Transition To Digital Television
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Author | : Michael Robin |
Publisher | : McGraw-Hill Professional |
Total Pages | : 730 |
Release | : 2000-06-30 |
Genre | : Technology & Engineering |
ISBN | : 9780071355810 |
Plain-talking intro to television's newest technology. Digital Television Fundamentals, Second Edition, by Michael Robin and Michel Poulin, is the ideal guide for everyone who deals with digital video production or equipment design - or who just wants to know how this new phenomenon works. Fully detailed and heavily illustrated, this easy-reading reference covers it all--from video and audio fundamentals...to bit-serial distribution and ancillary data multiplexing...to digital signal compression and distribution methods of coding and decoding. In this edition you'll find: multimedia television treatment covering technologies, hardware, systems, workstations, A/V signal processing, disk storage, servers, cameras, VCRs, CD-ROM, DVI--plus interconnections, multimedia software, systems, and applications and standardization activities; late-breaking information on the DTV standard and how it affects broadcasting equipment and operations; a focus on the importance of relevant SMPTE and CCIR-ITU standards; details on digital/analog equipment compatibility issues; much more!
Author | : Hernan Galperin |
Publisher | : Cambridge University Press |
Total Pages | : 331 |
Release | : 2004-05-24 |
Genre | : Political Science |
ISBN | : 1139451731 |
This book examines the economic, political, and technological forces that are shaping the future of broadcasting in advanced industrialized nations by comparing the transition from analog to digital TV in the US and Britain. Digital TV involves a major reordering of the broadcast sector that requires governments to rethink governance tools for the digital media era. By looking at how the transition is unfolding in these nations, the book uncovers the political underpinnings of the emerging governance regime for digital communications and explores the implications of the transition for the development of the Information Society in the US and Europe. The findings challenge much conventional wisdom about media deregulation and the globalization of communications. The transition to digital TV has not weakened but rather reinforced government control over broadcasting. Moreover, contrary to what many globalization theories would predict, it has reinforced preexisting differences in the organization of media across nations.
Author | : Jan Olsson |
Publisher | : Duke University Press |
Total Pages | : 475 |
Release | : 2004-11-30 |
Genre | : Social Science |
ISBN | : 0822386275 |
In the last ten years, television has reinvented itself in numerous ways. The demise of the U.S. three-network system, the rise of multi-channel cable and global satellite delivery, changes in regulation policies and ownership rules, technological innovations in screen design, and the development of digital systems like TiVo have combined to transform the practice we call watching tv. If tv refers to the technologies, program forms, government policies, and practices of looking associated with the medium in its classic public service and three-network age, it appears that we are now entering a new phase of television. Exploring these changes, the essays in this collection consider the future of television in the United States and Europe and the scholarship and activism focused on it. With historical, critical, and speculative essays by some of the leading television and media scholars, Television after TV examines both commercial and public service traditions and evaluates their dual (and some say merging) fates in our global, digital culture of convergence. The essays explore a broad range of topics, including contemporary programming and advertising strategies, the use of television and the Internet among diasporic and minority populations, the innovations of new technologies like TiVo, the rise of program forms from reality tv to lifestyle programs, television’s changing role in public places and at home, the Internet’s use as a means of social activism, and television’s role in education and the arts. In dialogue with previous media theorists and historians, the contributors collectively rethink the goals of media scholarship, pointing toward new ways of accounting for television’s past, present, and future. Contributors. William Boddy, Charlotte Brunsdon, John T. Caldwell, Michael Curtin, Julie D’Acci, Anna Everett, Jostein Gripsrud, John Hartley, Anna McCarthy, David Morley, Jan Olsson, Priscilla Peña Ovalle, Lisa Parks, Jeffrey Sconce, Lynn Spigel, William Uricchio
Author | : Gillian Doyle |
Publisher | : Palgrave Macmillan |
Total Pages | : 253 |
Release | : 2022-05-18 |
Genre | : Social Science |
ISBN | : 9783030632175 |
Focusing on the growing power of transnational media corporations in an increasingly globalized environment for distribution of television content, and on the effects of mergers and acquisitions involving local and independent television production companies, this book examines how current and recent re-structurings in ownership across the television industry reflect changing business models, how they affect creativity and diversity of television output, and to what extent they call for new approaches to regulation and policy. Based on a major study of the UK production sector as a case study, it offers a unique analysis of wider transformations in ownership affecting the television production industry worldwide and of their economic, socio-cultural and policy implications.
Author | : Gerald W. Collins |
Publisher | : Wiley-IEEE Press |
Total Pages | : 282 |
Release | : 2000-11-09 |
Genre | : Technology & Engineering |
ISBN | : 9780471391999 |
The first comprehensive, single source reference on what engineers and managers need to know to migrate successfully from analog to digital TV systems. Well-known industry consultant Gerald Collins describes all major digital TV transmission standards and provides practical guidance on the implementation, operation, and performance of the major transmission systems in current use worldwide.
Author | : James Bennett |
Publisher | : Duke University Press |
Total Pages | : 401 |
Release | : 2011-02-11 |
Genre | : Computers |
ISBN | : 0822349108 |
Collection of essays that consider television as a digital media form and the aesthetic, cultural, and industrial changes that this shift has provoked.
Author | : Shelly Palmer |
Publisher | : |
Total Pages | : 0 |
Release | : 2008 |
Genre | : Television |
ISBN | : 9780979195631 |
What's happening to the business of television? Television Disrupted: The Transition from Network to Networked Television, 2nd edition will empower you to make informed business, career, and investment choices by giving insights into the technologies, business rules, and legal issues that are shaping the future. You will learn about: broadband clouds, mobile video, video snacking, time-shifted and on-demand viewing, file sharing, advertising, copyright laws, and much more. This is a book for media, entertainment, and telecommunications professionals.
Author | : Lennard G. Kruger |
Publisher | : Nova Publishers |
Total Pages | : 86 |
Release | : 2002 |
Genre | : Business & Economics |
ISBN | : 9781590335024 |
Digital television (DTV) is a new television service representing the most significant development in television technology since the advent of color television in the 1950s. DTV can provide sharper pictures, a wider screen, CD-quality sound, better color rendition, and other new services currently being developed. A successful deployment of DTV requires: the development by content providers of compelling digital programming; the delivery of digital signals to consumers by broadcast television stations, as well as cable and satellite television systems; and the widespread purchase and adoption by consumers of digital television equipment. A key issue in the Congressional debate over the digital transition has been addressing the millions of American over-the-air households whose existing analog televisions will require converter boxes in order to receive digital signals when the analog signal is turned off.
Author | : Amanda D Lotz |
Publisher | : NYU Press |
Total Pages | : 411 |
Release | : 2014-09-19 |
Genre | : Performing Arts |
ISBN | : 1479830070 |
“Incredibly prescient . . . the revised edition updates its account to reflect an age when Hulu, Netflix, and Amazon are now competing for Emmy and Peabody Awards.” —Henry Jenkins, coauthor of Spreadable Media: Creating Meaning and Value in a Networked Culture Many proclaimed the “end of television” in the early years of the twenty-first century, as capabilities and features of the boxes that occupied a central space in American living rooms for the preceding fifty years were radically remade. In this revised second edition of her definitive book, Amanda D. Lotz proves that rumors of the death of television were greatly exaggerated and explores how new distribution and viewing technologies have resurrected the medium. Shifts in the basic practices of making and distributing television have not been hastening its demise but redefining what we can do with it, what we expect from it, how we use it—in short, revolutionizing it. Television, as both a technology and a tool for cultural storytelling, remains as important today as ever, but it has changed in fundamental ways. The Television Will Be Revolutionized provides a sophisticated history of the present, examining television in what Lotz terms the “post-network” era while providing frameworks for understanding the continued change in the medium. The second edition addresses adjustments throughout the industry wrought by broadband-delivered television such as Netflix, YouTube, and cross-platform initiatives like TV Everywhere, as well as how technologies such as tablets and smartphones have changed how and where we view. Lotz begins to deconstruct the future of different kinds of television—exploring how “prized content,” live televised sports, and linear viewing may all be “television,” but very different types of television for both viewers and producers. Through interviews with those working in the industry, surveys of trade publications, and consideration of an extensive array of popular shows, Lotz takes us behind the screen to explore what is changing, why it is changing, and why the changes matter. “[A] thorough and engaging analysis.” —Velvet Light Trap “Thick with trade facts and figures.” —Popular Communication
Author | : Michael Wolff |
Publisher | : Penguin |
Total Pages | : 226 |
Release | : 2015 |
Genre | : Digital media |
ISBN | : 159184813X |
"The author of The Man Who Owns the News shares new insights into the ongoing war for media profits to argue that digital media is failing as a profit generator and that a new age of television will be pursued by major advertisers, "--Novelist.