Download Transforming Print full books in PDF, epub, and Kindle. Read online free Transforming Print ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Shari Laster |
| Publisher | : ALA Editions |
| Total Pages | : |
| Release | : 2021-09-06 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780838948828 |
In this book, collection management staff at academic libraries will find fertile ideas for transforming print collections to become more engaging and widely used by the diverse communities they serve.
| Author | : Elizabeth L. Eisenstein |
| Publisher | : Cambridge University Press |
| Total Pages | : 814 |
| Release | : 1980-09-30 |
| Genre | : Design |
| ISBN | : 9780521299558 |
A full-scale historical treatment of the advent of printing and its importance as an agent of change, first published in 1980.
| Author | : Ronald Deibert |
| Publisher | : Columbia University Press |
| Total Pages | : 348 |
| Release | : 2000-01-15 |
| Genre | : History |
| ISBN | : 9780585041407 |
Interweaving media theory and historical analysis, this book explores the effect new digital-telecommunication technologies, which Deibert calls hypermedia, will have on the distribution of political power in the next century. Deibert tracks the transf
| Author | : Megan Fishpool |
| Publisher | : A&C Black |
| Total Pages | : 145 |
| Release | : 2009-05-29 |
| Genre | : Art |
| ISBN | : 0713686502 |
Reveals the secret methods and techniques used by printmakers to achieve unique and exciting visual effects.
| Author | : Bart Beaty |
| Publisher | : University of Toronto Press |
| Total Pages | : 321 |
| Release | : 2007-01-01 |
| Genre | : Social Science |
| ISBN | : 0802094120 |
Artists working in a variety of western European nations have overturned the dominant traditions of comic book publishing as it has existed since the end of the Second World War, seeking instead to instill the medium with experimental and avant-garde tendencies commonly associated with the visual arts. This book addresses this transformation.
| Author | : Anna Sigrídur Arnar |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Artists' books |
| ISBN | : 9780226027012 |
Anna Sigrídur Arnar explores how the book became a stretegic site for encouraging a modern public to actively partake in the creative act, an idea that informed later 20-century developments such as conceptual and performance art.
| Author | : Innes M. Keighren |
| Publisher | : University of Chicago Press |
| Total Pages | : 395 |
| Release | : 2015-05-11 |
| Genre | : History |
| ISBN | : 022623357X |
In eighteenth- and nineteenth-century Britain, books of travel and exploration were much more than simply the printed experiences of intrepid authors. They were works of both artistry and industry—products of the complex, and often contested, relationships between authors and editors, publishers and printers. These books captivated the reading public and played a vital role in creating new geographical truths. In an age of global wonder and of expanding empires, there was no publisher more renowned for its travel books than the House of John Murray. Drawing on detailed examination of the John Murray Archive of manuscripts, images, and the firm’s correspondence with its many authors—a list that included such illustrious explorers and scientists as Charles Darwin and Charles Lyell, and literary giants like Jane Austen, Lord Byron, and Sir Walter Scott—Travels into Print considers how journeys of exploration became published accounts and how travelers sought to demonstrate the faithfulness of their written testimony and to secure their personal credibility. This fascinating study in historical geography and book history takes modern readers on a journey into the nature of exploration, the production of authority in published travel narratives, and the creation of geographical authorship—a journey bound together by the unifying force of a world-leading publisher.
| Author | : Stephen J. Rosow |
| Publisher | : Lexington Books |
| Total Pages | : 260 |
| Release | : 2012-07-10 |
| Genre | : Education |
| ISBN | : 0739131729 |
The university is being transformed and can be transformed. This doubleness informs this book. 'Transforming' in 'transforming higher education' can be read as adjective, suggesting that higher education is being transformed by the social and political situation in which it is enmeshed. 'Transforming' can also be read as a gerund, implying the critical activity of changing the university, as signaling a creative and political act of radical possibility. The essays in this book address the transformation of higher education and the transformative possibilities of its current conditions. Only by viewing the university as a historical construction can we assess the dangers and opportunities of the new conditions of higher education, and chart a reasonable course for the future. The essays in this book are critical of recent developments in universities and higher education. Most of us come from public universities, and all remain committed to a democratic higher education that we see threatened by recent developments. There is a danger that the combination of economic crisis, market ideology, and global pressures will continue to structure the debate about higher education in ways that freeze out the transformative and politically critical possibilities of the university. Part I of the book examines the historical transformation of the university as it has changed into its current form. Part II examines both the transformation of the university into a neoliberal institution and makes the case for the more political and radical idea of transforming the university in opposition to how it has been transformed in recent years. Part III offers a number of studies aimed at illuminating possibilities for transforming the university in a more progressive, democratic direction.
| Author | : N.B. Mahesh Kumar |
| Publisher | : diplom.de |
| Total Pages | : 47 |
| Release | : 2017-11-03 |
| Genre | : Medical |
| ISBN | : 3960677030 |
Biometrics refers to the authentication techniques that depend on measurable physical characteristics and behavioural characteristics to identify an individual. The biometric systems consist of different stages such as image acquisition, preprocessing, feature extraction and matching. Biometric techniques are widely used in the security world. The various types of biometric systems use different techniques for the preprocessing, feature extraction and classifiers.The dorsum of the hand is known as the finger back surface. It is highly used for personal authentication and has not yet attracted the attention of convenient researchers. It is mostly used due to contact free image acquisition. It is reported that the skin pattern on the finger-knuckle is extremely rich in texture due to skin folds and creases, and hence, can be considered as a biometric identifier. Furthermore, advantages of using Finger Knuckle Print (FKP) include rich in texture features, easily accessible, contact-less image acquisition, invariant to emotions and other behavioral aspects such as tiredness, stable features and acceptability in the society. As a result of that, there is less known use of finger knuckle pattern in commercial or civilian applications. The local features of an enhanced palmprint image are extracted using Fast Discrete Orthonormal Stockwell Transform (FDOST). The Fourier transform of an image is obtained by increasing the scale of FDOST to infinity. The Fourier transform coefficients extracted from the palmprint image and FKP image are considered as the global information. The local and global information are physically linked by means of the framework of time frequency analysis. The global feature is exploited to refine the arrangement of FKP images in matching. The proposed schemes make use of the local and global features to verify finger knuckle-print images. The weighted average of the local and global matching distances is taken as the final matching distance of two FKP images. The investigational results indicate that the proposed works outperform the existing works.
| Author | : Tessa Whitehouse |
| Publisher | : Oxford University Press |
| Total Pages | : 277 |
| Release | : 2019-12-12 |
| Genre | : Literary Criticism |
| ISBN | : 0192536354 |
Early modern books were not stable or settled outputs of the press but dynamic shape-changers, subject to reworking, re-presentation, revision, and reinterpretation. Their history is often the history of multiple, sometimes competing, agencies as their texts were re-packaged, redirected, and transformed in ways that their original authors might hardly recognize. Processes of editing, revision, redaction, selection, abridgement, glossing, disputation, translation, and posthumous publication resulted in a textual elasticity and mobility that could dissolve distinctions between text and paratexts, textuality and intertextuality, manuscript and print, author and reader or editor, such that title and author's name are no longer sufficient pointers to a book's identity or contents. This collection brings together original essays by an international team of eminent scholars in the field of book history that explore these various kinds of textual inconstancy and variability. The essays are alive to the impact of commercial and technological aspects of book production and distribution (discussing, for example, the career of the pre-eminent bookseller John Nourse, the market appeal of abridgements, and the financial incentives to posthumous publication), but their interest is also in the many additional forms of agency that shaped texts and their meanings as books were repurposed to articulate, and respond to, a variety of cultural and individual needs. They engage with early modern religious, political, philosophical, and scholarly trends and debates as they discuss a wide range of genres and kinds of publication including fictional and non-fictional prose, verse miscellanies, abridgements, sermons, religious controversy, and of authors including Lucy Hutchinson, Richard Baxter, John Dryden, Thomas Burnet, John Tillotson, Henry Maundrell, Jonathan Swift, Samuel Richardson, John Wesley, and Samuel Taylor Coleridge. The result is a richly diverse collection that demonstrates the embeddedness of the book trade in the cultural dynamics of early modernity.
