Trattato Dellarte Della Pittura Scoltura Et Architettura
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Giovanni Paolo Lomazzo’s Trattato dell’Arte della Pittura: Color, Perspective and Anatomy
Author | : Barbara Tramelli |
Publisher | : BRILL |
Total Pages | : 265 |
Release | : 2016-11-07 |
Genre | : Science |
ISBN | : 9004330267 |
Barbara Tramelli’s Giovanni Paolo Lomazzo’s Trattato dell’Arte della Pittura: Color, Perspective and Anatomy investigates the context in which the writings of the painter Giovanni Lomazzo were produced, the types of theoretical and practical knowledge which they conveyed to artists and how painters in the second half of the sixteenth century shared this knowledge among themselves. In his books, Lomazzo drew on earlier and contemporary art literature, his own expertise as a painter, works of natural philosophy and his personal exchanges with contemporary artists, astrologers and ‘scientists’. Lomazzo and his work are placed in the context of the city where he operated and published, paying particular attention to the role of Milanese institutions as ‘spaces of interactions’ with colleagues and men of letters in which the material for his books was discussed and collected. Tramelli highlights three main areas of Lomazzo’s studies: color, perspective and anatomy, linking his theoretical discourse to what was known and discussed about these topics in Milan at the end of the sixteenth century.
Writings on Architecture, Civil and Military, c. 1460 to 1640
Author | : Paul Breman |
Publisher | : BRILL |
Total Pages | : 122 |
Release | : 2021-10-25 |
Genre | : History |
ISBN | : 9004475125 |
The list has about 280 author entries covering at least 1800 editions of more than 365 titles. Included are all architectural books known by the compilers that were written between 1460 and 1640 regardless of when they were first published. Dubious editions are identified, and "ghosts" avoided or described as much. Also included is a comprehensive bibliography of the De Architectura of Vitruvius as an essential component of the period covered. The book is a quick-reference guide for all scholars, collectors, booksellers and librarians who have any dealings with or interest in early literature of architecture.
Leonardo Da Vinci's Treatise of Painting
Author | : Richard Shaw Pooler |
Publisher | : Vernon Press |
Total Pages | : 396 |
Release | : 2020-10-06 |
Genre | : Art |
ISBN | : 1622739884 |
This book traces the story of the world's greatest treatise on painting - Leonardo Da Vinci's "Treatise of Painting". It combines an extensive body of literature about the Treatise with original research to offer a unique perspective on: • Its origins, and history of how it survived the dispersal of manuscripts; • Its contents, their significance and how Leonardo developed his Renaissance Theory of Art; • The development of both the abridged and complete printed editions; • How the printed editions have influenced treatises and art history throughout Europe, the Eastern Mediterranean, and America from the Seventeenth to the Twentieth Centuries.
Bibliotheca Lindesiana ...
Author | : James Ludovic Lindsay Earl of Crawford |
Publisher | : |
Total Pages | : 1378 |
Release | : 1910 |
Genre | : Bibliography |
ISBN | : |
The Artist as Reader
Author | : Heiko Damm |
Publisher | : BRILL |
Total Pages | : 562 |
Release | : 2012-12-07 |
Genre | : History |
ISBN | : 9004242236 |
Based on the history of knowledge, the contributions to this volume elucidate various aspects of how, in the early modern period, artists’ education, knowledge, reading and libraries were related to the ways in which they presented themselves
Playing and Playgoing in Early Modern England
Author | : Simon Smith |
Publisher | : Cambridge University Press |
Total Pages | : 307 |
Release | : 2022-03-17 |
Genre | : Art |
ISBN | : 1108489052 |
Offers a new, interdisciplinary account of early modern drama through the lens of playing and playgoing.
Art and Magic in the Court of the Stuarts
Author | : Vaughan Hart |
Publisher | : Routledge |
Total Pages | : 281 |
Release | : 2002-03-11 |
Genre | : History |
ISBN | : 1134876793 |
Spanning from the inauguration of James I in 1603 to the execution of Charles I in 1649, the Stuart court saw the emergence of a full expression of Renaissance culture in Britain. Hart examines the influence of magic on Renaissance art and how in its role as an element of royal propaganda, art was used to represent the power of the monarch and reflect his apparent command over the hidden forces of nature. Court artists sought to represent magic as an expression of the Stuart Kings' divine right, and later of their policy of Absolutism, through masques, sermons, heraldry, gardens, architecture and processions. As such, magic of the kind enshrined in Neoplatonic philosophy and the court art which expressed its cosmology, played their part in the complex causes of the Civil War and the destruction of the Stuart image which followed in its wake.
Leonardo's Writings and Theory of Art
Author | : Claire J. Farago |
Publisher | : Taylor & Francis |
Total Pages | : 488 |
Release | : 1999 |
Genre | : Art |
ISBN | : 9780815329367 |
Also available as the fourth book in a 5 volume set (ISBN#0815329334)
Leone Leoni and the Status of the Artist at the End of the Renaissance
Author | : KelleyHelmstutlerDi Dio |
Publisher | : Routledge |
Total Pages | : 443 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351560344 |
The late Renaissance sculptor Leone Leoni (1509-1590) came from modest beginnings, but died as a nobleman and knight. His remarkable leap in status from his humble birth to a stonemason's family, to his time as a galley slave, to living as a nobleman and courtier in Milan provide a specific case study of an artist's struggle and triumph over existing social structures that marginalized the Renaissance artist. Based on a wealth of discoveries in archival documents, correspondence, and contemporary literature, the author examines the strategies Leoni employed to achieve his high social position, such as the friendships he formed, the type of education he sought out, the artistic imagery he employed, and the aristocratic trappings he donned. Leoni's multiple roles (imperial sculptor, aristocrat, man of erudition, and criminal), the visual manifestations of these roles in his house, collection, and tomb, the form and meaning of the artistic commissions he undertook, and the particular successes he enjoyed are here situated within the complex political, social and economic contexts of northern Italy and the Spanish court in the sixteenth century.