Treasure Island The Magic City 1939 1940
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Treasure Island, "The Magic City," 1939-1940; The Story of the Golden Gate International Exposition - Primary Source Edition
Author | : Jack James |
Publisher | : Nabu Press |
Total Pages | : 392 |
Release | : 2014-02 |
Genre | : |
ISBN | : 9781295772612 |
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Treasure Island, the Magic City, 1939-1940; The Story of the Golden Gate International Exposition - Scholar's Choice Edition
Author | : Jack James |
Publisher | : |
Total Pages | : 392 |
Release | : 2015-02-12 |
Genre | : |
ISBN | : 9781295989003 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Into the Void Pacific
Author | : Andrew Shanken |
Publisher | : Univ of California Press |
Total Pages | : 242 |
Release | : 2015-01-16 |
Genre | : Architecture |
ISBN | : 0520282825 |
Published on the occasion of the expo's 75th anniversary, Into the Void Pacific is the first architectural history of the 1939 San Francisco WorldÕs Fair. While fairs of the 1930's turned to the future as a foil to the Great Depression, the Golden Gate International Exposition conjured up geographical conceits to explore the nature of the city's place in what organizers called "Pacific Civilization." Andrew Shanken adopts D.H. LawrenceÕs suggestive description of California as a way of thinking about the architecture of the Golden Gate International Exposition, using the phrase Òvoid PacificÓ to suggest the isolation and novelty of California and its habit of looking West rather than back over its shoulder to the institutions of the East Coast and Europe. The fair proposed this vision of the Pacific as an antidote to the troubled Atlantic world, then descending into chaos for the second time in a generation. Architects took up the theme and projected the regionalist sensibilities of Northern California onto Asian and Latin American architecture. Their eclectic, referential buildings drew widely on the cultural traditions of ancient Cambodia, China, and Mexico, as well as the International Style, Art Deco, and the Bay Region Tradition. The book explores how buildings supported the cultural and political work of the fair and fashioned a second, parallel world in a moment of economic depression and international turmoil. Yet it is also a tale of architectural compromise, contingency, and symbolism gone awry. With chapters organized around the creation of Treasure Island and the key areas and pavilions of the fair, this study takes a cut through the work of William Wurster, Bernard Maybeck, Timothy Pflueger, and Arthur Brown, Jr., among others. Shanken also looks closely at buildings as buildings, analyzing them in light of local circumstances, regionalist sensibilities, and national and international movements at that crucial moment when modernism and the Beaux-Arts intersected dynamically.
Endangered Dreams
Author | : Kevin Starr |
Publisher | : Oxford University Press |
Total Pages | : 431 |
Release | : 1996-01-11 |
Genre | : History |
ISBN | : 0199923566 |
California, Wallace Stegner observed, is like the rest of the United States, only more so. Indeed, the Golden State has always seemed to be a place where the hopes and fears of the American dream have been played out in a bigger and bolder way. And no one has done more to capture this epic story than Kevin Starr, in his acclaimed series of gripping social and cultural histories. Now Starr carries his account into the 1930s, when the political extremes that threatened so much of the Depression-ravaged world--fascism and communism--loomed large across the California landscape. In Endangered Dreams, Starr paints a portrait that is both detailed and panoramic, offering a vivid look at the personalities and events that shaped a decade of explosive tension. He begins with the rise of radicalism on the Pacific Coast, which erupted when the Great Depression swept over California in the 1930s. Starr captures the triumphs and tumult of the great agricultural strikes in the Imperial Valley, the San Joaquin Valley, Stockton, and Salinas, identifying the crucial role played by Communist organizers; he also shows how, after some successes, the Communists disbanded their unions on direct orders of the Comintern in 1935. The highpoint of social conflict, however, was 1934, the year of the coastwide maritime strike, and here Starr's narrative talents are at their best, as he brings to life the astonishing general strike that took control of San Francisco, where workers led by charismatic longshoreman Harry Bridges mounted the barricades to stand off National Guardsmen. That same year socialist Upton Sinclair won the Democratic nomination for governor, and he launched his dramatic End Poverty in California (EPIC) campaign. In the end, however, these challenges galvanized the Right in a corporate, legal, and vigilante counterattack that crushed both organized labor and Sinclair. And yet, the Depression also brought out the finest in Californians: state Democrats fought for a local New Deal; California natives helped care for more than a million impoverished migrants through public and private programs; artists movingly documented the impact of the Depression; and an unprecedented program of public works (capped by the Golden Gate Bridge) made the California we know today possible. In capturing the powerful forces that swept the state during the 1930s--radicalism, repression, construction, and artistic expression--Starr weaves an insightful analysis into his narrative fabric. Out of a shattered decade of economic and social dislocation, he constructs a coherent whole and a mirror for understanding our own time.
Neptune's Laboratory
Author | : Antony Adler |
Publisher | : |
Total Pages | : 257 |
Release | : 2019 |
Genre | : Science |
ISBN | : 0674972015 |
We have long been fascinated with the oceans and sought "to pierce the profundity" of their depths. But the history of marine science also tells us a lot about ourselves. Antony Adler explores the ways in which scientists, politicians, and the public have invoked ocean environments in imagining the fate of humanity and of the planet.
Ansel Adams
Author | : Mary Street Alinder |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 433 |
Release | : 2014-11-04 |
Genre | : Biography & Autobiography |
ISBN | : 1620408007 |
Traces the life and career of Ansel Adams, including his childhood in San Francisco, his marriage and affairs, his relationship with the Native Americans of Yosemite, and the influences on his photography and painting of western landscapes.
Depression-Era Sculpture of the Bay Area
Author | : Nicholas A. Veronico |
Publisher | : Arcadia Publishing |
Total Pages | : 96 |
Release | : 2017-08-07 |
Genre | : Photography |
ISBN | : 1439661782 |
The Great Depression was a terrible blow for the Bay Area's thriving art community. A few private art projects kept a small number of sculptors working, but for the majority, prospects of finding new commissions were grim. By the mid-1930s, Pres. Franklin D. Roosevelt's New Deal program had gathered steam, and assistance was provided to the nation's art community. Salvation came from the Works Progress Administration (WPA), which employed thousands of artists to produce sculpture for public venues. The Bay Area art community subsequently benefitted from the need to fill the then-forthcoming Golden Gate International Exposition (GGIE) with sculpture of all shapes and sizes. As bad as the Depression was, its legacy more than 80 years on is one of beauty. The Bay Area is dotted with sculpture from this era, the majority of it on public display. Depression-Era Sculpture of the Bay Area is a visual tour of this artistic bounty.
Architecture of Great Expositions 1937-1959
Author | : Rika Devos |
Publisher | : Routledge |
Total Pages | : 329 |
Release | : 2016-03-09 |
Genre | : Architecture |
ISBN | : 1317179102 |
This book investigates architecture as a form of diplomacy in the context of the Second World War at six major European international and national expositions that took place between 1937 and 1959. The volume gives a fascinating account of architecture assuming the role of the carrier of war-related messages, some of them camouflaged while others quite frank. The famous standoffs between the Stalinist Russia and the Nazi Germany in Paris 1937, or the juxtaposition of the USSR and USA pavilions in Brussels 1958, are examples of very explicit shows of force. The book also discusses some less known - and more subtle - messages, revealed through an examination of several additional pavilions in both Paris and Brussels; of a series of expositions in Moscow; of the Universal Exhibition in Rome that was planned to open in 1942; and of London’s South Bank Exposition of 1951: all of them related, in one way or another, to either an anticipation of the global war or to its horrific aftermaths. A brief discussion of three pre-World War II American expositions that are reviewed in the Epilogue supports this point. It indicates a significant difference in the attitude of American exposition commissioners, who were less attuned to the looming war than their European counterparts. The book provides a novel assessment of modern architecture’s involvement with national representation. Whether in the service of Fascist Italy or of Imperial Japan, of Republican Spain or of the post-war Franquista regime, of the French Popular Front or of socialist Yugoslavia, of the arising FRG or of capitalist USA, of Stalinist Russia or of post-colonial Britain, exposition architecture during the period in question was driven by a deep faith in its ability to represent ideology. The book argues that this widespread confidence in architecture’s ability to act as a propaganda tool was one of the reasons why Modernist architecture lent itself to the service of such different masters.