Two Elizabethan Stage Abridgements
Author | : Walter Wilson Greg |
Publisher | : |
Total Pages | : 398 |
Release | : 1922 |
Genre | : Roland (Legendary character) in literature |
ISBN | : |
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Author | : Walter Wilson Greg |
Publisher | : |
Total Pages | : 398 |
Release | : 1922 |
Genre | : Roland (Legendary character) in literature |
ISBN | : |
Author | : Walter Wilson Greg |
Publisher | : |
Total Pages | : 406 |
Release | : 1964 |
Genre | : Roland (Legendary character) in literature |
ISBN | : |
Author | : Laurie E. Maguire |
Publisher | : University of Delaware Press |
Total Pages | : 324 |
Release | : 1998 |
Genre | : History |
ISBN | : 9780874136555 |
This volume analyzes the development of textual theory and practice in the twentieth century, questioning not just the assumptions and methodologies of textual study but the very genesis of textual study and current definitions of the field. Each contributor tackles a specific theoretical or practical issue in essays that cover feminist practice, editorial procedure, political ideology, practical dramaturgy, and sixteenth- and twentieth-century history. The result is a volume at once wide-ranging and detailed, of interest and value to cultural historians as well as to textual scholars.
Author | : John H. Astington |
Publisher | : Cambridge University Press |
Total Pages | : |
Release | : 2010-09-30 |
Genre | : Drama |
ISBN | : 1139788515 |
John Astington brings the acting style of the Shakespearean period to life, describing and analysing the art of the player in the English professional theatre between Richard Tarlton and Thomas Betterton. The book pays close attention to the cultural context of stage playing, the critical language used about it, and the kinds of training and professional practice employed in the theatre at various times over the course of roughly one hundred years - 1558–1660. Perfect for courses, this survey takes into account recent discoveries about actors and their social networks, about apprenticeship and company affiliations, and about playing outside the major centre of theatre, London. Astington considers the educational tradition of playing, in schools, universities, legal inns, and choral communities, in comparison to the work of the professional players. A comprehensive biographical dictionary of all major professional players of the Shakespearean period is included as a handy reference guide.
Author | : S.P. Cerasano |
Publisher | : Associated University Presse |
Total Pages | : 255 |
Release | : 2016-09-30 |
Genre | : Literary Criticism |
ISBN | : 0838644821 |
Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes eight new articles, a review essays, and review of six books.
Author | : Lukas Erne |
Publisher | : Cambridge University Press |
Total Pages | : 312 |
Release | : 2003-03-13 |
Genre | : Drama |
ISBN | : 9780521822558 |
Table of contents
Author | : Laurie E. Maguire |
Publisher | : Cambridge University Press |
Total Pages | : 447 |
Release | : 1996-02-23 |
Genre | : Drama |
ISBN | : 0521473640 |
An examination of forty-one Shakespearean play texts, the 'bad quartos' or 'memorial reconstructions'.
Author | : David Scott Kastan |
Publisher | : Cambridge University Press |
Total Pages | : 168 |
Release | : 2001-09-20 |
Genre | : Drama |
ISBN | : 9780521786515 |
An account of Shakespeare's plays as they were transformed from scripts into books.
Author | : Jesús Tronch-Pérez |
Publisher | : Universitat de València |
Total Pages | : 416 |
Release | : 2002 |
Genre | : Juvenile Nonfiction |
ISBN | : 9788437053813 |
A Synoptic Hamlet is an alternative response to the editorial problems of this multiple-text play. Like most critical editions, it presents the early texts in a manner helpful to the general reader by modernizing spelling and punctuation, and emending non-sensical readings. However, it does not hide the text’s diversity by exclusively selecting readings from either the Second Quarto or the First Folio in order to reconstruct a single-reading version corresponding to the authentic Hamlet. Rather, it makes their significant variants immediately available in the line itself (offering alternative editorial interpretations of identical or similar readings at certain points). Thus the reader can have a direct appreciation of the divergence and similarity between these early texts from which the Hamlet of today is known.
Author | : Neil Carson |
Publisher | : Cambridge University Press |
Total Pages | : 172 |
Release | : 2003 |
Genre | : Drama |
ISBN | : 9780521543460 |
A thorough analysis of Philip Henslowe's diary which provides a unique source of information on Elizabethan repertory theatre.