Excerpt from Twelve Good Musicians From John Bull to Henry Purcell In the Preface of his admirable contribution to the Oxford History of Music (Vol. III.) the late Sir Hubert Parry writes: "The seventeenth century is musically almost a blank, even to those who take more than the average interest in the Art; and barely a score of composers' names during the whole time suggest anything more than a mere reputation to modern ears." Of course the distinguished author is speaking of the musical world in general, not of our own country's music only. I am inclined to think it is a little severe on us. I have always found that great interest is taken in the 17th century music and musicians of England. Surely the century which began with the great Madrigal school at its highest point, which saw the Masque at its best in Milton's Comus, which witnessed the supersession of the viol by the violin, and which, at the close, had to its credit the complete works of our greatest composer, Henry Purcell, ought not to be in any sense "almost a blank," to English students at least. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.