Twenty Years Of My Life 1867 1887
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| Author | : Colleen Denney |
| Publisher | : Fairleigh Dickinson Univ Press |
| Total Pages | : 276 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : 9780838638507 |
"In the hands of an innovative team consisting of Sir Coutts Lindsay, his wife Blanche Lindsay, and two managers, Charles Halle and Joseph Comyns Carr, the gallery developed a reputation as a leading exhibition space for British and Continental artists during the late Victorian period. What factors contributed to its rise to prominence on the London exhibition circuit? How did it maintain that respected place in light of the diversification of showcases during this period?" "Central to this book is a close examination of the paintings which were shown at the gallery during its fourteen-year run, how they were received by the critics, and which movements were represented."--Jacket.
| Author | : Virginia Woolf |
| Publisher | : Good Press |
| Total Pages | : 7948 |
| Release | : 2023-11-28 |
| Genre | : Literary Collections |
| ISBN | : |
Virginia Woolf's 'The Complete Works of Virginia Woolf' is a masterpiece that showcases the evolution of her writing style and literary themes. This collection includes her groundbreaking novels such as 'Mrs. Dalloway' and 'To the Lighthouse,' as well as her renowned essays and short stories. Woolf's stream-of-consciousness narrative technique and exploration of gender roles and societal norms make her works a vital contribution to modernist literature. Readers will be captivated by the complex characters, rich symbolism, and innovative storytelling found throughout this comprehensive collection. Virginia Woolf's ability to dive deep into the psyche of her characters and challenge conventional storytelling make her a significant figure in the literary world. Her writing reflects her own struggles with mental health and societal expectations, adding depth and authenticity to her works. 'The Complete Works of Virginia Woolf' is a must-read for anyone interested in exploring the complexities of human experience and the art of storytelling.
| Author | : |
| Publisher | : |
| Total Pages | : 864 |
| Release | : 1925 |
| Genre | : Great Britain |
| ISBN | : |
| Author | : Jill Berk Jiminez |
| Publisher | : Routledge |
| Total Pages | : 628 |
| Release | : 2013-10-15 |
| Genre | : Social Science |
| ISBN | : 1135959218 |
The first reference work devoted to their lives and roles, this book provides information on some 200 artists' models from the Renaissance to the present day. Most entries are illustrated and consist of a brief biography, selected works in which the model appears (with location), a list of further reading. This will prove an invaluable reference work for art historians, librarians, museum and gallery curators, as well as students and researchers.
| Author | : |
| Publisher | : |
| Total Pages | : 740 |
| Release | : 1925 |
| Genre | : |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 742 |
| Release | : 1925 |
| Genre | : Literary and political reviews |
| ISBN | : |
| Author | : Valerie Fehlbaum |
| Publisher | : Taylor & Francis |
| Total Pages | : 216 |
| Release | : 2017-07-05 |
| Genre | : Literary Criticism |
| ISBN | : 1351940791 |
In a career that spanned over forty years, Ella Hepworth Dixon (1857-1932) was alternately journalist, critic, essayist, short story writer, novelist, editor of a women's magazine, dramatist, and autobiographer. After an initial popularity, however, Dixon's work remained largely unread for decades. Valerie Fehlbaum sheds light on Dixon's life and work, and provides profound insight not only into Dixon herself but into the multifaceted character of the "New Woman" writer that Dixon typified.
| Author | : A. Kingston |
| Publisher | : Springer |
| Total Pages | : 312 |
| Release | : 2007-12-25 |
| Genre | : Literary Criticism |
| ISBN | : 023060935X |
This book documents how Oscar Wilde was appropriated as a fictional character by no less than thirty-two of his contemporaries, including such celebrated writers as Joseph Conrad, Arthur Conan Doyle, Henry James, George Bernard Shaw and Bram Stoker.
| Author | : Gail Marshall |
| Publisher | : Cambridge University Press |
| Total Pages | : 268 |
| Release | : 1998-05-07 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780521620161 |
Gail Marshall argues that the professional and personal history of the Victorian actress was largely defined by her negotiation with the sculptural metaphor, and that this was authorized and determined by the Ovidian myth of Pygmalion and Galatea. Drawing on evidence of theatrical fictions, visual representations and popular culture's assimilation of the sculptural image, as well as theatrical productions, she examines some of the manifestations of the sculptural metaphor on the legitimate English stage, and its implications for the actress in the later nineteenth century. Within the legitimate theatre, the 'Galatea-aesthetic' positioned actresses as predominantly visual and sexual commodities whose opportunities for interpretative engagement with their plays were minimal. This dominant aesthetic was effectively challenged only at the end of the century, with the advent of the 'New' drama, and the emergence of a body of autobiographical writings by actresses.
| Author | : Deborah Simonton |
| Publisher | : Routledge |
| Total Pages | : 326 |
| Release | : 2014-09-04 |
| Genre | : History |
| ISBN | : 1317611357 |
This book conceives the role of the modern town as a crucial place for material and cultural circulations of luxury. It concentrates on a critical period of historical change, the long eighteenth and nineteenth centuries, that was marked by the passage from a society of scarcity to one of expenditure and accumulation, from ranks and orders to greater social mobility, from traditional aristocratic luxury to a new bourgeois and even democratic form of luxury. This volume recognizes the notion that luxury operated as a mechanism of social separation, but also that all classes aspired to engage in consumption at some level, thus extending the idea of what constituted luxury and blurring the boundaries of class and status, often in unsettling ways. It moves beyond the moral aspects of luxury and the luxury debates to analyze how the production, distribution, purchase or display of luxury goods could participate in the creation of autonomous selves and thus challenge gender roles.
