True Crime In American Media
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| Author | : George S. Larke-Walsh |
| Publisher | : Taylor & Francis |
| Total Pages | : 148 |
| Release | : 2023-06-01 |
| Genre | : Performing Arts |
| ISBN | : 1000891720 |
This book explores contemporary American true crime narratives across various media formats. It dissects the popularity of true crime and the effects, both positive and negative, this popularity has on perceptions of crime and the justice system in contemporary America. As a collection of new scholarship on the development, scope, and character of true crime in twenty-first century American media, analyses stretch across film, streaming/broadcast TV, podcasts, and novels to explore the variety of ways true crime pervades modern culture. The reader is guided through a series of interconnected topics, starting with an examination of the contemporary success of true crime, the platforms involved, the narrative structures and engagement with audiences, moving on to debates on representation and the ethics involved in portraying both victims and perpetrators of crime within the genre. This collection provides new critical work on American true crime media for all interested readers, and especially scholars and students in the humanities and social sciences. It offers a significant area of research in social sciences, criminology, media, and English Literature academic disciplines.
| Author | : Karen Kilgariff |
| Publisher | : Forge Books |
| Total Pages | : 224 |
| Release | : 2019-05-28 |
| Genre | : Biography & Autobiography |
| ISBN | : 1250178967 |
The instant #1 New York Times and USA Today best seller by Karen Kilgariff and Georgia Hardstark, the voices behind the hit podcast My Favorite Murder! Sharing never-before-heard stories ranging from their struggles with depression, eating disorders, and addiction, Karen and Georgia irreverently recount their biggest mistakes and deepest fears, reflecting on the formative life events that shaped them into two of the most followed voices in the nation. In Stay Sexy & Don’t Get Murdered, Karen and Georgia focus on the importance of self-advocating and valuing personal safety over being ‘nice’ or ‘helpful.’ They delve into their own pasts, true crime stories, and beyond to discuss meaningful cultural and societal issues with fierce empathy and unapologetic frankness. “In many respects, Stay Sexy & Don’t Get Murdered distills the My Favorite Murder podcast into its most essential elements: Georgia and Karen. They lay themselves bare on the page, in all of their neuroses, triumphs, failures, and struggles. From eating disorders to substance abuse and kleptomania to the wonders of therapy, Kilgariff and Hardstark recount their lives with honesty, humor, and compassion, offering their best unqualified life-advice along the way.” —Entertainment Weekly “Like the podcast, the book offers funny, feminist advice for survival—both in the sense of not getting killed and just, like, getting a job and working through your personal shit so you can pay your bills and have friends.” —Rolling Stone At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
| Author | : Jean Murley |
| Publisher | : Praeger |
| Total Pages | : 200 |
| Release | : 2008-08-30 |
| Genre | : History |
| ISBN | : |
During the 1950s and 1960s True Detective magazine developed a new way of narrating and understanding murder. It was more sensitive to context, gave more psychologically sophisticated accounts, and was more willing to make conjectures about the unknown thoughts and motivations of killers than others had been before. This turned out to be the start of a revolution, and, after a century of escalating accounts, we have now become a nation of experts, with many ordinary people able to speak intelligently about blood-spatter patterns and organized vs. disorganized serial killers. The Rise of True Crime examines the various genres of true crime using the most popular and well-known examples. And despite its examination of some of the potentially negative effects of the genre, it is written for people who read and enjoy true crime, and wish to learn more about it. With skyrocketing crime rates and the appearance of a frightening trend toward social chaos in the 1970s, books, documentaries, and fiction films in the true crime genre tried to make sense of the Charles Manson crimes and the Gary Gilmore execution events. And in the 1980s and 1990s, true crime taught pop culture consumers about forensics, profiling, and highly technical aspects of criminology. We have thus now become a nation of experts, with many ordinary people able to speak intelligently about blood-spatter patterns and organized vs. disorganized serial killers. Through the suggestion that certain kinds of killers are monstrous or outside the realm of human morality, and through the perpetuation of the stranger-danger idea, the true crime aesthetic has both responded to and fostered our culture's fears. True crime is also the site of a dramatic confrontation with the concept of evil, and one of the few places in American public discourse where moral terms are used without any irony, and notions and definitions of evil are presented without ambiguity. When seen within its historical context, true crime emerges as a vibrant and meaningful strand of popular culture, one that is unfortunately devalued as lurid and meaningless pulp.
| Author | : Mike Mayo |
| Publisher | : Visible Ink Press |
| Total Pages | : 451 |
| Release | : 2008-02-01 |
| Genre | : True Crime |
| ISBN | : 1578592569 |
How would you treat a murderer? If you’re from Hollywood and he’s notorious, you might turn him into a folk hero. Separate the facts from the many legends and revisions that have blossomed around these killers in this frightening look at the bloody real lives of movie’s infamous antiheroes. You’ll find a blood-curdling assortment of the “criminal elite” in American Murder: Criminals, Crime and the Media, a rogue’s gallery of our most famous killings, killers and other scoundrels (and some that ought to be more famous than they are). A collection of high-profile murderers, gangsters, assassins, psychopaths, such as O.J., Amy Fisher, Robert Blake, Susan Smith, Claus Von Bulow, the Menendez brothers, Jeffrey Dahmer, Ted Bundy, John Wayne Gacy, Richard Speck, Al Capone, Pretty Boy Floyd, Bugsy Siegel, Jesse James, John Dillinger, Charles Manson, Albert Fish, T. Cullen Davis, Ronald DeFeo, Jr., Edmund Kemper, Beulah Annan, Bonnie and Clyde, Billy the Kid, Charlie Starkweather, as well as an assortment of lesser known killers with some incredible tales! With numerous photos and illustrations, this tome is richly illustrated, and its helpful bibliography and extensive index add to its usefulness. American Murderexplores the legends as depicted in movies, stories, and songs. You’d not want to meet any of them in person – either the real or Hollywood versions!
| Author | : Mark Seltzer |
| Publisher | : Routledge |
| Total Pages | : 196 |
| Release | : 2013-10-18 |
| Genre | : Social Science |
| ISBN | : 1135867399 |
True crime is crime fact that looks like crime fiction. It is one of the most popular genres of our pathological public sphere, and an integral part of our contemporary wound culture-a culture, or at least cult, of commiseration. If we cannot gather in the face of anything other than crime, violence, terror, trauma, and the wound, we can at least commiserate. That is, as novelist Chuck Palahniuk writes, we can at least "all [be] miserable together." The "murder leisure industry," its media, and its public: these modern styles of violence and intimacy, sociality and belief, are the subjects of True Crime: Observations on Violence and Modernity. True Crime draws on and makes available to American readers—and tests out—work on systems theory and media theory (for instance, the transformative work of Niklas Luhmann on social systems and of Friedrich Kittler on the media apriori—work yet to make its impact on the American scene). True Crime is at once a study of a minor genre that is a scale model of modern society and a critical introduction to these forms of social and media history and theory. With examples, factual and fictional, of the scene of the crime ranging from Poe to CSI, from the true crime writing of the popular Japanese author Haruki Murakami to versions of "the violence-media complex" in the work of the American novelist Patricia Highsmith and the Argentinian author Juan José Saer, True Crime is a penetrating look at modern violence and the modern media and the ties that bind them in contemporary life.
| Author | : Venessa Garcia |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 184 |
| Release | : 2017-12-08 |
| Genre | : Law |
| ISBN | : 1442260823 |
In today's society, the public perception of crime has been skewed by how the media depicts it. People use the media for enjoyment, companionship, surveillance, and interpretation. The problem is that it becomes hard to separate fact from entertainment. This raises several questions. How are we consuming media? Are we consuming reality within the news? And are we consuming harmless pleasure from entertainment media? In Crime, Media, and Reality: Examining Mixed Messages about Crime and Justice in Popular Media, Venessa Garcia and Samantha Garcia Arkerson focus predominantly on the social constructions of crime and justice and how we absorb them. They look at the influence of crime news and true crime television series that prevent the public from understanding pure entertainment from the realities of crime and justice. They bring to light the social science knowledge missed by media "infotainment," which has blurred the line between information and entertainment. Throughout, all different forms of media are discussed, news media, crime dramas and true crime television series. In doing so, they keep all of its fascinating coverage while uncovering the reality of crime and justice. This book adds significant information to the constructs held by the general public by placing media depictions into historical, legal, and social context.
| Author | : Jen Erdman |
| Publisher | : McFarland |
| Total Pages | : 261 |
| Release | : 2022-10-28 |
| Genre | : Social Science |
| ISBN | : 1476681252 |
While many people think true crime is a new phenomenon, Americans have been obsessed with the genre for over a century, and popular culture continuously tries to cash in. The names of infamous serial killers are well-known, but the identities of their often-female victims are frequently lost to history. This text flips the script and focuses on the women to keep their identities known and remembered. This is the first book to examine how popular culture has mistreated women as both perpetrators and victims of crime, covering a hundred-year span from 1920 to 2020. Detailed is popular culture's interest in true crime and how women in true crime documentation have largely been sexualized and victim-blamed over the decades.
| Author | : Rachel Monroe |
| Publisher | : Scribner |
| Total Pages | : 288 |
| Release | : 2020-07-07 |
| Genre | : True Crime |
| ISBN | : 1501188895 |
A “necessary and brilliant” (NPR) exploration of our cultural fascination with true crime told through four “enthralling” (The New York Times Book Review) narratives of obsession. In Savage Appetites, Rachel Monroe links four criminal roles—Detective, Victim, Defender, and Killer—to four true stories about women driven by obsession. From a frustrated and brilliant heiress crafting crime-scene dollhouses to a young woman who became part of a Manson victim’s family, from a landscape architect in love with a convicted murderer to a Columbine fangirl who planned her own mass shooting, these women are alternately mesmerizing, horrifying, and sympathetic. A revealing study of women’s complicated relationship with true crime and the fear and desire it can inspire, together these stories provide a window into why many women are drawn to crime narratives—even as they also recoil from them. Monroe uses these four cases to trace the history of American crime through the growth of forensic science, the evolving role of victims, the Satanic Panic, the rise of online detectives, and the long shadow of the Columbine shooting. Combining personal narrative, reportage, and a sociological examination of violence and media in the 20th and 21st centuries, Savage Appetites is a “corrective to the genre it interrogates” (The New Statesman), scrupulously exploring empathy, justice, and the persistent appeal of crime.
| Author | : Tanya Horeck |
| Publisher | : Wayne State University Press |
| Total Pages | : 247 |
| Release | : 2019-11-11 |
| Genre | : True Crime |
| ISBN | : 0814340644 |
Explores the proliferation of true crime audiovisual texts across multiple media platforms. Justice on Demand: True Crime in the Digital Streaming Eraoffers a theoretical rumination on the question asked in countless blogs and opinion pieces of the last decade: Why are we so obsessed with true crime? Author Tanya Horeck takes this question further: Why is true crime thought to be such a good vehicle for the new modes of viewer/listener engagement favored by online streaming and consumption in the twenty-first century? Examining a range of audiovisual true crime texts, from podcasts such as Serialand My Favorite Murderto long-form crime documentaries such as The Jinxand Making a Murderer,Horeck considers the extent to which the true crime genre has come to epitomize participatory media culture where the listener/viewer acts as a "desktop detective" or "internet sleuth." While Facebook and Twitter have re-invigorated the notion of the armchair detective, Horeck questions the rhetoric of interactivity surrounding true crime formats and points to the precarity of justice in the social media era. In a cultural moment in which user-generated videos of real-life violence surface with an alarming frequency, Justice on Demandaddresses what is at stake in the cultural investment in true crime as packaged mainstream entertainment. Paying close attention to the gendered and racialized dimensions of true crime media, Horeck examines objects that are not commonly considered "true crime," including the subgenre of closed-circuit television (CCTV) elevator assault videos and the popularity of trailers for true crime documentaries on YouTube. By analyzing a range of intriguing case studies, Horeck explores how the audience is affectively imagined, addressed, and commodified by contemporary true crime in an "on demand" mediascape. As a fresh investigation of how contemporary variations of true crime raise significant ethical questions regarding what it means to watch, listen, and "witness" in a digital era of accessibility, immediacy, and instantaneity, Justice on Demandwill be of interest to film, media, and digital studies scholars.
| Author | : Dawn K. Cecil |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Crime |
| ISBN | : 9781626379015 |
For centuries, people have been drawn to true stories of crime and the justice system. But what began primarily as a literary genre focusing on murder has evolved. From docuseries and podcasts to Facebook groups and events such as CrimeCon, modern true crime has become diverse, complex, and interactive. In Fear, Justice, and Modern True Crime, Dawn Cecil examines the genre to uncover the messages it conveys. Modern true crime, Cecil argues, has the potential to inform people about crime-related issues and the criminal justice system--but it can also reinforce popular stereotypes. Her work deftly unpacks the impact of true crime stories on our perceptions, our fears, and even the process of justice.
