Twenty First Century Horror Films
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| Author | : Douglas Keesey |
| Publisher | : Oldacastle Books |
| Total Pages | : 241 |
| Release | : 2017-03-23 |
| Genre | : Performing Arts |
| ISBN | : 1843449064 |
This lively and illuminating book explores over 100 contemporary horror films, providing insightful and provocative readings of what they mean while including numerous quotes from their creators. Some of these films, including The Babadook, The Green Inferno, It Follows, The Neon Demon, Pride and Prejudice and Zombies, and The Witch, are so recent that this will be one of the first times they are discussed in book form. The book is divided into three main sections: "nightmares," "nations," and "innovations." "Nightmares" looks at new manifestations of traditional fears, including creepy dolls, haunted houses and demonic possession as well as vampires, werewolves, witches and zombies; and also considers more contemporary anxieties such as dread of home invasion and homophobia. "Nations" explores fright films from around the world, including Australia, Canada, Czechoslovakia, France, Germany, India, Japan, Norway, Russia, Serbia, Spain and Sweden as well as the UK and the U.S. "Innovations" focuses on the latest trends in terror from 3D to found-footage films, from Twilight teen romance to torture porn, and from body horror and eco-horror to techno-horror. Parodies, remakes and American adaptations of Asian horror are also discussed.
| Author | : Douglas Keesey |
| Publisher | : Kamera Books |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Performing Arts |
| ISBN | : 9781843449058 |
This lively and illuminating book explores over 100 contemporary horror films, providing insightful and provocative readings of what they mean while including numerous quotes from their creators. Some of these films, including The Babadook, The Green Inferno, It Follows, The Neon Demon, Pride and Prejudice and Zombies, and The Witch, are so recent that this will be one of the first times they are discussed in book form. The book is divided into three main sections: "nightmares," "nations," and "innovations." "Nightmares" looks at new manifestations of traditional fears, including creepy dolls, haunted houses and demonic possession as well as vampires, werewolves, witches and zombies; and also considers more contemporary anxieties such as dread of home invasion and homophobia. "Nations" explores fright films from around the world, including Australia, Canada, Czechoslovakia, France, Germany, India, Japan, Norway, Russia, Serbia, Spain and Sweden as well as the UK and the U.S. "Innovations" focuses on the latest trends in terror from 3D to found-footage films, from Twilight teen romance to torture porn, and from body horror and eco-horror to techno-horror. Parodies, remakes and American adaptations of Asian horror are also discussed.
| Author | : Kimberly Jackson |
| Publisher | : Springer |
| Total Pages | : 222 |
| Release | : 2016-04-29 |
| Genre | : Performing Arts |
| ISBN | : 1137532750 |
Gender and the Nuclear Family in Twenty-First-Century Horror is the first book-length project to focus specifically on the ways that patriarchal decline and post-feminist ideology are portrayed in popular American horror films of the twenty-first century. Through analyses of such films as Orphan, Insidious, and Carrie, Kimberly Jackson reveals how the destruction of male figures and depictions of female monstrosity in twenty-first-century horror cinema suggest that contemporary American culture finds itself at a cultural standstill between a post-patriarchal society and post-feminist ideology.
| Author | : James Aston |
| Publisher | : McFarland |
| Total Pages | : 241 |
| Release | : 2018-08-23 |
| Genre | : Performing Arts |
| ISBN | : 1476633533 |
The first of its kind, this study examines the exemplars of hardcore horror--Fred Vogel's August Underground trilogy, Shane Ryan's Amateur Porn Star Killer series and Lucifer Valentine's "vomit gore" films. The author begins with a definition and critical overview of this marginalized subgenre before exploring its key aesthetic convention, the pursuit of realist horror. Production practices, exhibition and marketing strategies are discussed in an in-depth interview with filmmaker Shane Ryan. Audience reception is covered with a focus on fan interaction via the Internet.
| Author | : Jessica Balanzategui |
| Publisher | : Amsterdam University Press |
| Total Pages | : 341 |
| Release | : 2018-12-11 |
| Genre | : Art |
| ISBN | : 9048537797 |
This book illustrates how global horror film images of children re-conceptualised childhood at the beginning of the twenty-first century, unravelling the child's long entrenched binding to ideologies of growth, futurity, and progress. The Uncanny Child in Transnational Cinema analyses an influential body of horror films featuring subversive depictions of children that emerged at the beginning of the twenty-first century, and considers the cultural conditions surrounding their emergence. The book proposes that complex cultural and industrial shifts at the turn of the millennium resulted in potent cinematic renegotiations of the concept of childhood. In these transnational films-largely stemming from Spain, Japan, and America-the child resists embodying growth and futurity, concepts to which the child's symbolic function is typically bound. By demonstrating both the culturally specific and globally resonant properties of these frightening visions of children who refuse to grow up, the book outlines the conceptual and aesthetic mechanisms by which long entrenched ideologies of futurity, national progress, and teleological history started to waver at the turn of the twenty-first century.
| Author | : Dana Stevens |
| Publisher | : Simon and Schuster |
| Total Pages | : 448 |
| Release | : 2023-02-28 |
| Genre | : Biography & Autobiography |
| ISBN | : 1501134205 |
They were calling it the Twentieth Century -- "She is a little animal, surely" -- "He's my son, and I'll break his neck any way I want to" -- "The locomotive of juveniles" -- A little hell-raising Huck Finn -- The boy who couldn't be damaged -- "Make me laugh, Keaton" -- Speed mania in the kingdom of shadows -- Pancakes at Childs -- Comique -- Roscoe -- Brooms -- Mabel at the wheel -- Famous players in famous plays -- Home, made -- Rice, shoes, and real estate -- The shadow stage -- Battle-scarred risibilities -- One for you, one for me -- The "darkie shuffle" -- The collapsing façade -- Grief slipped in -- The road through the mountain -- Not a drinker, a drunk -- Old times -- The coming thing in entertainment -- Coda: Eleanor.
| Author | : Simon Bacon |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 341 |
| Release | : 2023-03-15 |
| Genre | : Social Science |
| ISBN | : 1793643407 |
The Evolution of Horror in the Twenty-First Century examines the intimate connections between the horror genre and its audience’s experience of being in the world at a particular historical and cultural moment. This book not only provides frameworks with which to understand contemporary horror, but it also speaks to the changes wrought by technological development in creation, production, and distribution, as well as the ways in which those who are traditionally underrepresented positively within the genre- women, LGBTQ+, indigenous, and BAME communities - are finally being seen and finding space to speak.
| Author | : David Church |
| Publisher | : Edinburgh University Press |
| Total Pages | : 281 |
| Release | : 2021-02-01 |
| Genre | : Fiction |
| ISBN | : 1474475906 |
Horror’s longstanding reputation as a popular but culturally denigrated genre has been challenged by a new wave of films mixing arthouse minimalism with established genre conventions. Variously dubbed 'elevated horror' and 'post-horror,' films such as The Babadook, It Follows, The Witch, It Comes at Night, Get Out, The Invitation, Hereditary, Midsommar, A Ghost Story, and mother! represent an emerging nexus of taste, politics, and style that has often earned outsized acclaim from critics and populist rejection by wider audiences. Post-Horror is the first full-length study of one of the most important and divisive movements in twenty-first-century horror cinema.
| Author | : Joe Hill |
| Publisher | : Harper Collins |
| Total Pages | : 51 |
| Release | : 2009-02-03 |
| Genre | : Fiction |
| ISBN | : 0061843229 |
From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts. Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . . Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . . Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . . John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .
| Author | : Axelle Carolyn |
| Publisher | : Telos Publishing Limited |
| Total Pages | : 192 |
| Release | : 2019 |
| Genre | : |
| ISBN | : 9781845831325 |
A comprehensive analysis and overview of the state of horror cinema at the start of the 21st Century. Axelle Carolyn discusses and dissects films from the Asian remake trend of The Ring and The Grudge to the so-called torture porn of the Saw and Hostel series, taking in independents and foreign productions as well as the blockbusters. Illustrated in full colour, with numerous photos from the films discussed, It Lives Again! is your definitive guide to modern cinematic horror. Foreword by Neil Marshall and Introduction by Mick Garris. Winner of the Silver Award for Best Performing Arts book in ForeWord Magazine's Book Of The Year Awards 2009.
