Download Twentieth Century Paris full books in PDF, epub, and Kindle. Read online free Twentieth Century Paris ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Lawrence D. Kritzman |
| Publisher | : Columbia University Press |
| Total Pages | : 820 |
| Release | : 2006 |
| Genre | : History |
| ISBN | : 9780231107907 |
This valuable reference is an authoritative guide to 20th century French thought. It considers the intellectual figures, movements and publications that helped define fields as diverse as history, psychoanalysis, film, philosophy, and economics.
| Author | : Véronique Pouillard |
| Publisher | : Harvard University Press |
| Total Pages | : 337 |
| Release | : 2021-05-04 |
| Genre | : Business & Economics |
| ISBN | : 0674237404 |
An innovative history of the fashion industry, focusing on the connections between Paris and New York, art and finance, and design and manufacturing. Fashion is one of the most dynamic industries in the world, with an annual retail value of $3 trillion and globally recognized icons like Coco Chanel, Christian Dior, and Yves Saint Laurent. How did this industry generate such economic and symbolic capital? Focusing on the roles of entrepreneurs, designers, and institutions in fashion’s two most important twentieth-century centers, Paris to New York tells the history of the industry as a negotiation between art and commerce. In the late nineteenth century, Paris-based firms set the tone for a global fashion culture nurtured by artistic visionaries. In the burgeoning New York industry, however, the focus was on mass production. American buyers, trend scouts, and designers crossed the Atlantic to attend couture openings, where they were inspired by, and often accused of counterfeiting, designs made in Paris. For their part, Paris couturiers traveled to New York to understand what American consumers wanted and to make deals with local manufacturers for whom they designed exclusive garments and accessories. The cooperation and competition between the two continents transformed the fashion industry in the early and mid-twentieth century, producing a hybrid of art and commodity. Véronique Pouillard shows how the Paris–New York connection gave way in the 1960s to a network of widely distributed design and manufacturing centers. Since then, fashion has diversified. Tastes are no longer set by elites alone, but come from the street and from countercultures, and the business of fashion has transformed into a global enterprise.
| Author | : Diana Holmes |
| Publisher | : OUP Oxford |
| Total Pages | : 176 |
| Release | : 2006-12-14 |
| Genre | : Literary Criticism |
| ISBN | : 0191514365 |
Romance in modern times is the most widely read yet the most critically despised of genres. Associated almost entirely with women, as readers and as writers, its popularity has been argued by gender traditionalists to confirm women's innate sentimentality, while feminist critics have often condemned the genre as a dangerous opiate for the female masses. This study adopts the more positive perspective of critics such as Janice Radway, and takes seriously the pleasure that women readers consistently seem to find in romance. Drawing on the social constructionist feminism of Simone de Beauvoir, the psychoanalytical theories of Jessica Benjamin, and a range of social theorists from Bourdieu to Zygmunt Bauman, the book uncovers the history of romantic fiction in France from the late nineteenth to the early twenty-first century, and explores its place in women's lives and imaginations. Romance is not defined - as it usually is - solely in terms of its mass-market form. Rather, the history of women's popular fiction is traced in its full context, as one dimension of a literary story that encompasses the mainstream or 'middlebrow' as well as 'high' culture. Thus this study ranges from the formula romance (from the pious but popular Delly to global brand Harlequin), through 'middlebrow' bestsellers like Marcelle Tinayre, Françoise Sagan, Régine Deforges, to critically esteemed stories of love in the work of such authors as Colette, Simone de Beauvoir, Elsa Triolet, and Camille Laurens. Criss-crossing the boundaries of taste and class, as well as those of sexual orientation, the romance has been at times reactionary, at others progressive, utopian, and contestatory. It has played an important part in the lives of twentieth-century women, providing both a source of imaginative escape, and a fictional space in which to rehearse and make sense of identity, relationship, and desire.
| Author | : Alan D. Schrift |
| Publisher | : John Wiley & Sons |
| Total Pages | : 320 |
| Release | : 2009-02-04 |
| Genre | : Philosophy |
| ISBN | : 1405143940 |
This unique book addresses trends such as vitalism, neo-Kantianism, existentialism, Marxism and feminism, and provides concise biographies of the influential philosophers who shaped these movements, including entries on over ninety thinkers. Offers discussion and cross-referencing of ideas and figures Provides Appendix on the distinctive nature of French academic culture
| Author | : Nicholas Hewitt |
| Publisher | : Cambridge University Press |
| Total Pages | : 380 |
| Release | : 2003-09-11 |
| Genre | : History |
| ISBN | : 9780521794657 |
France entered the twentieth century as a powerful European and colonial nation. In the course of the century, her role changed dramatically: in the first fifty years two World Wars and economic decline removed its status as a world power, whilst the immediate post-war era was marked by wars of independence in its colonies. Yet at the same time, in the second half of the century, France entered a period of unprecedented growth and social transformation. Throughout the century and into the new millennium France retained its former international reputation as a centre for cultural excellence and innovation and its culture, together with that of the Francophone world, reflected the increased richness and diversity of the period. This 2003 Companion explores this vibrant culture, and includes chapters on history, language, literature, thought, theatre, architecture, visual culture, film and music, and discuss the contributions of popular culture, Francophone culture, minorities and women.
| Author | : Christopher Prendergast |
| Publisher | : Blackwell Publishing |
| Total Pages | : 283 |
| Release | : 1995-02-27 |
| Genre | : Literary Criticism |
| ISBN | : 9780631196945 |
Paris and the Nineteenth Century moves between social and cultural history, literature, painting and photography. At its heart lies a series of readings of major nineteenth century texts - by Balzac, Hugo, Baudelaire, Michelet, Flaubert, Zola, Valles, Laforgue and others. In each of these texts the city becomes a matter for and problem of representation. Prendergast concludes by sketching some perspectives which join the pre-modern Paris of the nineteenth century to the postmodern city of the late twentieth century.
| Author | : Jean-Pierre Dormois |
| Publisher | : Cambridge University Press |
| Total Pages | : 178 |
| Release | : 2004-07 |
| Genre | : Business & Economics |
| ISBN | : 9780521667876 |
Publisher Description
| Author | : Naomi Davidson |
| Publisher | : Cornell University Press |
| Total Pages | : 319 |
| Release | : 2012-08-15 |
| Genre | : History |
| ISBN | : 0801465257 |
The French state has long had a troubled relationship with its diverse Muslim populations. In Only Muslim, Naomi Davidson traces this turbulence to the 1920s and 1930s, when North Africans first immigrated to French cities in significant numbers. Drawing on police reports, architectural blueprints, posters, propaganda films, and documentation from metropolitan and colonial officials as well as anticolonial nationalists, she reveals the ways in which French politicians and social scientists created a distinctly French vision of Islam that would inform public policy and political attitudes toward Muslims for the rest of the century—Islam français. French Muslims were cast into a permanent "otherness" that functioned in the same way as racial difference. This notion that one was only and forever Muslim was attributed to all immigrants from North Africa, though in time "Muslim" came to function as a synonym for Algerian, despite the diversity of the North and West African population.Davidson grounds her narrative in the history of the Mosquée de Paris, which was inaugurated in 1926 and epitomized the concept of Islam français. Built in official gratitude to the tens of thousands of Muslim subjects of France who fought and were killed in World War I, the site also provided the state with a means to regulate Muslim life throughout the metropole beginning during the interwar period. Later chapters turn to the consequences of the state's essentialized view of Muslims in the Vichy years and during the Algerian War. Davidson concludes with current debates over plans to build a Muslim cultural institute in the middle of a Parisian immigrant neighborhood, showing how Islam remains today a marker of an unassimilable difference.
| Author | : René Binet |
| Publisher | : Courier Dover Publications |
| Total Pages | : 81 |
| Release | : 2017-12-13 |
| Genre | : Architecture |
| ISBN | : 0486816680 |
At the turn of the 20th century, artists and craftsmen throughout Europe and America were profoundly affected by a new art style that took its inspiration from nature. Generally referred to as Art Nouveau, the trend influenced all manner of creative types, from painters, illustrators, and architects to ironworkers, interior decorators, and designers of furniture and jewelry. Although broad and varied, the style is almost uniformly characterized by abstract, asymmetrical, curvilinear design. This "new art" both elevated the status of crafts to fine arts and brought objects into a harmonious relationship with their environment through the use of lines that were natural, vital, and, most importantly, organic. The decorative images in this volume, reproduced from a rare 1902 portfolio, reflect the era's exotic and imaginative approach to architecture and applied design. Sixty plates, 12 in full color and many with partial and varied color, exhibit the influence of the artwork of naturalist Ernst Haeckel on artist René Binet's designs, especially as related to Binet's "Monumental Door," prepared for the 1900 World's Fair in Paris. Illustrations reflecting the styles of Art Nouveau include a wealth of examples that range from doorbells and keys to stairways, fountains, jewelry, ceramics, and other items. Graphic designers, illustrators, architects, artists, and crafters will find this volume a rich source of ornamental ideas, authentic motifs, and design inspiration.
| Author | : Christopher Prendergast |
| Publisher | : Princeton University Press |
| Total Pages | : 737 |
| Release | : 2017-02-21 |
| Genre | : Literary Criticism |
| ISBN | : 1400885043 |
An accessible and authoritative new history of French literature, written by a highly distinguished transatlantic group of scholars This book provides an engaging, accessible, and exciting new history of French literature from the Renaissance through the twentieth century, from Rabelais and Marguerite de Navarre to Samuel Beckett and Assia Djebar. Christopher Prendergast, one of today's most distinguished authorities on French literature, has gathered a transatlantic group of more than thirty leading scholars who provide original essays on carefully selected writers, works, and topics that open a window onto key chapters of French literary history. The book begins in the sixteenth century with the formation of a modern national literary consciousness, and ends in the late twentieth century with the idea of the "national" coming increasingly into question as inherited meanings of "French" and "Frenchness" expand beyond the geographical limits of mainland France. Provides an exciting new account of French literary history from the Renaissance to the end of the twentieth century Features more than thirty original essays on key writers, works, and topics, written by a distinguished transatlantic group of scholars Includes an introduction and index The contributors include Etienne Beaulieu, Christopher Braider, Peter Brooks, Mary Ann Caws, David Coward, Nicholas Cronk, Edwin M. Duval, Mary Gallagher, Raymond Geuss, Timothy Hampton, Nicholas Harrison, Katherine Ibbett, Michael Lucey, Susan Maslan, Eric Méchoulan, Hassan Melehy, Larry F. Norman, Nicholas Paige, Roger Pearson, Christopher Prendergast, Jean-Michel Rabaté, Timothy J. Reiss, Sarah Rocheville, Pierre Saint-Amand, Clive Scott, Catriona Seth, Judith Sribnai, Joanna Stalnaker, Aleksandar Stević, Kate E. Tunstall, Steven Ungar, and Wes Williams.
