Trio Es-dur, op. 63, für Klavier, Flöte und Violoncello
Author | : Ferdinand Ries |
Publisher | : |
Total Pages | : 24 |
Release | : 1987 |
Genre | : Trios (Piano, flute, cello) |
ISBN | : |
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Author | : Ferdinand Ries |
Publisher | : |
Total Pages | : 24 |
Release | : 1987 |
Genre | : Trios (Piano, flute, cello) |
ISBN | : |
Author | : Johann Nepomuk Hummel |
Publisher | : |
Total Pages | : 46 |
Release | : 1958 |
Genre | : String trios |
ISBN | : |
Author | : Carnegie Library of Pittsburgh |
Publisher | : |
Total Pages | : 786 |
Release | : 1913 |
Genre | : Libraries |
ISBN | : |
Author | : Wolfgang Amadeus Mozart |
Publisher | : |
Total Pages | : 34 |
Release | : 1989 |
Genre | : Piano quartets |
ISBN | : |
Author | : Franz Schubert |
Publisher | : Omnibus Press |
Total Pages | : 100 |
Release | : 1997 |
Genre | : Piano music |
ISBN | : 9780949789242 |
Author | : John M. Gingerich |
Publisher | : Cambridge University Press |
Total Pages | : 446 |
Release | : 2014-05-22 |
Genre | : Music |
ISBN | : 1139952080 |
Why couldn't Schubert get his 'great' C-Major Symphony performed? Why was he the first composer to consistently write four movements for his piano sonatas? Since neither Schubert's nor Beethoven's piano sonatas were ever performed in public, who did hear them? Addressing these questions and many others, John M. Gingerich provides a new understanding of Schubert's career and his relationship to Beethoven. Placing the genres of string quartet, symphony, and piano sonata within the cultural context of the 1820s, the book examines how Schubert was building on Beethoven's legacy. Gingerich brings new understandings of how Schubert tried to shape his career to bear on new hermeneutic readings of the works from 1824 to 1828 that share musical and extra-musical pre-occupations, centering on the 'Death and the Maiden' Quartet and the Cello Quintet, as well as on analyses of the A-minor Quartet, the Octet, and of the 'great' C-Major Symphony.
Author | : Allen A. Brown Collection (Boston Public Library) |
Publisher | : |
Total Pages | : 462 |
Release | : 1916 |
Genre | : Music |
ISBN | : |
Author | : Axel Fischer |
Publisher | : Walter de Gruyter |
Total Pages | : 777 |
Release | : 2009-12-22 |
Genre | : Music |
ISBN | : 3598441746 |
With The Archive of the Sing-Akademie zu Berlin. Catalogue a complete catalogue of the music archive of the Sing-Akademie zu Berlin is now available for the first time since the archive, which disappeared during World War II, was rediscovered in 1999. (The whole work is complete in English and German). Since 2001 the more than 260,000 pages of music manuscripts, copies and first prints (from 17th to early 19th cent.) were revised by two musicologists which compiled an index of shelf marks and an index of composers. Thus detailed searches in the holdings of the archive (which were filmed since 2002 in severeal parts on microfiche at K. G. Saur) are possible for the first time. The Catalogue lists 9,735 works of 1.008 different composers. It provides also a concordance signature – microfiche and therefore serves as a cumulated guide to the microfiche editions, all the more the registers have been revised and improved. The unique collection is introduced by a number of articles by the following musicologists: Axel Fischer (Archive of the Sing-Akademie, Berlin), Christoph Henzel (Hochschule für Musik, Würzburg), Klaus Hortschansky (University of Münster), Matthias Kornemann (Archive of the Sing-Akademie, Berlin), Ulrich Leisinger (Mozarteum, Salzburg), Mary Oleskiewicz (University of Massachusetts Boston), Ralph-J. Reipsch (Zentrum für Telemann-Pflege und -Forschung, Magdeburg), Tobias Schwinger (Berlin).
Author | : Carnegie Library of Pittsburgh |
Publisher | : |
Total Pages | : 842 |
Release | : 1922 |
Genre | : Classified catalogs (Dewey decimal) |
ISBN | : |