Travels in Intermedia[lity]
Author | : Bernd Herzogenrath |
Publisher | : UPNE |
Total Pages | : 290 |
Release | : 2012 |
Genre | : Social Science |
ISBN | : 1611682614 |
The cooperation and collaboration between media, art forms, and cultural studies
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Author | : Bernd Herzogenrath |
Publisher | : UPNE |
Total Pages | : 290 |
Release | : 2012 |
Genre | : Social Science |
ISBN | : 1611682614 |
The cooperation and collaboration between media, art forms, and cultural studies
Author | : MarinR. Sullivan |
Publisher | : Routledge |
Total Pages | : 211 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351549677 |
Sculptural Materiality in the Age of Conceptualism is structured around four distinct but interrelated projects initially realized in Italy between 1966 and 1972: Yayoi Kusama?s Narcissus Garden, Michelangelo Pistoletto?s Newspaper Sphere (Sfera di giornali), Robert Smithson?s Asphalt Rundown, and Joseph Beuys?s Arena. These works all utilized non-traditional materials, collaborative patronage models, and alternative modes of display to create a spatially and temporally dispersed arena of matter and action, with photography serving as a connective, material thread within the sculpture it reflects. While created by major artists of the postwar period, these particular projects have yet to receive substantive art historical analysis, especially from a sculptural perspective. Here, they anchor a transnational narrative in which sculpture emerged as a node, a center of transaction comprising multiple material phenomenon, including objects, images, and actors. When seen as entangled, polymorphous entities, these works suggest that the charge of sculpture in the late postwar period came from its concurrent existence as both three-dimensional phenomena and photographic image, in the interchanges among the materials that continue to activate and alter the constitution of sculpture within the contemporary sphere.
Author | : C. Sprengler |
Publisher | : Springer |
Total Pages | : 299 |
Release | : 2014-04-01 |
Genre | : Performing Arts |
ISBN | : 0230392164 |
Hitchcock and Contemporary Art introduces readers to the fascinating and diverse range of artistic practices devoted to Alfred Hitchcock's films. His works have the capacity to activate sophisticated engagements with Hitchcock's films and cinema more generally, tackling issues of time and space, memory and history, and sound and image.
Author | : Miro Roman |
Publisher | : Birkhäuser |
Total Pages | : 528 |
Release | : 2021-12-06 |
Genre | : Architecture |
ISBN | : 3035624054 |
How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.
Author | : Nadja Rottner |
Publisher | : Taylor & Francis |
Total Pages | : 317 |
Release | : 2023-11-10 |
Genre | : Art |
ISBN | : 1000998894 |
In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg’s poetry, sculpture, films, and performance art between 1956 and 1965. This research-intensive book argues that Oldenburg’s art relies on machine vision and other metaphors to visualize the structure and image content of human thought as an artistic problem. Anchored in new oral history interviews and extensive archival material, it brings together understudied visual and concrete poetry, experimental films, fifteen group performances (commonly referred to as happenings), and a close analysis of his well-known installations of The Street (1960) and The Store (1961–62), effectively setting in place a reexamination of Oldenburg’s pop art from the street, store, home, and cinema years. The book will be of interest to scholars working in art history, film studies, performance studies, literature, intermedia studies, and media theory.
Author | : Stephanie Springgay |
Publisher | : Duke University Press |
Total Pages | : 196 |
Release | : 2022-09-23 |
Genre | : Education |
ISBN | : 1478023538 |
Stephanie Springgay’s concept of feltness—which emerges from affect theory, queer and feminist theory, and feminist conceptions of more-than-human entanglements—is a set of intimate practices of creating art based on touch, affect, relationality, love, and responsibility. In this book, she explores how feltness is a radical pedagogy that can be practiced with diverse publics, including children, who are often left out of conversations about who can learn in radical ways. Springgay examines the results of a decade-long project in which researchers, artists, students, and teachers participated in events in North American elementary, secondary, and postsecondary institutions. In projects that ranged from children learning to be critics and artists to university students experimenting with building “a public” through art, participants blended participatory art creation with academic research to address social justice issues. Springgay shows how feltness can redefine who is imagined to be capable of complex feeling, experiential learning, embodied practice, social engagement, and intimate care. In this way, feltness fosters learning that disrupts and defamiliarizes schools and institutions, knowledge systems, values, and the legibility of art and research.
Author | : Heike Schaefer |
Publisher | : Cambridge University Press |
Total Pages | : 327 |
Release | : 2020-01-16 |
Genre | : Literary Criticism |
ISBN | : 1108487386 |
Demonstrates that the quest for immediacy, or experiences of direct connection and presence, has propelled the development of American literature and media culture.
Author | : Jens Schröter |
Publisher | : A&C Black |
Total Pages | : 501 |
Release | : 2014-01-30 |
Genre | : Social Science |
ISBN | : 1441129995 |
There is a blind spot in recent accounts of the history, theory and aesthetics of optical media: namely, the field of the three-dimensional, or trans-plane, image. It has been widely used in the 20th century for very different practices - military, scientific and medical visualization - precisely because it can provide more spatial information. And now in the 21st century, television and film are employing the method even more. Appearing for the first time in English, Jens Schroeter's comprehensive study of the aesthetics of the 3D image is a major scholarly addition to this evolving field. Citing case studies from the history of both technology and the arts, this wide-ranging and authoritative book charts the development in the theory and practice of three-dimensional images. Discussing and analyzing the transformation of the socio-cultural and technological milieu, Schroeter has produced a work of scholarship that combines impressive historical scope with contemporary theoretical arguments.
Author | : Martin Heusser |
Publisher | : |
Total Pages | : 188 |
Release | : 2008 |
Genre | : Intermediality |
ISBN | : |
Author | : Sarah Bay-Cheng |
Publisher | : Amsterdam University Press |
Total Pages | : 305 |
Release | : 2010 |
Genre | : Performing Arts |
ISBN | : 9089642552 |
This insightful book explores the relationship between theater and digital culture. The authors show that the marriage of traditional performance with new technologies leads to an upheaval of the implicit “live” quality of theatre by introducing media interfaces and Internet protocols, all the while blurring the barriers between theater-makers and their audience.