Twentieth Century Egyptian Art
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| Author | : Mona Abaza |
| Publisher | : Amer Univ in Cairo Press |
| Total Pages | : 216 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 9789774163944 |
The private collection of a prominent Egyptian art gallery owner. Egypt's modern art scene has been marked by many influential local and foreign painters. Mona Abaza retraces the highlights of the country's twentieth-century art world through the private collection of one of Cairo's most reputable private gallery owners, Sherwet Shafei. The 200 color reproductions of paintings from Sherwet Shafei's collection represent works from very early pioneers such as Mahmoud Sa�d and Ragheb Ayad to later figures such as Hamed Nada and Youssef Sida. In a comprehensive introduction that examines the life and career of Sherwet Shafei and her pivotal role in promoting and creating a market for modern Egyptian art, the author also addresses the tendencies of emerging art collectors in Egypt's "blossoming" market, the burdens of forgery, and the impact of globalization on the art industry. This book serves as a repository of Egyptian cultural heritage by offering a rare viewing of a valuable collection that has yet to be displayed in its entirety.
| Author | : Gianluca Miniaci |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Artisans |
| ISBN | : 9789088905230 |
This book provides an innovative analysis of the conditions of ancient Egyptian craftsmanship in the light of the archaeology of production, linguistic analysis, visual representation and ethnographic research. During the past decades, the "imaginative" figure of ancient Egyptian material producers has moved from "workers" to "artisans" and, most recently, to "artists". In a search for a fuller understanding of the pragmatics of material production in past societies, and moving away from a series of modern preconceptions, this volume aims to analyse the mechanisms of material production in Egypt during the Middle Bronze Age (2000-1550 BC), to approach the profile of ancient Egyptian craftsmen through their own words, images and artefacts, and to trace possible modes of circulation of ideas among craftsmen in material production. The studies in the volume address the mechanisms of ancient production in Middle Bronze Age Egypt, the circulation of ideas among craftsmen, and the profiles of the people involved, based on the material traces, including depictions and writings, the ancient craftsmen themselves left and produced.
| Author | : Arthur Goldschmidt |
| Publisher | : American Univ in Cairo Press |
| Total Pages | : 552 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 9789774249006 |
Re-Envisioning Egypt, 1919-1952 presents new and often dismissed aspects of the constitutional monarchy era in Egyptian history. It demonstrates that many of the domestic and regional sociopolitical and cultural changes credited to the 1952 revolutionaries actually began in the decades before the July coup. Arguing against the predominant view of the pre-revolutionary era in Egypt as one of creeping decay, the volume restores understandings of the 1919-1952 years as integral to modern nation-state formation and social transformation. The book's contributors show that Egypt's real revolutions were long-term processes emerging over several decades prior to 1952. The leaders of the 1952 coup capitalized on these developments, yet earlier changes in Egyptian society fundamentally facilitated their actions and policies. This volume includes revisionist discussion of domestic political issues and foreign policy; the military, education, social reform, and class; as well as popular media, art, and literature. By introducing new approaches to these under-appreciated categories of analysis through exploration of untapped sources and by re-examining the political context of the time, Re-Envisioning Egypt, 1919-1952 proposes innovative methodologies for understanding this crucial period in Egyptian history, casting these years as fundamental to the country's twentieth-century trajectory. Contributors: Tewfik Aclimandos, Malak Badrawi, Andrew Flibbert, Nancy Gallagher, Arthur Goldschmidt, Mervat Hatem, Misako Ikeda, Amy J. Johnson, Anne-Claire Kerboeuf, Samia Kholoussi, Hanan Kholoussy, Fred Lawson, Shaun T. Lopez, Scott David McIntosh, Roger Owen, Lucie Ryzova, Barak A. Salmoni, James Whidden, Caroline Williams.
| Author | : Alex Dika Seggerman |
| Publisher | : UNC Press Books |
| Total Pages | : 292 |
| Release | : 2019-08-13 |
| Genre | : Art |
| ISBN | : 1469653052 |
Analyzing the modernist art movement that arose in Cairo and Alexandria from the late nineteenth century through the 1960s, Alex Dika Seggerman reveals how the visual arts were part of a multifaceted transnational modernism. While the work of diverse, major Egyptian artists during this era may have appeared to be secular, she argues, it reflected the subtle but essential inflection of Islam, as a faith, history, and lived experience, in the overarching development of Middle Eastern modernity. Challenging typical views of modernism in art history as solely Euro-American, and expanding the conventional periodization of Islamic art history, Seggerman theorizes a "constellational modernism" for the emerging field of global modernism. Rather than seeing modernism in a generalized, hyperconnected network, she finds that art and artists circulated in distinct constellations that encompassed finite local and transnational relations. Such constellations, which could engage visual systems both along and beyond the Nile, from Los Angeles to Delhi, were materialized in visual culture that ranged from oil paintings and sculpture to photography and prints. Based on extensive research in Egypt, Europe, and the United States, this richly illustrated book poses a compelling argument for the importance of Muslim networks to global modernism.
| Author | : Liliane Karnouk |
| Publisher | : |
| Total Pages | : 310 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : |
From the early years of the twentieth century, with the rejection of European political and cultural domination in Europe, modern artistic expression in Egypt was influenced by and often reflected the country's growing national consciousness. In the years following the 1952 revolution, wealthy patrons of the arts disappeared from Egypt's cosmopolitan art world and were replaced by the state, which by the 1960s exercised full control over all cultural activities, including the arts. In the 1990s, as elsewhere throughout the world, Egyptian art was affected by general shifts in culture brought about by globalization. The disruption of a sense of place and feelings of belonging were a response to the influx of the challenging, and at times, disquieting information available to whole cultures and communities through new media. Examining the work of over 70 artists from 1910 until the present day, Liliane Karnouk traces the parallel steps of modern Egyptian art and the social and political environment in which that art was and continues to be created. Fully illustrated with over 280 color and black-and-white illustrations, this comprehensive volume is both a feast for the eyes and a mine of information for artists and non-specialists alike.
| Author | : Melinda K. Hartwig |
| Publisher | : John Wiley & Sons |
| Total Pages | : 636 |
| Release | : 2014-12-23 |
| Genre | : Literary Criticism |
| ISBN | : 1118325087 |
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
| Author | : Virginia Danielson |
| Publisher | : University of Chicago Press |
| Total Pages | : 315 |
| Release | : 2008-11-10 |
| Genre | : Music |
| ISBN | : 0226136086 |
Umm Kulthum, the "voice of Egypt," was the most celebrated musical performer of the century in the Arab world. More than twenty years after her death, her devoted audience, drawn from all strata of Arab society, still numbers in the millions. Thanks to her skillful and pioneering use of mass media, her songs still permeate the international airwaves. In the first English-language biography of Umm Kulthum, Virginia Danielson chronicles the life of a major musical figure and the confluence of artistry, society, and creativity that characterized her remarkable career. Danielson examines the careful construction of Umm Kulthum's phenomenal popularity and success in a society that discouraged women from public performance. From childhood, her mentors honed her exceptional abilities to accord with Arab and Muslim practice, and as her stature grew, she remained attentive to her audience and the public reception of her work. Ultimately, she created from local precendents and traditions her own unique idiom and developed original song styles from both populist and neo-classical inspirations. These were enthusiastically received, heralded as crowning examples of a new, yet authentically Arab-Egyptian, culture. Danielson shows how Umm Kulthum's music and public personality helped form popular culture and contributed to the broader artistic, societal, and political forces that surrounded her. This richly descriptive account joins biography with social theory to explore the impact of the individual virtuoso on both music and society at large while telling the compelling story of one of the most famous musicians of all time. "She is born again every morning in the heart of 120 million beings. In the East a day without Umm Kulthum would have no color."—Omar Sharif
| Author | : Charles Kyrle Wilkinson |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 167 |
| Release | : 1983 |
| Genre | : Metropolitan Museum of Art - Egipto - Catalogo |
| ISBN | : 0870993259 |
| Author | : Richard A. Fazzini |
| Publisher | : ACC Distribution |
| Total Pages | : 172 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : |
The enduring popularity and fascination with the art of Egypt is at the heart of this volume. This completely new survey sets out to shatter any conventional beliefs that Egyptian art is obsessed with funerary themes and full of static renderings of the human form. The authors present this art, which has a 7,000 year history, as a product of a civilization wholly different from our own. One hundred of the most significant pieces from the Brooklyn Museum of Art are chronologically organized, revealing how Egyptian 'art' developed and progressed.
| Author | : Ambrose Lansing |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 32 |
| Release | : 2015-02-04 |
| Genre | : History |
| ISBN | : |
This picture book features images of Ancient Egyptian Jewelry covering works from Pre-dynastic shell necklaces to intricately designed gold earrings of the Roman period. A brief introductory essay discusses the history of jewelry and the evolution of Ancient Egyptian jewelry craftsmanship.
