Turning Toward Philosophy
Download Turning Toward Philosophy full books in PDF, epub, and Kindle. Read online free Turning Toward Philosophy ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Jill Gordon |
Publisher | : Penn State Press |
Total Pages | : 196 |
Release | : 2010-11-01 |
Genre | : Philosophy |
ISBN | : 9780271039770 |
Acknowledging the powerful impact that Plato's dialogues have had on readers, Jill Gordon shows how the literary techniques Plato used function philosophically to engage readers in doing philosophy and attracting them toward the philosophical life. The picture of philosophical activity emerging from the dialogues, as thus interpreted, is a complex process involving vision, insight, and emotion basic to the human condition rather than a resort to pure reason as an escape from it. Since the literary features of Plato's writing are what draw the reader into philosophy, the book becomes an argument for the union of philosophy and literature--and against their disciplinary bifurcation--in the dialogues. Gordon construes the relationship of Plato's text to its audience as an analogue of Socrates' relationship with his interlocutors in the dialogues, seeing both as fundamentally dialectic. On this insight she builds her detailed analysis of specific literary devices in chapters on dramatic form, character development, irony, and image-making (which includes myth, metaphor, and analogy). In this way Gordon views Plato as not at all the enemy of the poets and image-makers that previous interpreters have depicted. Rather, Gordon concludes that Plato understands the power of words and images quite well. Since they, and not logico-deductive argumentation, are the appropriate means for engaging human beings, he uses them to great effect and with a sensitive understanding of human psychology, wary of their possible corrupting influences but ultimately willing to harness their power for philosophical ends.
Author | : Hallvard Fossheim |
Publisher | : Bloomsbury Publishing |
Total Pages | : 264 |
Release | : 2019-08-22 |
Genre | : Literary Criticism |
ISBN | : 1350082503 |
Plato's philosophical dialogues can be seen as his creation of a new genre. Plato borrows from, as well as rejects, earlier and contemporary authors, and he is constantly in conversation with established genres, such as tragedy, comedy, lyric poetry, and rhetoric in a variety of ways. This intertextuality reinforces the relevance of material from other types of literary works, as well as a general knowledge of classical culture in Plato's time, and the political and moral environment that Plato addressed, when reading his dramatic dialogues. The authors of Philosophy as Drama show that any interpretation of these works must include the literary and narrative dimensions of each text, as much as serious the attention given to the progression of the argument in each piece. Each dialogue is read on its own merit, and critical comparisons of several dialogues explore the differences and likenesses between them on a dramatic as well as on a logical level. This collection of essays moves debates in Plato scholarship forward when it comes to understanding both particular aspects of Plato's dialogues and the approach itself. Containing 11 chapters of close readings of individual dialogues, with 2 chapters discussing specific themes running through them, such as music and sensuousness, pleasure, perception, and images, this book displays the range and diversity within Plato's corpus.
Author | : Charles Taliaferro |
Publisher | : Oxford University Press, USA |
Total Pages | : 270 |
Release | : 2011-11-17 |
Genre | : Philosophy |
ISBN | : 0199563349 |
This engaging collection of essays locates the debate between theism and naturalism in the broader context of reflection on imagination and aesthetics. The eleven original essays will be of interest to anyone who is fascinated by the power of imagination and the role of aesthetics in deciding between worldviews or philosophies of nature.
Author | : Michael Naas |
Publisher | : Humanities Press International |
Total Pages | : 316 |
Release | : 1995 |
Genre | : Language Arts & Disciplines |
ISBN | : |
One of the few works to apply features of contemporary philosophy to the interpretation of ancient Greek texts, Turning analyzes the representation of persuasion in pre-Platonic texts, particularly Homer's Iliad. It demonstrates how essential persuasion was in almost every relation between mortals and between mortals and gods in early Greek texts. While being reduced to a mere psychological phenomenon by later Greek philosophy - reduced to the practice and study of rhetoric - persuasion was, for the early Greeks, a pre-ontological "force" associated with a turning toward presence. Michael Naas's work approaches the "critique of presence" in that it tries to articulate a notion - persuasion, turning - that cannot be squarely located within metaphysics.
Author | : José Ortega y Gasset |
Publisher | : University of Illinois Press |
Total Pages | : 278 |
Release | : 2002 |
Genre | : History |
ISBN | : 9780252070457 |
Bears the mark of Ortega's fine intelligence and his abiding faith in the redemptive power of engaged living and original thinking
Author | : James Henderson Collins II |
Publisher | : Oxford University Press |
Total Pages | : 321 |
Release | : 2015-03-27 |
Genre | : Philosophy |
ISBN | : 0190266546 |
This book is a study of the literary strategies which the first professional philosophers used to market their respective disciplines. Philosophers of fourth-century BCE Athens developed the emerging genre of the "protreptic" (literally, "turning" or "converting"). Simply put, protreptic discourse uses a rhetoric of conversion that urges a young person to adopt a specific philosophy in order to live a good life. The author argues that the fourth-century philosophers used protreptic discourses to market philosophical practices and to define and legitimize a new cultural institution: the school of higher learning (the first in Western history). Specifically, the book investigates how competing educators in the fourth century produced protreptic discourses by borrowing and transforming traditional and contemporary "voices" in the cultural marketplace. They aimed to introduce and promote their new schools and define the new professionalized discipline of "philosophy." While scholars have typically examined the discourses and practices of Plato, Isocrates, and Aristotle in isolation from one another, this study rather combines philosophy, narratology, genre theory, and new historicism to focus on the discursive interaction between the three philosophers: each incorporates the discourse of his competitors into his protreptics. Appropriating and transforming the discourses of their competition, these intellectuals created literary texts that introduced their respective disciplines to potential students.
Author | : Tamara Chaplin |
Publisher | : University of Chicago Press |
Total Pages | : 352 |
Release | : 2007-12 |
Genre | : History |
ISBN | : 0226509915 |
In 1951, the eight o’clock nightly news reported on Jean-Paul Sartre for the first time. By the end of the twentieth century, more than 3,500 programs dealing with philosophy and its practitioners—including Bachelard, Badiou, Foucault, Lyotard, and Lévy—had aired on French television. According to Tamara Chaplin, this enduring commitment to bringing the most abstract and least visual of disciplines to the French public challenges our very assumptions about the incompatibility of elite culture and mass media. Indeed, it belies the conviction that television is inevitably anti-intellectual and the quintessential archenemy of the book. Chaplin argues that the history of the televising of philosophy is crucial to understanding the struggle over French national identity in the postwar period. Linking this history to decolonization, modernization, and globalization, Turning On the Mind claims that we can understand neither the markedly public role that philosophy came to play in French society during the late twentieth century nor the renewed interest in ethics and political philosophy in the early twenty-first unless we acknowledge the work of television. Throughout, Chaplin insists that we jettison presumptions about the anti-intellectual nature of the visual field, engages critical questions about the survival of national cultures in a globalizing world, and encourages us to rethink philosophy itself, ultimately asserting that the content of the discipline is indivisible from the new media forms in which it has found expression.
Author | : Michael Losonsky |
Publisher | : Cambridge University Press |
Total Pages | : 304 |
Release | : 2006-01-16 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780521652568 |
Locke's linguistic turn -- The road to Locke -- Of angels and human beings -- The form of a language -- The import of propositions -- The value of a function -- From silence to assent -- The whimsy of language.
Author | : William Bechtel |
Publisher | : University of Chicago Press |
Total Pages | : 584 |
Release | : 1993-12 |
Genre | : Philosophy |
ISBN | : 9780226091860 |
This innovative book presents candid, informal debates among scholars who examine the benefits and problems of studying science in the same way that scientists study the natural world.
Author | : Edward S. Casey |
Publisher | : Northwestern University Press |
Total Pages | : 384 |
Release | : 2021-11-15 |
Genre | : Philosophy |
ISBN | : 0810144352 |
In Turning Emotion Inside Out, Edward S. Casey challenges the commonplace assumption that our emotions are to be located inside our minds, brains, hearts, or bodies. Instead, he invites us to rethink our emotions as fundamentally, although not entirely, emerging from outside and around the self, redirecting our attention from felt interiority to the emotions located in the world around us, beyond the confines of subjectivity. This book begins with a brief critique of internalist views of emotion that hold that feelings are sequestered within a subject. Casey affirms that while certain emotions are felt as resonating within our subjectivity, many others are experienced as occurring outside any such subjectivity. These include intentional or expressive feelings that transpire between ourselves and others, such as an angry exchange between two people, as well as emotions or affects that come to us from beyond ourselves. Casey claims that such far‐out emotions must be recognized in a full picture of affective life. In this way, the book proposes to “turn emotion inside out.”