Twenty First Century Musicals
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| Author | : George Rodosthenous |
| Publisher | : Routledge |
| Total Pages | : 427 |
| Release | : 2017-08-14 |
| Genre | : Performing Arts |
| ISBN | : 1317234057 |
Twenty-First Century Musicals stakes a place for the musical in today’s cinematic landscape, taking a look at leading contemporary shows from their stage origins to their big-screen adaptations. Each chapter offers a new perspective on a single musical, challenging populist narratives and exploring underlying narratives and sub-texts in depth. Themes of national identity; race, class and gender; the ‘voice’ and ‘singing live’ on film; authenticity; camp sensibilities; and the celebration of failure are addressed in a series of questions including: How does the film adaptation provide a different viewing experience from the stage version? What themes are highlighted in the film adaptation? What does the new casting bring to the work? Do camera angles dictate a different reading from the stage version? What is lost/gained in the process of adaptation to film? Re-interpreting the contemporary film musical as a compelling art form, Twenty-First Century Musicals is a must-read for any student or scholar keen to broaden their understanding of musical performance.
| Author | : Stephen Purdy |
| Publisher | : Routledge |
| Total Pages | : 306 |
| Release | : 2021-09-12 |
| Genre | : Performing Arts |
| ISBN | : 1000402347 |
Flop Musicals of the Twenty-First Century offers a provocative and revealing historical narrative of a group of musicals that cost millions and had spectacular potential ... but bombed anyway. Stephen Purdy examines at length the production histories, which are all bound together by a common thread. The book focuses the lens on several seemingly infallible theatre creatives who weren’t destined to repeat their successes with the shows discussed in this volume. As such, Purdy grounds the discussion by examining what the legendary creators of Les Misérables, pop superstar Elton John, wunderkind Julie Taymor, and many others have in common besides being inspired storytellers of iconic Broadway musicals. The answer is that they also all created shows that, for one reason or a dozen, didn’t find an audience. Flop Musicals of the Twenty-First Century shares the story of what can happen when formidable creative teams of sell-out musicals attempt to re-create their success but miss the mark. This is an engaging book for students, practitioners, and fans of musical theatre that contains thoughtful observations about luck and creative differences, botched adaptations, and alienated audiences, all of which can determine the fate of a musical.
| Author | : Stephen Purdy |
| Publisher | : Routledge |
| Total Pages | : 172 |
| Release | : 2020-05-17 |
| Genre | : Performing Arts |
| ISBN | : 0429509154 |
Flop Musicals of the Twenty-First Century offers a provocative and revealing historical narrative of a group of musicals that cost millions and that had spectacular potential...but bombed anyway. Unlike similar books on the topic which have taken a more truncated approach to telling the fascinating stories of these shows, Stephen Purdy chooses instead to examine at length the production histories of these shows which are all bound together by a common thread. In this volume Purdy focuses the lens on several seemingly infallible theatre creatives that weren't destined to repeat their successes with the shows discussed in this volume. As such, Purdy grounds the discussion by examining what the legendary creators of Les Miserables, pop superstar Elton John, wunderkind Julie Taymor and many others have in common besides being inspired storytellers of iconic Broadway musicals. The answer is that that also all created shows that, for one reason or a dozen, didn't find an audience. This particular volume shares the story of what can happen when formidable creative teams of sell-out musicals attempt to re-create their success but miss the mark. This is an engaging book for students, practitioners and fans of musical theatre that contains thoughtful observations about luck and creative differences, botched adaptations and alienated audiences, all of which can determine the fate of a musical.
| Author | : George Rodosthenous |
| Publisher | : Routledge |
| Total Pages | : 272 |
| Release | : 2017-09-11 |
| Genre | : Music |
| ISBN | : 9781315626123 |
Twenty-First Century Musicals stakes a place for the musical in today's cinematic landscape, taking a look at leading contemporary shows from their stage origins to their big-screen adaptations. Each chapter offers a new perspective on a single musical, challenging populist narratives and exploring underlying narratives and sub-texts in-depth. Themes of migration and national identity; race, class and gender; the 'voice' and 'singing live' on film; authenticity; camp sensibilities; and the celebration of failure are addressed in a series of questions including: How does a film adaptation provide a different viewing experience from a stage musical? What new themes are highlighted by film adaptations? What does new casting bring to the work? Do camera angles dictate a different reading than a stage version? What is lost in the process of adaptation? Re-interpreting the contemporary film musical as a compelling art form, Twenty-First Century Musicals is a must-read for any student or scholar keen to broaden their understanding of musical performance.
| Author | : William A. Everett |
| Publisher | : Cambridge University Press |
| Total Pages | : 503 |
| Release | : 2017-09-21 |
| Genre | : Music |
| ISBN | : 1107114748 |
An expanded and updated edition of this acclaimed, wide-ranging survey of musical theatre in New York, London, and elsewhere.
| Author | : Dan Dietz |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 533 |
| Release | : 2020-09-10 |
| Genre | : Performing Arts |
| ISBN | : 1538126338 |
This volume contains detailed information about every musical that opened on Broadway from 2010 through the end of 2019. This book discusses the decade’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues.
| Author | : Kevin J. Donnelly |
| Publisher | : Edinburgh University Press |
| Total Pages | : 208 |
| Release | : 2017-06-26 |
| Genre | : Performing Arts |
| ISBN | : 1474413145 |
Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edited collection, bringing together a number of international scholars, looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino's Kill Bill (2003/04). Looking at the varying aesthetic function of soundtrack and lyric in films like Disney's wildly popular Frozen (2013) and the Fast and the Furious franchise, or the self-reflexive commentary of the 'post-millennial rock musical', this wide-ranging collection breaks new ground in its study of this multifaceted genre.
| Author | : Jessica Hillman-McCord |
| Publisher | : Springer |
| Total Pages | : 368 |
| Release | : 2017-11-21 |
| Genre | : Social Science |
| ISBN | : 3319648764 |
This book argues that the digital revolution has fundamentally altered the way musicals are produced, followed, admired, marketed, reviewed, researched, taught, and even cast. In the first hundred years of its existence, commercial musical theatre functioned on one basic model. However, with the advent of digital and network technologies, every musical theatre artist and professional has had to adjust to swift and unanticipated change. Due to the historically commercial nature of the musical theatre form, it offers a more potent test case to reveal the implications of this digital shift than other theatrical art forms. Rather than merely reflecting technological change, musical theatre scholarship and practice is at the forefront of the conversation about art in the digital age. This book is essential reading for musical theatre fans and scholars alike.
| Author | : Robert L. McLaughlin |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 284 |
| Release | : 2016-08-11 |
| Genre | : Performing Arts |
| ISBN | : 1496808568 |
From West Side Story in 1957 to Road Show in 2008, the musicals of Stephen Sondheim (1930–2021) and his collaborators have challenged the conventions of American musical theater and expanded the possibilities of what musical plays can do, how they work, and what they mean. Sondheim's brilliant array of work, including such musicals as Company, Follies, Sweeney Todd, Sunday in the Park with George, and Into the Woods, established him as the preeminent composer/lyricist of his, if not all, time. Stephen Sondheim and the Reinvention of the American Musical places Sondheim's work in two contexts: the exhaustion of the musical play and the postmodernism that, by the 1960s, deeply influenced all the American arts. Sondheim's musicals are central to the transition from the Rodgers and Hammerstein-style musical that had dominated Broadway stages for twenty years to a new postmodern musical. This new style reclaimed many of the self-aware, performative techniques of the 1930s musical comedy to develop its themes of the breakdown of narrative knowledge and the fragmentation of identity. In his most recent work, Sondheim, who was famously mentored by Oscar Hammerstein II, stretches toward a twenty-first-century musical that seeks to break out of the self-referring web of language. Stephen Sondheim and the Reinvention of the American Musical offers close readings of all of Sondheim's musicals and finds in them critiques of the operation of power, questioning of conventional systems of knowledge, and explorations of contemporary identity.
| Author | : Amy S. Osatinski |
| Publisher | : Taylor & Francis |
| Total Pages | : 172 |
| Release | : 2023-08-03 |
| Genre | : Performing Arts |
| ISBN | : 1000914690 |
20 Seasons: Broadway Musicals of the 21st Century catalogues, categorizes, and analyzes the 269 musicals that opened on Broadway from the 2000-2001 season through the 2019-2020 season. This book is the first to comprehensively examine the musicals that premiered on Broadway during this important historical period, which was bookended by the 9/11 terrorist attacks on one end and the Coronavirus pandemic on the other. It begins by exploring the historical context for the first 20 years of the 21st century and how this impacted American culture and theatre. Rather than chronologically, the musicals are then organized into categories based on their source material and whether they were original musicals or revivals, painting a detailed picture of the Broadway musical in first 20 years of the 21st century. Jukebox musicals, screen-to-stage musicals, revivals, and other original musicals are all covered, and each chapter ends with reading guides and discussion prompts. The book not only discusses what was produced, but by whom, uncovering the stark lack of representation for women and artists of color on Broadway musical creative and design teams. Additionally, the last chapter discusses the COVID-19 pandemic, the Broadway shutdown, and what happened to the Broadway musical during the shutdown, including the response to the Black Lives Matter movement in the summer of 2020. 20 Seasons: Broadway Musicals of the 21st Century will appeal to fans and scholars of musical theatre, as well as students of Musical Theatre, Musical Theatre History, American Studies, and Pop Culture Studies.
