Transvaal Episode
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| Author | : Ted Laros |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 243 |
| Release | : 2017-12-29 |
| Genre | : Political Science |
| ISBN | : 1683930169 |
In 1994, artistic freedom pertaining inter alia to literature was enshrined in the South African Constitution. Clearly, the establishment of this right was long overdue compared to other nations within the Commonwealth. Indeed, the legal framework and practices regarding the regulation of literature that were introduced following the nation’s transition to a non-racial democracy seemed to form a decisive turning point in the history of South African censorship of literature. This study employs a historical sociological point of view to describe how the nation’s emerging literary field helped pave the way for the constitutional entrenchment of this right in 1994. On the basis of institutional and poetological analyses of all the legal trials concerning literature that were held in South Africa during the period 1910–2010, it describes how the battles fought in and around the courts between literary, judicial and executive elites eventually led to a constitutional exceptio artis for literature. As the South African judiciary displayed an ongoing orientation towards both English and American law in this period, the analyses are firmly placed in the context of developments occurring concurrently in these two legal systems.
| Author | : Leon de Kock |
| Publisher | : BRILL |
| Total Pages | : 306 |
| Release | : 2021-11-15 |
| Genre | : Social Science |
| ISBN | : 9004491325 |
This award-winning collection of essays about culture and identity was written from the perspective of post-apartheid South Africa. Voted best special issue of 2001 by the Council of Editors of Learned Journal.
| Author | : Giorgio Miescher |
| Publisher | : BASLER AFRIKA BIBLIOGRAPHIEN |
| Total Pages | : 312 |
| Release | : 2004 |
| Genre | : Africa |
| ISBN | : 9783905141825 |
| Author | : Bill Freund |
| Publisher | : Cambridge University Press |
| Total Pages | : 199 |
| Release | : 2007-03-05 |
| Genre | : History |
| ISBN | : 1139459554 |
This book is comprehensive both in terms of time coverage, from before the Pharaohs to the present moment and in that it tries to consider cities from the entire continent, not just Sub-Saharan Africa. Apart from factual information and rich description material culled from many sources, it looks at many issues from why urban life emerged in the first place to how present-day African cities cope in difficult times. Instead of seeing towns and cities as somehow extraneous to the real Africa, it views them as an inherent part of developing Africa, indigenous, colonial, and post-colonial and emphasizes the extent to which the future of African society and African culture will likely be played out mostly in cities. The book is written to appeal to students of history but equally to geographers, planners, sociologists and development specialists interested in urban problems.
| Author | : Louise Bethlehem |
| Publisher | : BRILL |
| Total Pages | : 163 |
| Release | : 2021-11-15 |
| Genre | : Social Science |
| ISBN | : 9004491368 |
Skin Tight: Apartheid Literary Culture and its Aftermath traces the responses to the emergent paradigm of South African literary studies from the 1970s onwards. Embedded in the influential critical texts of the field, it claims, are hidden narratives - of land, race, gender, desire and embodiment. This volume explores these submerged dimension's of South African literary history and the influence they continue to exert well into the post-apartheid era. It suggests that significant continuities exist between late-apartheid and post-apartheid literary culture, and positions these against the interpretive horizon of South Africa's Truth and Reconciliation Commission.
| Author | : Library of Congress. Copyright Office |
| Publisher | : Copyright Office, Library of Congress |
| Total Pages | : 874 |
| Release | : 1959 |
| Genre | : Copyright |
| ISBN | : |
Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (July - December)
| Author | : Peter D. McDonald |
| Publisher | : OUP Oxford |
| Total Pages | : 432 |
| Release | : 2010-10-14 |
| Genre | : Literary Criticism |
| ISBN | : 0191615439 |
'Censorship may have to do with literature', Nadine Gordimer once said, 'but literature has nothing whatever to do with censorship.' As the history of many repressive regimes shows, this vital borderline has seldom been so clearly demarcated. Just how murky it can sometimes be is compellingly exemplified in the case of apartheid South Africa. For reasons that were neither obvious nor historically inevitable, the apartheid censors were not only the agents of the white minority government's repressive anxieties about the medium of print. They were also officially-certified guardians of the literary. This book is centrally about the often unpredictable cultural consequences of this paradoxical situation. Peter D. McDonald brings to light a wealth of new evidence - from the once secret archives of the censorship bureaucracy, from the records of resistance publishers and writers' groups both in the country and abroad - and uses extensive oral testimony. He tells the strangely tangled stories of censorship and literature in apartheid South Africa and, in the process, uncovers an extraordinarily complex web of cultural connections linking Europe and Africa, East and West. The Literature Police affords a unique perspective on one of the most anachronistic, exploitative, and racist modern states of the post-war era, and on some of the many forms of cultural resistance it inspired. It also raises urgent questions about how we understand the category of the literary in today's globalized, intercultural world.
| Author | : S. Towheed |
| Publisher | : Springer |
| Total Pages | : 236 |
| Release | : 2011-08-25 |
| Genre | : History |
| ISBN | : 0230316786 |
Bringing together research from a variety of countries and periods, this volume introduces readers to the diverse approaches used to recover the evidence of reading through history in different societies, and asks whether reading practices are always conditioned by specific local circumstances or whether broader patterns might emerge.
| Author | : Archie L. Dick |
| Publisher | : University of Toronto Press |
| Total Pages | : 217 |
| Release | : 2013-06-17 |
| Genre | : Literary Criticism |
| ISBN | : 1442695080 |
The Hidden History of South Africa's Book and Reading Cultures shows how the common practice of reading can illuminate the social and political history of a culture. This ground-breaking study reveals resistance strategies in the reading and writing practices of South Africans; strategies that have been hidden until now for political reasons relating to the country's liberation struggles. By looking to records from a slave lodge, women's associations, army education units, universities, courts, libraries, prison departments, and political groups, Archie Dick exposes the key works of fiction and non-fiction, magazines, and newspapers that were read and discussed by political activists and prisoners. Uncovering the book and library schemes that elites used to regulate reading, Dick exposes incidences of intellectual fraud, book theft, censorship, and book burning. Through this innovative methodology, Dick aptly shows how South African readers used reading and books to resist unjust regimes and build community across South Africa's class and racial barriers.
| Author | : Margreet de Lange |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 184 |
| Release | : 1997-04-10 |
| Genre | : Literary Criticism |
| ISBN | : 9027298009 |
“The long history of censorship is a parallel and equally powerful history of literature. Censors bear witness to the power of the word even more forcefully than the writers and the readers they consider dangerous.” (Index on Censorship 6/1996) A critical assessment of literature produced under censorship needs to take into account that the stategies of the censors are answered by strategies of the writers and the readers. To recognize self-censoring strategies in writing, it is necessary to know the specific restrictions of the censorship regime in question. In South Africa under apartheid all writers were confronted with the question of how to respond to the pressure of censorship. This confrontation took a different form however, depending on what group the writer belonged to and what language he/she used. By looking at white writers writing in Afrikaans and white and black writers writing in English, this book gives the impact of censorship on South African literature a comparative examination which it has not received before. The book considers works by J.M.Coetzee, Nadine Gordimer, André Brink, and others less known to readers outside South Africa like Karel Schoeman, Louis Krüger, Christopher Hope, Miriam Tlali and Mtutuzeli Matshoba. It treats the censorship laws of the apartheid regime as well as, in the final chapter, the new law of the Mandela government which shows some surprising similarities to its predecessor. Margreet de Lange teaches Comparative Literature at Utrecht University and coordinates the University’s interdisciplinary program of South African Studies. She received her Ph.D. from the Graduate Center of the City University of New York. “De Lange expertly sketches in the historical and literary backgrounds as she goes, taking us right up to the recent (unsatisfactory) revision of the censorship laws, making The Muzzled Muse a vitally important summary of literary censorship in South Africa, and a handbook of what to guard against in the future.” Shaun de Waal, Mail & Guardian Sept. 26 to October 1, 1997
