Tristram Shandy And The Dialectic Of Enlightenment
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| Author | : Christian Thorne |
| Publisher | : Harvard University Press |
| Total Pages | : 398 |
| Release | : 2010-05-15 |
| Genre | : Philosophy |
| ISBN | : 9780674054738 |
In this wide-ranging, ambitious, and engaging study, Christian Thorne confronts the history and enduring legacy of anti-foundationalist thought. Anti-foundationalism--the skeptical line of thought that contends our beliefs cannot be authoritatively grounded and that most of what passes for knowledge is a sham--has become one of the dominant positions in contemporary criticism. Thorne argues that despite its ascendance, anti-foundationalism is wrong. In The Dialectic of Counter-Enlightenment, he uses deft readings of a range of texts to offer new perspectives on the ongoing clash between philosophy and comprehensive doubt. The problem with anti-foundationalism is not, as is often thought, that it radiates uncertainty or will unglue the university, but instead that it is a system of thought--with set habits that generate unearned certainties. The shelves are full of histories of modern philosophy, but the history of the resistance to philosophical thought remains to be told. At its heart, The Dialectic of Counter-Enlightenment is a plea not to take doubt at its word--a plea for the return of a vanished philosophical intelligence and for the retirement of an anti-Enlightenment thinking that commits, over and over again, the very crimes that it lays at Enlightenment's door.
| Author | : James Vigus |
| Publisher | : Routledge |
| Total Pages | : 353 |
| Release | : 2017-12-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351192531 |
"One of many writers inspired by Laurence Sterne's Tristram Shandy, the German novelist Jean Paul Richter coined the term 'Shandean humour' in his work of aesthetic theory. The essays in this volume investigate how Sterne's humour functions, the reasons for its enduring appeal, and what role it played in identity-construction and in the representation of melancholy. In tracing its hitherto under-recognised impact both on literary writers, such as Jean Paul and Herman Melville, and on philosophers, including Hegel and Marx, the collection reveals that Shandean humour is a Grenzganger - a point of commerce not only between Anglophone and German discourses, but also between literature and philosophy. Klaus Vieweg is Professor of Philosophy at the Friedrich Schiller University of Jena; James Vigus is postdoctoral research fellow at the Department of English and American Studies, Ludwig Maximilian University of Munich; Kathleen M. Wheeler is Reader in English Literature at the University of Cambridge."
| Author | : Katrin Berndt |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 606 |
| Release | : 2022-07-18 |
| Genre | : Literary Criticism |
| ISBN | : 3110650444 |
The handbook offers a comprehensive introduction to the British novel in the long eighteenth century, when this genre emerged to develop into the period’s most versatile and popular literary form. Part I features six systematic chapters that discuss literary, intellectual, socio-economic, and political contexts, providing innovative approaches to issues such as sense and sentiment, gender considerations, formal characteristics, economic history, enlightened and radical concepts of citizenship and human rights, ecological ramifications, and Britain’s growing global involvement. Part II presents twenty-five analytical chapters that attend to individual novels, some canonical and others recently recovered. These analyses engage the debates outlined in the systematic chapters, undertaking in-depth readings that both contextualize the works and draw on relevant criticism, literary theory, and cultural perspectives. The handbook’s breadth and depth, clear presentation, and lucid language make it attractive and accessible to scholar and student alike.
| Author | : Louisa Shea |
| Publisher | : JHU Press |
| Total Pages | : 285 |
| Release | : 2010-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 0801897068 |
This original study reveals the importance of ancient Cynicism in defining the Enlightenment and its legacy. Louisa Shea explores modernity's debt to Cynicism by examining the works of thinkers who turned to the ancient Cynics as a model for reinventing philosophy and dared to imagine an alliance between a socially engaged Enlightenment and the least respectable of early Greek philosophies. While Cynicism has always resided on the fringes of philosophy, Shea argues, it remained a vital touchstone for writers committed to social change and helped define the emerging figure of the public intellectual in the 18th century. Shea's study brings to light the rich legacy of ancient Cynicism in modern intellectual, philosophical, and literary life, both in the 18th-century works of Diderot, Rousseau, Wieland, and Sade, and in recent writings by Michel Foucault and Peter Sloterdijk. Featuring an important new perspective on both Enlightenment thought and its current scholarly reception, The Cynic Enlightenment will interest students and scholars of the Enlightenment and its intellectual legacy, 18th-century studies, literature, and philosophy.
| Author | : Manfred Pfister |
| Publisher | : Liverpool University Press |
| Total Pages | : 137 |
| Release | : 2001 |
| Genre | : Literary Criticism |
| ISBN | : 074630837X |
Despite the immense popularity of Laurence Sterne's work during his lifetime, his contribution to the novel form and experimentalism has only been acknowledged since his death. His contemporaries Richardson and Goldsmith denounced his archaic methods and took offence at his playful irreverence but his oddity is never accidental nor perverse; it is the strategy of an inventive, thoughtful, comic talent. Tristram Shandy, perhaps his best loved work, defies convention at every turn, distributing narrative content across a bafflingly idiosyncratic time-scheme interrupted by digressions, authorial comments and interferences with the printed fabric of the book. This comically fragmented story line is a reaction against the linear narratives of Fielding and Richardson; aiming instead at a realistic impressionism, a shape determined by the association of ideas. This study critiques Sterne's work in the light of modern literary theory, questioning whether he was an artist before his time.
| Author | : Alexis Tadié |
| Publisher | : Routledge |
| Total Pages | : 344 |
| Release | : 2017-03-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351897918 |
This study addresses the intricate links between oral culture and literate culture in the eighteenth century. Tadié traces how perceptions and representations of language move from a dominance of the spoken work to a dominance of the written word; and this is echoed in the order of the five chapters on conversation, gesture, theatre, fiction, and print. Tadié offers a reading of Sterne's works, arguing that the use of language lies at the centre of Sterne's art; he approaches the historical dimension of the texts in the context of eighteenth-century theories of language. He brings into focus the heterogeneity of Sterne's texts; and he demonstrates how Sterne's awareness for the variations of language links up with his interest in the form of the book, and with the use of all the potentialities of print. The study broaches the issue of the 'rise of the novel' in the eighteenth century. it refuses the idea of progress, or of slow emergence of the novel in the eighteenth century, which would lead progressively from Defoe to the Fielding-Richardson debate, to a possible view of Sterne as the great ironist of the form of the novel. Tadié asserts that Sterne's writings do not simply address the nature of the novel, but they engage with all the forms of language representation made available by the culture of the age.
| Author | : Christoph Henke |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 326 |
| Release | : 2014-10-14 |
| Genre | : Literary Criticism |
| ISBN | : 3110343401 |
While the popular talk of English common sense in the eighteenth century might seem a by-product of familiar Enlightenment discourses of rationalism and empiricism, this book argues that terms such as ‘common sense’ or ‘good sense’ are not simply synonyms of applied reason. On the contrary, the discourse of common sense is shaped by a defensive impulse against the totalizing intellectual regimes of the Enlightenment and the cultural climate of change they promote, in order to contain the unbounded discursive proliferation of modern learning. Hence, common sense discourse has a vital regulatory function in cultural negotiations of political and intellectual change in eighteenth-century Britain against the backdrop of patriotic national self-concepts. This study discusses early eighteenth-century common sense in four broad complexes, as to its discursive functions that are ethical (which at that time implies aesthetic as well), transgressive (as a corrective), political (in patriotic constructs of the nation), and repressive (of otherness). The selection of texts in this study strikes a balance between dominant literary culture – Swift, Pope, Defoe, Fielding, Johnson – and the periphery, such as pamphlets and magazine essays, satiric poems and patriotic songs.
| Author | : S. Horlacher |
| Publisher | : Springer |
| Total Pages | : 267 |
| Release | : 2010-03-15 |
| Genre | : Literary Criticism |
| ISBN | : 0230105998 |
Taboo and Transgression in British Literature from the Renaissance to the Present develops an innovative overview of the interdisciplinary theoretical approaches to the topic that have emerged in recent years. Alongside exemplary model analyses of key periods and representative primary texts, this exciting new anthology of critical essays has been specifically designed to fill a major gap in the field of literary and cultural studies. This book traces the complex dynamic and ongoing negotiation of notions of transgression and taboo as an essential, though often neglected, facet to understanding the development, production, and conception of literature from the early modern Elizabethan period through postmodern debates. The combination of a broad theoretical and historical framework covering almost fifty representative authors and uvres makes this essential reading for students and specialists alike in the fields of literary studies and cultural studies.
| Author | : Mohit Kumar Ray |
| Publisher | : Sarup & Sons |
| Total Pages | : 370 |
| Release | : 2005 |
| Genre | : Literature |
| ISBN | : 9788176255981 |
Mohit K. Ray, b.1940, former Professor of English, Burdwan University; contributed articles.
| Author | : Foteini Lika |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 309 |
| Release | : 2018-10-09 |
| Genre | : |
| ISBN | : 1527518329 |
Using diverse sources ranging from hagiographies and historiographies to historical novels and satirical poems, this is the first book-length examination of Emmanouil Roidis’ Pope Joan (1866). Providing a long-overdue and authoritative introduction to the sinuous poetics of one of the most celebrated Modern Greek novels, Roidis and the Borrowed Muse takes in a broad gamut of British writers, from Swift, Sterne and Gibbon to Scott, Macaulay and Byron, and casts a fresh and original eye on the intertextual connections between their work and Roidis’ magnum opus. This comprehensive comparative study will appeal not only to intellectual historians, literary critics and students, but also to scholars of Romanticism and readers interested in the many facets of satire.
