Travels Of Bollywood Cinema
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Author | : Rajinder Dudrah |
Publisher | : Routledge |
Total Pages | : 144 |
Release | : 2012-05-23 |
Genre | : Social Science |
ISBN | : 1136451307 |
Using an interdisciplinary framework, this book offers a fresh perspective on the issues of diaspora culture and border crossings in the films, popular cultures, and media and entertainment industries from the popular Hindi cinema of India. It analyses and discusses a range of key contemporary films in detail, such as Veer Zaara, Jhoom Barabar Jhoom, and Dostana. The book uses the notion of travel analytically in and through the cinema to comment on films that have dealt with Indo-Pak border crossings, representations of diaspora, and gender and sexuality in new ways. It engages with common sense assumptions about everyday South Asian and diasporic South Asian cultures and representations as expressed in Bollywood cinema in order to look at these issues further. Moving towards an innovative exploration beyond the films, this book charts the circuits and routes of Bollywood as South Asian club cultures in the diaspora, and Hindi cinema entertainment shows around the world, as well as its impact on social media websites. Bollywood Travels is an original and thought provoking contribution to studies on Asian Culture and Society, Sociology, World Cinema, and Film, Media and Cultural Studies.
Author | : Sangita Gopal |
Publisher | : U of Minnesota Press |
Total Pages | : 348 |
Release | : 2008 |
Genre | : Social Science |
ISBN | : 0816645787 |
Bollywood movies and their signature song-and-dance spectacles are an aesthetic familiar to people around the world, and Bollywood music now provides the rhythm for ads marketing goods such as computers and a beat for remixes and underground bands. These musical numbers have inspired scenes in Western films such as Vanity Fair and Moulin Rouge. Global Bollywood shows how this currency in popular culture and among diasporic communities marks only the latest phase of the genre’s world travels. This interdisciplinary collection describes the many roots and routes of the Bollywood song-and-dance spectacle. Examining the reception of Bollywood music in places as diverse as Indonesia and Israel, the essays offer a stimulating redefinition of globalization, highlighting the cultural influence of Hindi film music from its origins early in the twentieth century to today. Contributors: Walter Armbrust, Oxford U; Anustup Basu, U of Illinois, Urbana-Champaign; Nilanjana Bhattacharjya, Colorado College; Edward K. Chan, Kennesaw State U; Bettina David, Hamburg U; Rajinder Dudrah, U of Manchester; Shanti Kumar, U of Texas, Austin; Monika Mehta, Binghamton U; Anna Morcom, Royal Holloway College; Ronie Parciack, Tel Aviv U; Biswarup Sen, U of Oregon; Sangita Shrestova; Richard Zumkhawala-Cook, Shippensburg U. Sangita Gopal is assistant professor of English at the University of Oregon. Sujata Moorti is professor of women’s and gender studies at Middlebury College.
Author | : Anjali Gera Roy |
Publisher | : Oxford University Press |
Total Pages | : 452 |
Release | : 2014-11-10 |
Genre | : Performing Arts |
ISBN | : 0199088624 |
From Bombay (Mumbai) and other production centres on the Indian subcontinent, Indian popular cinema has travelled globally for nearly a century, culminating in the Bollywood-inspired, Oscar-winning film Slumdog Millionaire. This volume brings together perspectives on Indian popular cinema, universally known as Bollywood now, from different disciplinary and geographical locations to look afresh at national cinemas. It shows how Bollywood cinema has always crossed borders and boundaries: from the British Malaya, Fiji, Guyana, Trinidad, Mauritius, and East and South Africa to the former USSR, West Asia, the UK, the USA, Canada, and Australia. While looking at the meanings of nation, diaspora, home, and identity in cinematic texts and contexts, the essays also examine how localities are produced in the new global process by broadly addressing nationalism, regionalism, and transnationalism, politics and aesthetics, as well as spectatorship and viewing contexts.
Author | : Johan Manschot |
Publisher | : Kit Pub |
Total Pages | : 174 |
Release | : 2005 |
Genre | : Business & Economics |
ISBN | : |
"Behind the Scenes of Hindi Cinema is an insightful journey into the complex worlds of fantasy and reality inhabited by creative artistes. India is a unique country that exists in multiple centuries simultaneously. This book unravels the various mysteries and contradictions embedded in our centuries-old tradition. (...) Using defined sections and relevant case studies, the authors analyse the emotional ingredients that form the essence of India and Indian cinema." (Excerpt from the Foreword by Amitabh Bachchan) Behind the Scenes of Hindi Cinema explores the inner world of Bombay film, the best known of India's movie industries. Many aspects of Hindi cinema are brought to life on the pages of this richly illustrated book - from its beginnings to the present day. The use of songs to advertise movies, the role of censorship, devotion to god and family: these subjects and many more are illuminated. It reveals the symbolism of the divine role models Radha-Krishna and Ram-Sita at the heart of the main protagonists in many films, and the passion of the people working behind the scenes. It examines the changing face of the nation's enemies, the marriage scene, lyricists and playback singers, and it sheds light on Tamil cinema, which rivals the Hindi film industry in output and popularity. The book concludes with an analysis of the mass appeal of Hindi film beyond India's borders and the recent embrace of the much-hyped 'Bollywood' phenomenon in the West.
Author | : MR Saumya Chaki |
Publisher | : Self Publisher |
Total Pages | : 158 |
Release | : 2015-06-18 |
Genre | : Performing Arts |
ISBN | : 9789384333867 |
Indian cinema completed a century in 2013. The centenary was marked by special events celebrating cinema over the last century. Books were written and films like 'Bombay Talkies' were made to celebrate the achievements and growth of Indian cinema. Given this background there are no quiz books to celebrate the centenary journey of Indian Cinema. The idea behind this book is to create more interest about the journey of Indian films and recognize the work of eminent directors and actors.
Author | : Biswal, Santosh Kumar |
Publisher | : IGI Global |
Total Pages | : 401 |
Release | : 2020-06-26 |
Genre | : Social Science |
ISBN | : 1799835138 |
Cinema in India is an entertainment medium that is interwoven into society and culture at large. It is clearly evident that continuous struggle and conflict at the personal as well as societal levels is depicted in cinema in India. It has become a reflection of society both in negative and positive ways. Hence, cinema has become an influential factor and one of the largest mass communication mediums in the nation. Social and Cultural Dynamics in Indian Cinema is an essential reference source that discusses cultural and societal issues including caste, gender, oppression, and social movements through cinema and particularly in specific language cinema and culture. Featuring research on topics such as Bollywood, film studies, and gender equality, this book is ideally designed for researchers, academicians, film studies students, and industry professionals seeking coverage on various aspects of regional cinema in India.
Author | : Rajinder Kumar Dudrah |
Publisher | : Routledge |
Total Pages | : 144 |
Release | : 2012 |
Genre | : Language Arts & Disciplines |
ISBN | : 0415447402 |
This title offers a cultural and social analysis of contemporary Bollywood films over the past decade, exploring the ideas of nation, race, religion, gender and sexuality, cinema and public spaces, diaspora and globalization.
Author | : Ayushmann Khurrana |
Publisher | : Rupa Publications |
Total Pages | : 136 |
Release | : 2015 |
Genre | : Fiction |
ISBN | : 9788129135681 |
Author | : Sathya Saran |
Publisher | : Penguin Books India |
Total Pages | : 232 |
Release | : 2008 |
Genre | : Biography & Autobiography |
ISBN | : 9780670082216 |
Guru Dutt Is Probably The Only Indian Film-Maker Who, Within The Parameters Of The Box Office, Made A Personal Statement With His Cinema. His Films Stand Testimony Not Only To His Own Genius But Also To The Creativity Of His Team, Comprising Stalwarts Like Cameraman V.K. Murthy, Music Director S.D. Burman, And Writer Abrar Alvi, Among Others. In Ten Years With Guru Dutt: Abrar Alvi&Rsquo;S Journey, Sathya Saran Looks At The Tumultuous Yet Incredibly Fecund Relationship Between The Mercurial Director And His Equally Talented Albeit Unsung Writer, A Partnership That Evolved Over A Decade Till Guru Dutt&Rsquo;S Tragic Death In 1964. Starting His Career As A Driver And Chaperone To Guru Dutt&Rsquo;S Producer On The Sets Of Baaz, Abrar Soon Caught The Attention Of The Director With His Sharp Ear For And Understanding Of Film Dialogue. With Aar Paar In 1954, Abrar Rewrote The Rules Of Dialogue Writing In Hindi Cinema, Till Then Marked By Theatricality And Artificiality. He Followed It Up With Mr And Mrs &Rsquo;55, Pyaasa And Kaagaz Ke Phool&Mdash;All Veritable Treatises On The Art Of Scriptwriting&Mdash;Before Donning The Director&Rsquo;S Mantle With Great Success In Sahib Bibi Aur Ghulam. Full Of Anecdotes&Mdash;About How Abrar Honed His Skills By Writing Over 300 Love Letters; How An Accident Involving A Buffalo Led To The Discovery Of Waheeda Rehman; Guru Dutt&Rsquo;S Visit To A Kotha To Get The Ambience Right For Pyaasa&Mdash;Ten Years With Guru Dutt Is A Warm And Insightful Look At Two Remarkable Artistes Who Inspired Each Other To Create Movie Magic. It Is, At The Same Time, An Intimate Account Of The Ecstasy And The Agony That Marked The Making Of Some Of The Enduring Classics Of Indian Cinema.
Author | : Jean-Baptiste Tavernier |
Publisher | : |
Total Pages | : 502 |
Release | : 1889 |
Genre | : Asia |
ISBN | : |
Jean-Baptiste Tavernier (1605-89) was one of the most renowned travelers of 17th century Europe. The son of a French Protestant who had fled Antwerp to escape religious persecution, Tavernier was a jewel merchant who between 1632 and 1668 made six voyages to the East. The countries he visited (most more than once) included present-day Cyprus, Malta, Turkey, Syria, Iraq, Iran, Afghanistan, Pakistan, India, Sri Lanka, and Indonesia. In 1676 he published his two-volume Les six voyages de Jean Baptiste Tavernier (The six voyages of Jean Baptiste Tavernier). An abridged and very imperfect English translation of the book appeared in 1677. The first modern scholarly edition in English, presented here, was published in 1889, with translation, notes, and a biographical sketch of Tavernier by Dr. Valentine Ball (1843-95), a British civil servant with the Indian Geological Service. Among the most memorable chapters in the book are those that recount Tavernier's visits to the diamond mines of India and his inspection of the jewels of the Great Mogul. Tavernier was not a scholar or an educated linguist, and after his initial popularity in the 17th century his authority waned, as historians and others questioned the accuracy of his observations. In the 20th century, however, Tavernier's reputation rose, as such important historians as Lucien Febvre and Fernand Braudel used the detailed information he recorded about the prices and qualities of goods and about business and commercial practices in their pioneering studies of economic and social history. The book contains several appendices by Ball about famous diamonds (including the historic Koh-i-Noor Diamond now belonging to the British royal family), diamond mines in India and Borneo, ruby mines in Burma, and sapphire washings in Ceylon (Sri Lanka). A fold-out map shows Tavernier's voyages in India and the mines he visited.