Six duos

Six duos
Author: Ignaz Pleyel
Publisher:
Total Pages: 54
Release: 1901
Genre: Violin music
ISBN:

The Etude

The Etude
Author:
Publisher:
Total Pages: 496
Release: 1916
Genre: Music
ISBN:

A monthly journal for the musician, the music student, and all music lovers.

Three Songs

Three Songs
Author: Edward MacDowell
Publisher:
Total Pages: 20
Release: 1902
Genre: Songs (High voice) with piano
ISBN:

The Piano in Chamber Ensemble, Third Edition

The Piano in Chamber Ensemble, Third Edition
Author: Maurice Hinson
Publisher: Indiana University Press
Total Pages: 853
Release: 2021-07-27
Genre: Music
ISBN: 0253056748

In this expanded and updated edition, The Piano in Chamber Ensemble: An Annotated Guide features over 3200 compositions, from duos to octets, by more than 1600 composers. Maurice Hinson and Wesley Roberts catalog published works for piano with two or more instruments with information on performance level, length, individual movements, overall style, and publisher. Divided into sections according to the number and types of instruments involved, The Piano in Chamber Ensemble then subdivides entries according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and teachers will find a wealth of chamber works from all periods in this invaluable guide.

Experiencing the Violin Concerto

Experiencing the Violin Concerto
Author: Franco Sciannameo
Publisher: Rowman & Littlefield
Total Pages: 205
Release: 2016-08-04
Genre: Music
ISBN: 0810888866

Since the eighteenth century, violin concertos have provided a showcase for dramatic interplay between a soloist’s virtuosity and the blended sonority of an orchestra’s many instruments. Using this genre to showcase skill and ingenuity, composers cemented the violin concerto as a key genre of classical music and gifted our ears with such timeless masterpieces as Vivaldi’s Four Seasons. In Experiencing the Violin Concerto, Franco Sciannameo draws on his years of scholarship and violin performance to trace the genre through Baroque, Classical, and modern periods. Along the way, he explores the social and personal histories of composers, and the fabulous virtuosi who performed concertos, and audiences they conquered worldwide. Inviting readers to consider not only the components of the music but also the power of perception and experience, Sciannameo recreates the atmosphere of a live performance as he paints a narrative history of technique and innovation. Experiencing the Violin Concerto uses descriptions in place of technical jargon to make the world of classical music accessible to amateur music lovers. As part of the Listener’s Companion series, the volume gives readers an enhanced experience of key works by investigating the environments in which the works were written and first performed as well as those in which they are enjoyed today.