The Comedies

The Comedies
Author: Terence
Publisher:
Total Pages: 508
Release: 1766
Genre: English drama
ISBN:

The Comedies

The Comedies
Author: Terence
Publisher: Penguin UK
Total Pages: 422
Release: 2004-07-01
Genre: Drama
ISBN: 0141915102

The Roman dramatist Terence (c. 186-159 BC) adapted many of his comedies from Greek sources, rendering them suitable for audiences of his own time by introducing subtler characterization and more complex plots. In his romantic play, The Girl from Andros, Terence portrays a love affair saved by a startling discovery. The Self-Tormentor focusses on a man's remorse after sending his son to war, and The Eunuch depicts a case of mistaken identity. Phormio is as rich in intrigue as a French farce, while The Mother-in-Law shows two families striving to save a marriage and The Brothers contrasts strict and lenient upbringings. With their tight plots and spare dialogue, Terence gave his plays a sense of humanity that became a model in the Renaissance and greatly influenced Molière.

Plautus and the English Renaissance of Comedy

Plautus and the English Renaissance of Comedy
Author: Richard F. Hardin
Publisher: Rowman & Littlefield
Total Pages: 207
Release: 2017-11-08
Genre: Literary Criticism
ISBN: 1683931297

The fifteenth-century discovery of Plautus’s lost comedies brought him, for the first time since antiquity, the status of a major author both on stage and page. It also led to a reinvention of comedy and to new thinking about its art and potential. This book aims to define the unique contribution of Plautus, detached from his fellow Roman dramatist Terence, and seen in the context of that European revival, first as it took shape on the Continent. The heart of the book, with special focus on English comedy ca. 1560 to 1640, analyzes elements of Plautine technique during the period, as differentiated from native and Terentian, considering such points of comparison as dialogue, asides, metadrama, observation scenes, characterization, and atmosphere. This is the first book to cover this ground, raising such questions as: How did comedy rather suddenly progress from the interludes and brief plays of the early sixteenth century to longer, more complex plays? What did “Plautus” mean to playwrights and readers of the time? Plays by Shakespeare, Jonson, and Middleton are foregrounded, but many other comedies provide illustration and support.

Greek Slavery

Greek Slavery
Author: Deborah Kamen
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 189
Release: 2023-06-19
Genre: History
ISBN: 3110651238

Slavery is attested throughout ancient Greek history and all over the Greek world. Unsurprisingly, then, scholarship on Greek slavery has proliferated in the past twenty-five or so years, making a holistic synthesis of such work especially desirable. This book offers a state-of-the-art guide to research on this subject, surveying recent scholarly trends and controversies and suggesting future directions for research. Topics include regional variation in slave systems; the economics of slavery; the treatment of enslaved people; sex and gender; agency, resistance, and revolt; manumission; and representations, metaphors, and legacies of Greek slavery. Readers, including those interested in slavery of other time periods, will find this book an essential resource in learning about key issues in Greek slavery studies or in pursuing their own research.

The Cambridge Companion to Greek Comedy

The Cambridge Companion to Greek Comedy
Author: Martin Revermann
Publisher: Cambridge University Press
Total Pages: 523
Release: 2014-06-12
Genre: History
ISBN: 1139991531

Greek comedy flourished in the fifth and fourth centuries BC, both in and beyond Athens. Aristophanes and Menander are the best-known writers whose work is in part extant, but many other dramatists are known from surviving fragments of their plays. This sophisticated but accessible introduction explores the genre as a whole, integrating literary questions (such as characterisation, dramatic technique or diction) with contextual ones (for example audience response, festival context, interface with ritual or political frames). In addition, it also discusses relevant historical issues (political, socio-economic and legal) as well as the artistic and archaeological evidence. The result provides a unique panorama of this challenging area of Greek literature which will be of help to students at all levels and from a variety of disciplines but will also provide stimulus for further research.

Aristophanes and the Cloak of Comedy

Aristophanes and the Cloak of Comedy
Author: Mario Telò
Publisher: University of Chicago Press
Total Pages: 252
Release: 2016-04-18
Genre: Drama
ISBN: 022630969X

Aristophanes and the Generation of Greek Comedy challenges the ways in which both ancient and modern scholarship have created the figure we know as Aristophanes and it builds on Telo's the long-term project to study the genres of ancient Greek literature (particularly plays) as well as genre theory more generally.Telo asks, how did the image we know of Aristophanes arose? Aristophanes' supremacy is traced, by Telo, back to the playwright himself. Early scholars presented Aristophanes' work as a prestigious object, an expression of supposedly transhistorical values of dignity (semnotes) and self-control (sophrosune). This construction of the merits of Aristophanic comedy over that of other varieties depends on its textual connections with other works, particularly tragedies. Telo shows, through close readings of Wasps and Clouds, for example, how the Aristophanic style is actually figured in the plays as the tactile experience of a garment, a soft, protective cloak intended to shield an audience from the debilitating effects of competitors' comedies during the Dionysia. Aristophanes' narratives of sons and fathers, poet and audience, is thus at the center of the discourse that has shaped his canonical dominance ever since.