie S. McDougall finds that Mao was in fact ahead of many of his critics in the West and his Chinese contemporaries in his discussion of literary issues. Unlike the majority of modern Chinese writers deeply influenced by Western theories of literature and society (including Marxism), Mao remained close to traditional patterns of thought and avoided the often mechanical or narrowly literal interpretations that were the hallmark of Western schools current in China in the early twentieth century. Many of the detailed discussions on the “Talks” in the West have been concerned with their political and historical significance. However, since Mao is a literary figure of some importance in twentieth-century China, McDougall finds it worthwhile to follow up his published remarks on the nature and source of literature and the means of its evaluation. By better understanding the complex and revolutionary ideas contained in the “Talks,” McDougall suggests we may acquire the necessary analytical tools for a more fruitful investigation into contemporary Chinese literature.