Truth In Fiction
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| Author | : Neil Gaiman |
| Publisher | : Harper Collins |
| Total Pages | : 185 |
| Release | : 2009-10-13 |
| Genre | : Fiction |
| ISBN | : 0061793078 |
New York Times Bestselling Author Give the gift of STARDUST! Young Tristran Thorn will do anything to win the cold heart of beautiful Victoria—even fetch her the star they watch fall from the night sky. But to do so, he must enter the unexplored lands on the other side of the ancient wall that gives their tiny village its name. Beyond that old stone wall, Tristran learns, lies Faerie—where nothing not even a fallen star, is what he imagined. From the #1 New York Times bestselling author Neil Gaiman comes a remarkable quest into the dark and miraculous—in pursuit of love and the utterly impossible.
| Author | : Steven Schoen |
| Publisher | : Pearson |
| Total Pages | : 0 |
| Release | : 1999-12 |
| Genre | : Creation (Literary, artistic, etc.) |
| ISBN | : 9780130257710 |
This book presents readers and creative writing enthusiasts with comprehensive coverage of the elements of fiction and real-world writing techniques that help build skills--such as sensory detailing, character construction, and cause and effect plotting. Plenty of practical advice completes this treatment of the fiction genre. Chapter topics include character, plot, story structure, dialogue, point of view, style, and details. For writers pursuing a hobby or a dream--or just dabbling, this insightful guide will teach them how do it and "say" it better.
| Author | : Peter Deutschmann |
| Publisher | : Transcript Verlag, Roswitha Gost, Sigrid Nokel u. Dr. Karin Werner |
| Total Pages | : 350 |
| Release | : 2020-03 |
| Genre | : |
| ISBN | : 9783837646504 |
Many influential conspiracy theories originated in Eastern Europe. This volume analyzes the history behind this widespread phenomenon as well as its relationship with representations of the present in Eastern European cultures and literatures.
| Author | : John Woods |
| Publisher | : Springer |
| Total Pages | : 246 |
| Release | : 2018-02-23 |
| Genre | : Philosophy |
| ISBN | : 3319726587 |
This monograph examines truth in fiction by applying the techniques of a naturalized logic of human cognitive practices. The author structures his project around two focal questions. What would it take to write a book about truth in literary discourse with reasonable promise of getting it right? What would it take to write a book about truth in fiction as true to the facts of lived literary experience as objectivity allows? It is argued that the most semantically distinctive feature of the sentences of fiction is that they areunambiguously true and false together. It is true that Sherlock Holmes lived at 221B Baker Street and also concurrently false that he did. A second distinctive feature of fiction is that the reader at large knows of this inconsistency and isn’t in the least cognitively molested by it. Why, it is asked, would this be so? What would explain it? Two answers are developed. According to the no-contradiction thesis, the semantically tangled sentences of fiction are indeed logically inconsistent but not logically contradictory. According to the no-bother thesis, if the inconsistencies of fiction were contradictory, a properly contrived logic for the rational management of inconsistency would explain why readers at large are not thrown off cognitive stride by their embrace of those contradictions. As developed here, the account of fiction suggests the presence of an underlying three - or four-valued dialethic logic. The author shows this to be a mistaken impression. There are only two truth-values in his logic of fiction. The naturalized logic of Truth in Fiction jettisons some of the standard assumptions and analytical tools of contemporary philosophy, chiefly because the neurotypical linguistic and cognitive behaviour of humanity at large is at variance with them. Using the resources of a causal response epistemology in tandem with the naturalized logic, the theory produced here is data-driven, empirically sensitive, and open to a circumspect collaboration with the empirical sciences of language and cognition.
| Author | : Thomas King |
| Publisher | : House of Anansi |
| Total Pages | : 184 |
| Release | : 2003 |
| Genre | : American literature |
| ISBN | : 0887846963 |
Winner of the 2003 Trillium Book Award "Stories are wondrous things," award-winning author and scholar Thomas King declares in his 2003 CBC Massey Lectures. "And they are dangerous." Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The Indian of fact, as King says, bears little resemblance to the literary Indian, the dying Indian, the construct so powerfully and often destructively projected by White North America. With keen perception and wit, King illustrates that stories are the key to, and only hope for, human understanding. He compels us to listen well.
| Author | : Patrick X Walsh |
| Publisher | : FriesenPress |
| Total Pages | : 566 |
| Release | : 2019-09-11 |
| Genre | : Biography & Autobiography |
| ISBN | : 1525543660 |
How could he be a good boy and a bad boy at the same time? The TRUTH is what is. FICTION is not reality—but it can help us to see the TRUTH through stories, e.g., The Boy Who Cried Wolf. LIES deceive, for evil purposes, and for good purposes. But what happens when what we think is the TRUTH turns out to be a LIE? In his ninth decade, the author, who has spent his life creating FICTION to examine TRUTH, decided to write the story of his life, truthfully. But, in the process of examining his life—his prayers, works, joys and sufferings—he discovers it becomes more and more difficult to distinguish the TRUTH from the LIES. And the chief insights into the reality of a life he thought noble, his FICTION—often in the form of dreams—reveals his true nature as a failure in his professed faith—until a good woman shows him the way out of his dark forest.
| Author | : David Jasper |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2010 |
| Genre | : Christianity and literature |
| ISBN | : 9781602583191 |
"These often unexpected texts offer a provocative invitation to the hermeneutical challenges of the ever changing shape of the literature and theology canon. Students will be surprised and delighted by these carefully selected and powerful readings."---George Newlands, Professor Emeritus of Divinity, University of Glasgow --
| Author | : Ruth Franklin |
| Publisher | : Oxford University Press |
| Total Pages | : 270 |
| Release | : 2010-11-19 |
| Genre | : Literary Criticism |
| ISBN | : 0199779775 |
What is the difference between writing a novel about the Holocaust and fabricating a memoir? Do narratives about the Holocaust have a special obligation to be 'truthful'--that is, faithful to the facts of history? Or is it okay to lie in such works? In her provocative study A Thousand Darknesses, Ruth Franklin investigates these questions as they arise in the most significant works of Holocaust fiction, from Tadeusz Borowski's Auschwitz stories to Jonathan Safran Foer's postmodernist family history. Franklin argues that the memory-obsessed culture of the last few decades has led us to mistakenly focus on testimony as the only valid form of Holocaust writing. As even the most canonical texts have come under scrutiny for their fidelity to the facts, we have lost sight of the essential role that imagination plays in the creation of any literary work, including the memoir. Taking a fresh look at memoirs by Elie Wiesel and Primo Levi, and examining novels by writers such as Piotr Rawicz, Jerzy Kosinski, W.G. Sebald, and Wolfgang Koeppen, Franklin makes a persuasive case for literature as an equally vital vehicle for understanding the Holocaust (and for memoir as an equally ambiguous form). The result is a study of immense depth and range that offers a lucid view of an often cloudy field.
| Author | : Monika Fludernik |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 751 |
| Release | : 2019-12-16 |
| Genre | : Literary Criticism |
| ISBN | : 3110484994 |
The study of narrative—the object of the rapidly growing discipline of narratology—has been traditionally concerned with the fictional narratives of literature, such as novels or short stories. But narrative is a transdisciplinary and transmedial concept whose manifestations encompass both the fictional and the factual. In this volume, which provides a companion piece to Tobias Klauk and Tilmann Köppe’s Fiktionalität: Ein interdisziplinäres Handbuch, the use of narrative to convey true and reliable information is systematically explored across media, cultures and disciplines, as well as in its narratological, stylistic, philosophical, and rhetorical dimensions. At a time when the notion of truth has come under attack, it is imperative to reaffirm the commitment to facts of certain types of narrative, and to examine critically the foundations of this commitment. But because it takes a background for a figure to emerge clearly, this book will also explore nonfactual types of narratives, thereby providing insights into the nature of narrative fiction that could not be reached from the narrowly literary perspective of early narratology.
| Author | : Jennifer Johnston |
| Publisher | : Hachette UK |
| Total Pages | : 89 |
| Release | : 2014-10-30 |
| Genre | : Fiction |
| ISBN | : 1472226038 |
A brilliant story of the secrets we keep. Desmond Fitzmaurice is a mysterious literary giant of the thirties whom no one has seen for years. Caroline is a London journalist, and hasn't the faintest interest in going to Dublin to interview him. That his life story will feature 'lots of sex and some violence', as the old man claims, seems farcical. She'll stay for a couple of nights, extract what she can and try to make his life sound interesting. But in Desmond's quiet house, his quiet life, Caroline discovers much, much more than she bargained for...
