Treasures Of The National Gallery London
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Author | : Neil MacGregor |
Publisher | : Abbeville Press |
Total Pages | : 0 |
Release | : 1996-09 |
Genre | : Painting |
ISBN | : 9780789204820 |
This Tiny Folio book highlights the works of The National Gallery, London, which has one of the most magnificent--and the most beloved--collections of paintings in the world. Founded in 1824, the National Gallery houses a rich and comprehensive range of European painting from the Middle Ages to the 1920s. Among the works represented in this colorful and compact survey of the Gallery's collection are masterpieces by Sandro Botticelli, Leonardo da Vinci, Michelangelo, Raphael, Titian, Rembrandt, Peter Paul Rubens, Claude Monet, Vincent van Gogh, Edgar Degas, and Paul Cézanne, as well as some lesser-known delights. Located on Trafalgar Square, in the heart of London, the original Wilkins Building has recently been extended by the handsome new Sainsbury Wing, which contains some of the world's greatest paintings.
Author | : Letizia Treves |
Publisher | : National Gallery London |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Painters |
ISBN | : 9781857096026 |
A fascinating examination of Caravaggio and others who adopted his dramatic style of painting The Italian painter known as Caravaggio (1571-1610) claims a place among the most revolutionary figures in the history of art. His intense naturalism, almost brutal realism, and dramatic use of light had a wide impact on European painters, including Orazio Gentileschi, Valentin de Boulogne, and Gerrit van Honthorst. Each of Caravaggio's followers absorbed something different from his work, propagating his stylistic legacy across Europe. In this extensively illustrated catalogue, Letizia Treves introduces the international Caravaggesque movement and traces the distinct artistic personalities of its leading players. Even now, Caravaggio's name overshadows the other talented artists who adopted his approach to narrative painting: the use of theatrical lighting to illuminate a story encapsulated in a single, dramatic moment. Treves explains the innovative and unifying features of these painters' work and how, despite resistance to their style and subject matter, many outstanding Caravaggesque pictures found their way into important collections. Published by the National Gallery Company/Distributed by Yale University Press Exhibition Schedule: National Gallery, London (10/12/16-01/15/17) National Gallery of Ireland, Dublin (02/11/17-05/14/17) Scottish National Gallery, Edinburgh (06/17/17-09/24/17)
Author | : Gustav Friedrich Waagen |
Publisher | : |
Total Pages | : 500 |
Release | : 1854 |
Genre | : |
ISBN | : |
Author | : National Gallery of Scotland |
Publisher | : |
Total Pages | : 124 |
Release | : 2001 |
Genre | : Architecture |
ISBN | : |
An exhibition catalogue illustrating fifty paintings from the National Gallery of Scotland's collection.
Author | : Sylvie Patry |
Publisher | : National Gallery London |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Art dealers |
ISBN | : 9781857095845 |
Published to accompany the exhibition Paul Duran-Ruel: Le Pari de l'Impressionnisme, Musaee de Luxembourg, Pais (Saenat), October 9, 2014 - February 8, 2015; Inventing Impressionism: Paul Durand-Ruel and the Modern Art Market, The National Gallery, London, March 4 - May 31, 2015; Discovering the Impressionists: Paul Durand-Ruel and the New Painting, Philadelphia Museum of Art, June 24 - September 13, 2015.
Author | : Uta Hasekamp |
Publisher | : |
Total Pages | : 0 |
Release | : 2020 |
Genre | : |
ISBN | : 9783741924200 |
Author | : |
Publisher | : National Portrait Gallery |
Total Pages | : 232 |
Release | : 2019-02-21 |
Genre | : Portrait miniatures, British |
ISBN | : 9781855147027 |
In the late sixteenth and early seventeenth centuries there was one art form in which English artists excelled above all their continental European counterparts: the painting of miniatures. This fascinating book explores the genre with special reference to two of its most accomplished practitioners, Nicholas Hilliard and Isaac Oliver, whose astounding skill brought them international fame and admiration. Four centuries ago, England was famous primarily for its literary culture - the dram a of Shakespeare and Ben Jonson and the works of the great lyrical and metaphysical poets. When it came to the production of visual art, the country was seen as something of a backwater. However, there was one art form for which English artists of this period were renowned: portrait miniature painting, or as it was known at the time, limning. Growing from roots in manuscript illumination, it was brought to astonishing heights of skill by two artists in particular: Nicholas Hilliard (1547-1619) and Isaac Oliver (c .1565-1617). In addition to exhibiting the exquisite technique of the artists, portrait miniatures express in a unique way many of the most distinctive and fascinating aspects of court life in this period: ostentatious secrecy, games of courtly love, arcane symbolism, a love of intricacy and decoration. Bedecked in elaborate lace, encrusted in jewellery and sprinkled with flowers, court ladies smile enigmatically at the viewer; their male counterparts rest on grassy banks or lean against trees, sighing over thwarted love, or more modestly express their hopes in Latin epigrams inscribed around their heads. Often set in richly enamelled and jewelled gold lockets, or beautifully turned ivory or ebony boxes, such miniatures could be concealed or revealed, exchanged or kept, as part of elaborate processes of friendship, love, patronage and diplomacy at the courts of Elizabeth I and James I /VI. This richly illustrated book, like the exhibition it accompanies, explores what the portrait miniature reveals about identity, society and visual culture in Elizabethan and Jacobean England.
Author | : Robert Upstone |
Publisher | : Abbeville Press |
Total Pages | : 0 |
Release | : 1998-09 |
Genre | : Art |
ISBN | : 9780789205414 |
This richly illustrated Tiny Folio(TM) volume surveys British painting, watercolors, and sculpture from the sixteenth century to the present. With masters such as William Blake, William Hogarth, George Stubbs, Thomas Gainsborough, Joseph Mallord William Turner, Dante Gabriel Rossetti, James McNeill Whistler, John Singer Sargent, Henry Moore, Francis Bacon, Lucian Freud, and David Hockney, the Tate Gallery offers work to please every taste. The gallery, which was opened in London in the summer of 1897 by the Prince of Wales, is best known for its modern art collections, but-as this little compendium makes wonderfully clear-it encompasses the full sweep of British art, from ornate aristocratic portraits and vivacious hunting scenes to the Pre-Raphaelites languid femmes fatales.
Author | : Jill Dunkerton |
Publisher | : Yale University Press |
Total Pages | : 340 |
Release | : 2002-01-01 |
Genre | : Art |
ISBN | : 0300095333 |
"The authors look closely at a variety of types of painting - including large altarpieces, small domestic, devotional images, diplomatic gifts, furniture, decorations and both intimate and full-length portraits - as well as frescoes, drawings and prints. They provide insights into the meanings of individual pictures and into the purposes they were originally intended to serve, and they explore the social position of the artist in the 1500s.
Author | : Simon Knell |
Publisher | : Routledge |
Total Pages | : 274 |
Release | : 2016-01-22 |
Genre | : Social Science |
ISBN | : 1317432428 |
Are national galleries different from other kinds of art gallery or museum? What value is there for the nation in a collection of international masterpieces? How are national galleries involved in the construction national art? National Galleries is the first book to undertake a panoramic view of a type of national institution – which are sometimes called national museums of fine art – that is now found in almost every nation on earth. Adopting a richly illustrated, globally inclusive, comparative view, Simon Knell argues that national galleries should not be understood as ‘great galleries’ but as peculiar sites where art is made to perform in acts of nation building. A book that fundamentally rewrites the history of these institutions and encourages the reader to dispense with elitist views of their worth, Knell reveals an unseen geography and a rich complexity of performance. He considers the ways the national galleries entangle art and nation, and the differing trajectories and purposes of international and national art. Exploring galleries, artists and artworks from around the world, National Galleries is an argument about how we think about and study these institutions. Privileging the situatedness of each national gallery performance, and valuing localism over universalism, Knell looks particularly at how national art is constructed and represented. He ends with examples that show the mutability of national art and by questioning the necessity of art nationalism.