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| Author | : Cleveland Museum of Art |
| Publisher | : Scala Books |
| Total Pages | : 352 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 9781857597677 |
Featuring new, accessibly written scholarship by the curatorial staff, this book will be the definitive resource on this world-renowned collection.
| Author | : Martina Bagnoli |
| Publisher | : |
| Total Pages | : 259 |
| Release | : 2011 |
| Genre | : Christian art and symbolism |
| ISBN | : 9780714123301 |
Keynote A magnificent study of the beautifully crafted Medieval reliquaries that enshrined holy relics, and their wider historical, cultural, political and religious context Sales points Published in conjunction with Walters Art Museum and the Cleveland Museum of Art to accompany a major touring exhibition, at the British Museum 23 June 9 October 2011 No equivalent book on this fascinating subject An important reference work drawing on the latest scholarship, which will be of value far beyond the exhibition Description Drawing on three major museum holdings as well as featuring iconic pieces from other international public and private collections, this richly illustrated book looks at the phenomenon of holy relics in the Middle Ages. Thematic essays and object entries by leading scholars trace the history and development of the cult of relics, from its beginnings in late Roman funerary practices to its rise in both the Byzantine East and the West. Contributors Derek Krueger, Eric Palazzo, Arnoldt Angenendt, Martina Bagnoli, Holger A. Klein, Barbara Boehm, Guido Cornini, Cynthia Hahn, James Robinson, Alexander Nagel, C. Griffith Mann
| Author | : Pia Palladino |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 205 |
| Release | : 2003 |
| Genre | : Illumination of books and manuscripts, Italian |
| ISBN | : 1588390306 |
"Treasures of a Lost Art presents 144 leaves, cuttings, and illuminated manuscript fragments from the collection of Robert Lehman (1891-1969), one of the largest and most impressive private holdings of Italian manuscripts assembled after the First World War. Discussed here - with many of them handsomely illustrated in full color - are important examples of the major schools of illumination in southern Italy, Umbria, Tuscany, Emilia, Lombardy, and the Veneto. Previously unpublished, and perhaps even unknown to scholars, are works by some of the foremost Italian painters of the Middle Ages and Renaissance, including a leaf here attributed for the first time to the Sienese master Duccio di Buoninsegna and cuttings by Stefano da Verona and Cosimo Tura. Lesser-known arists, such as Neri da Rimini, Belbello da Pavia, and Girolamo da Cremona, once renowned for their beautifully illuminated volumes, are also discussed in full."--BOOK JACKET.
| Author | : Cleveland Museum of Art |
| Publisher | : Hudson Hills |
| Total Pages | : 148 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : 9780940717909 |
This first comprehensive presentation of this collection from the Cleveland Museum of Art, includes paintings by Monet, Degas, Renoir, Boudin and Manet among other innovative artists of the Impressionist and Post-Impressionist period. Each painting is presented with descriptions detailing the artist's motifs and context of the work in the Impressionist era. The title, with its essays and over 100 colour plates, provides a thorough focus of the dramatic artistic development of the century between 1850 and 1950 through the remarkable pieces of this collection. 100 colour Illustrations
| Author | : Karl E. Meyer |
| Publisher | : St. Martin's Press |
| Total Pages | : 442 |
| Release | : 2015-03-10 |
| Genre | : Art |
| ISBN | : 1466879297 |
Thanks to Salem sea captains, Gilded Age millionaires, curators on horseback and missionaries gone native, North American museums now possess the greatest collections of Chinese art outside of East Asia itself. How did it happen? The China Collectors is the first full account of a century-long treasure hunt in China from the Opium Wars and the Boxer Rebellion to Mao Zedong's 1949 ascent. The principal gatherers are mostly little known and defy invention. They included "foreign devils" who braved desert sandstorms, bandits and local warlords in acquiring significant works. Adventurous curators like Langdon Warner, a forebear of Indiana Jones, argued that the caves of Dunhuang were already threatened by vandals, thereby justifying the removal of frescoes and sculptures. Other Americans include George Kates, an alumnus of Harvard, Oxford and Hollywood, who fell in love with Ming furniture. The Chinese were divided between dealers who profited from the artworks' removal, and scholars who sought to protect their country's patrimony. Duanfang, the greatest Chinese collector of his era, was beheaded in a coup and his splendid bronzes now adorn major museums. Others in this rich tapestry include Charles Lang Freer, an enlightened Detroit entrepreneur, two generations of Rockefellers, and Avery Brundage, the imperious Olympian, and Arthur Sackler, the grand acquisitor. No less important are two museum directors, Cleveland's Sherman Lee and Kansas City's Laurence Sickman, who challenged the East Coast's hegemony. Shareen Blair Brysac and Karl E. Meyer even-handedly consider whether ancient treasures were looted or salvaged, and whether it was morally acceptable to spirit hitherto inaccessible objects westward, where they could be studied and preserved by trained museum personnel. And how should the US and Canada and their museums respond now that China has the means and will to reclaim its missing patrimony?
| Author | : Cleveland Museum of Art |
| Publisher | : |
| Total Pages | : 264 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : |
From the time of Marco Polo's journeys and the legendary Silk Road, the ancient cultures of Asia have fascinated and enriched the West. Now, at the end of the twentieth century, interest in Asian art and thought has never been more intense.
| Author | : Cleveland Museum of Art |
| Publisher | : Distribution General |
| Total Pages | : 328 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : |
"In the middle of the first middle of the first millennium the political landscape of Europe was a lawless wasteland where widely scattered monasteries sheltered what remained of classical culture as well as the seeds of what would become the lofty achievements of medieval art, scholasticism, and humanism. In these sanctuaries and in towns fortified against constant warfare, precious objects, carefully wrought by hand, were made to glorify God and celebrate the pleasures of life at court. A thousand years of aesthetic culture, from the austere spirituality of the Byzantine Icon of the Virgin to the exalted frivolity of the French Table Fountain, is presented in this book, in pages filled with golden caskets set with jewels, tiny paintings in sacred books, and saints and angels in marble and gold"--Book jacket.
| Author | : Byron Preiss |
| Publisher | : ibooks |
| Total Pages | : 1 |
| Release | : 2016-10-05 |
| Genre | : Games & Activities |
| ISBN | : |
The tale begins over three-hundred years ago, when the Fair People—the goblins, fairies, dragons, and other fabled and fantastic creatures of a dozen lands—fled the Old World for the New, seeking haven from the ways of Man. With them came their precious jewels: diamonds, rubies, emeralds, pearls... But then the Fair People vanished, taking with them their twelve fabulous treasures. And they remained hidden until now... Across North America, these twelve treasures, over ten-thousand dollars in precious jewels, are buried. The key to finding each can be found within the twelve full color paintings and verses of The Secret. Yet The Secret is much more than that. At long last, you can learn not only the whereabouts of the Fair People's treasure, but also the modern forms and hiding places of their descendants: the Toll Trolls, Maitre D'eamons, Elf Alphas, Tupperwerewolves, Freudian Sylphs, Culture Vultures, West Ghosts and other delightful creatures in the world around us. The Secret is a field guide to them all. Many "armchair treasure hunt" books have been published over the years, most notably Masquerade (1979) by British artist Kit Williams. Masquerade promised a jewel-encrusted golden hare to the first person to unravel the riddle that Williams cleverly hid in his art. In 1982, while everyone in Britain was still madly digging up hedgerows and pastures in search of the golden hare, The Secret: A Treasure Hunt was published in America. The previous year, author and publisher Byron Preiss had traveled to 12 locations in the continental U.S. (and possibly Canada) to secretly bury a dozen ceramic casques. Each casque contained a small key that could be redeemed for one of 12 jewels Preiss kept in a safe deposit box in New York. The key to finding the casques was to match one of 12 paintings to one of 12 poetic verses, solve the resulting riddle, and start digging. Since 1982, only two of the 12 casques have been recovered. The first was located in Grant Park, Chicago, in 1984 by a group of students. The second was unearthed in 2004 in Cleveland by two members of the Quest4Treasure forum. Preiss was killed in an auto accident in the summer of 2005, but the hunt for his casques continues.
| Author | : Jason Felch |
| Publisher | : HMH |
| Total Pages | : 397 |
| Release | : 2011-05-24 |
| Genre | : Art |
| ISBN | : 0547538022 |
A “thrilling, well-researched” account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist). In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us a fly-on-the-wall account of the inner workings of a world-class museum, and tell a story of outlandish characters and bad behavior that could come straight from the pages of a thriller. “In an authoritative account, two reporters who led a Los Angeles Times investigation reveal the details of the Getty Museum’s illicit purchases, from smugglers and fences, of looted Greek and Roman antiquities. . . . The authors offer an excellent recap of the museum’s misdeeds, brimming with tasty details of the scandal that motivated several of America’s leading art museums to voluntarily return to Italy and Greece some 100 classical antiquities worth more than half a billion dollars.” —Publishers Weekly, starred review “An astonishing and penetrating look into a veiled world where beauty and art are in constant competition with greed and hypocrisy. This engaging book will cast a fresh light on many of those gleaming objects you see in art museums.” —Jonathan Harr, author of The Lost Painting
