Trust In Aesthetic Testimony
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| Author | : Jonathan Robson |
| Publisher | : Oxford University Press |
| Total Pages | : 177 |
| Release | : 2023-02-07 |
| Genre | : Philosophy |
| ISBN | : 0192862952 |
Aesthetic judgements that are formed on the basis of testimony are commonly held to be defective, illegitimate, or otherwise problematic. This book assesses the debate surrounding aesthetic testimony and argues for the surprising conclusion that this widespread view is mistaken. Aesthetic testimony is in no way inferior as a source of judgement when compared to either first-hand aesthetic judgement or testimony concerning non-aesthetic matters. Alongside establishing this position (an extreme form of 'optimism' concerning aesthetic testimony), Jon Robson also responds to the most prominent arguments for the opposing view ('pessimism' concerning aesthetic testimony). Along the way, it also re-examines our understanding of the norms which govern both judgement and assertion in aesthetics.
| Author | : C. Thi Nguyen |
| Publisher | : |
| Total Pages | : 253 |
| Release | : 2020 |
| Genre | : Games & Activities |
| ISBN | : 0190052082 |
Games are a unique art form. They do not just tell stories, nor are they simply conceptual art. They are the art form that works in the medium of agency. Game designers tell us who to be in games and what to care about; they designate the player's in-game abilities and motivations. In other words, designers create alternate agencies, and players submerge themselves in those agencies. Games let us explore alternate forms of agency. The fact that we play games demonstrates something remarkable about the nature of our own agency: we are capable of incredible fluidity with our own motivations and rationality. This volume presents a new theory of games which insists on games' unique value in human life. C. Thi Nguyen argues that games are an integral part of how we become mature, free people. Bridging aesthetics and practical reasoning, he gives an account of the special motivational structure involved in playing games. We can pursue goals, not for their own value, but for the sake of the struggle. Playing games involves a motivational inversion from normal life, and the fact that we can engage in this motivational inversion lets us use games to experience forms of agency we might never have developed on our own. Games, then, are a special medium for communication. They are the technology that allows us to write down and transmit forms of agency. Thus, the body of games forms a "library of agency" which we can use to help develop our freedom and autonomy. Nguyen also presents a new theory of the aesthetics of games. Games sculpt our practical activities, allowing us to experience the beauty of our own actions and reasoning. They are unlike traditional artworks in that they are designed to sculpt activities - and to promote their players' aesthetic appreciation of their own activity.
| Author | : Jadranka Skorin-Kapov |
| Publisher | : Lexington Books |
| Total Pages | : 213 |
| Release | : 2015-10-08 |
| Genre | : Philosophy |
| ISBN | : 1498518478 |
The Aesthetics of Desire and Surprise: Phenomenology and Speculation covers issues central to contemporary continental philosophy (desire, expectations, excess, rupture, transcendence, immanence, surprise). The proposed term desire||surprise captures the phenomenological-speculative character of the pair not yet and no longer. Non-obvious parallels between different thinkers are drawn, and the argumentation is organized around philosophical figures relevant in the sequence desire – excess –pause (rupture, break) – recuperation (surprise). The works of Levinas, Žižek, Bataille, Blanchot, Foucault, and Ricoeur are interpreted and positioned according to the proposed template of desire - excess - pause. The consideration of limit experiences involves authors fascinated by transgression, and the question of whether excess is immanent or transcendent. This discussion considers works by Nietzsche, Deleuze, Žižek, and Foucault. The analysis of surprise and the beginning of recovery after the pause considers works by Fink, Merleau-Ponty, Nancy, Lyotard, Dufrenne, Bachelard, and Seel. The provocative argument elaborated in this work is that surprise starts with indifference. Furthermore, the argument is that surprise begins where the concept reaches its ending, hence that the limit of speculative thinking at its ending is the limit of aesthetics at its beginning. The work of Hegel, Schelling and Jaspers are discussed in order to argue for the beginning of aesthetics there where knowledge ends. Philosophical thematic is contextualized via sections on artists such as Duchamp and Mondrian, and on some films, provoking interest of aestheticians working in art history and cultural studies departments.
| Author | : Jennifer Lackey |
| Publisher | : Oxford University Press |
| Total Pages | : 321 |
| Release | : 2006 |
| Genre | : Philosophy |
| ISBN | : 0199276005 |
| Author | : C. A. J. Coady |
| Publisher | : Clarendon Press |
| Total Pages | : 328 |
| Release | : 1992-04-16 |
| Genre | : Philosophy |
| ISBN | : 0191519987 |
The role of testimony in the getting of reliable belief or knowledge is a central but neglected epistemological issue. Western philosophical tradition has paid scant attention to the individual thinker's reliance upon the word of others; yet we are in fact profoundly dependent on others for a vast amount of what any of us claims to know. Professor Coady begins by exploring the nature and depth of our reliance upon testimony, addressing the complex definitional puzzles surrounding the idea. He analyses the tradition of debate on the topic in order to reveal the epistemic individualism which has given rise to an illusory ideal of `autonomous knowledge', and to gain a deeper understanding of the issues. He concludes this part of the book by showing what a feasible justification of testimony as a source of knowledge could be. In the second half of the book the author uses this new view of testimony to challenge certain widespread assumptions in the fields of history, mathematics, psychology, and law.
| Author | : Jakob Lothe |
| Publisher | : Theory Interpretation Narrativ |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Literary Criticism |
| ISBN | : 9780814251829 |
"“After Testimony is the first larger collective project that specifically and self-consciously employs narrative theory in its analysis of texts about the Holocaust, an undertaking that, in my opinion, is woefully overdue, especially given the ubiquity of narratological approaches in literary and cultural studies in general. For that reason alone, I think this volume will be of immense importance to the field of Holocaust Studies.” -Erin McGlothlin, associate professor of German and Jewish Studies, Washington University in St. Louis.
| Author | : Evan A. Rieder |
| Publisher | : John Wiley & Sons |
| Total Pages | : 32 |
| Release | : 2021-06-28 |
| Genre | : Medical |
| ISBN | : 1119680123 |
ESSENTIAL PSYCHIATRY FOR THE AESTHETIC PRACTITIONER Aesthetic practice requires an understanding of human psychology, yet professionals across cosmetic medicine and related fields receive no formal training in identifying and managing psychological conditions. Essential Psychiatry for the Aesthetic Practitioner provides concise yet comprehensive guidance on approaching patient assessment, identifying common psychiatric diseases, and managing challenging situations in cosmetic practice. This much-needed guide brings together contributions by dermatologists, plastic surgeons, psychiatrists, psychologists, and other experts to help practitioners understand the role of psychology in cosmetic practice and improve interpersonal relations with their patients. Assuming no previous background knowledge in psychiatry, the text provides cosmetic practitioners of all training and experience levels with clear guidance, real-world advice, and effective psychological tools to assist their practice. Through common clinical scenarios, readers learn to determine if a patient is a good candidate for a cosmetic procedure, enhance the patient experience, deal with difficult personalities in the cosmetic clinic, recognize obsessive compulsive and body dysmorphic disorders, and more. Describes how to use psychologically informed approaches and treatments for aesthetic patients Features easy-to-use psychological tools such as motivational interviewing, progressive muscle relaxation, guided imagery, and acceptance and commitment therapy Includes extensive references and practical tips for understanding the psychological implications of cosmetic treatments Covers cosmetic consultations for female, male, and transgender patients Discusses the history and psychology of beauty as well as the role of cosmetics and cosmeceuticals Emphasizes the importance of screening for common psychological comorbidities Addresses the impact of social media on self-image and its role in a growing crisis in beauty and appearance Highlights the need to develop new guidelines to treat rapidly evolving patient populations Explores how gender fluidity and variations in ethnicity are changing the approaches to aesthetic patients Essential Psychiatry for the Aesthetic Practitioner is required reading for dermatologists, plastic surgeons, cosmetic doctors, dentists, nurses, and physician assistants and all other professionals working in aesthetic medicine.
| Author | : Paul Guyer |
| Publisher | : Rowman & Littlefield Publishers |
| Total Pages | : 283 |
| Release | : 2003-09-08 |
| Genre | : Philosophy |
| ISBN | : 058548287X |
Includes twelve of the most important modern critical discussions of the Critique of the Power of Judgment, written by the leading Kant scholars and aestheticians of the twentieth century.
| Author | : Ole Martin Skilleås |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 141 |
| Release | : 2024-10-02 |
| Genre | : Philosophy |
| ISBN | : 1498590500 |
In this first ever book-length study of aesthetic expertise, Ole Martin Skilleås outlines the nature and purpose of aesthetic expertise, with particular emphasis on the direction of attention, and examines how aesthetic expertise manifests across diverse roles within aesthetic practices. He discusses the foundations of aesthetic trust via the concept of calibration, thereby developing an outline of social aesthetics using the concept of embedded expertise. Skilleås distinguishes between practitioners—those who create and perform aesthetically engaging works—and advisors, who educate, enlighten, and make recommendations. Considering the latter roles, Aesthetic Expertise: An Exploration and Defense argues that aesthetics ought to move away from a paradigm centered on critics and reviewers and the idea of a standard of taste, and over to an approach anchored in instruction and the triangulation between instructor, artwork, and learner. This educational interaction is pivotal since not only does it foster a shared language but it tightly links critical reasoning with aesthetic appreciation, guided by perceptual guidance and training. In doing so, it clarifies how meaningful consensus and dissent in aesthetic discourse are possible, underpinning our discussions and critiques of artistic works and their interpretations.
| Author | : Elisabeth Schellekens |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 172 |
| Release | : 2010-07-15 |
| Genre | : Philosophy |
| ISBN | : 1441122982 |
Aesthetic and moral value are often seen to go hand in hand. They do so not only practically, such as in our everyday assessments of artworks that raise moral questions, but also theoretically, such as in Kant's theory that beauty is the symbol of morality. Some philosophers have argued that it is in the relation between aesthetic and moral value that the key to an adequate understanding of either notion lies. But difficult questions abound. Must a work of art be morally admirable in order to be aesthetically valuable? How, if at all, do our moral values shape our aesthetic judgements - and vice versa? Aesthetics and Morality is a stimulating and insightful inquiry into precisely this set of questions. Elisabeth Schellekens explores the main ideas and debates at the intersection of aesthetics and moral philosophy. She invites readers to reflect on the nature of beauty, art and morality, and provides the philosophical knowledge to render such reflection more rigorous. This original, inspiring and entertaining book sheds valuable new light on a notably complex and challenging area of thought.
