Transfigurations Of The Maghreb
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| Author | : Winifred Woodhull |
| Publisher | : U of Minnesota Press |
| Total Pages | : 261 |
| Release | : 1993 |
| Genre | : Literary Criticism |
| ISBN | : 0816620547 |
Recent years have seen growing interest in the politics, history, and literature of the postcolonial world. In the case of the Maghreb, scholars have examined the consequences of decolonization for both North Africans and Maghrebian immigrant communities now living in France, and international attention is currently focused on the rise of fundamentalism in Algeria and the implications of this for France and Algeria's domestic and foreign policies. Transfigurations of the Maghreb, which emphasizes the intersections of literature and politics, the local and the global, is at once a timely addition to contemporary debates about the Maghreb and a valuable contribution to the field of postcolonial studies in general. Transfigurations of the Maghreb addresses the question of gender in the context of postcolonial studies by examining the ways in which gender is inscribed in texts written about the Maghreb since the 1950s by both French and Maghrebian authors. -- from http://www.jstor.org (June 23, 2014).
| Author | : Mary B. Vogl |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 244 |
| Release | : 2003 |
| Genre | : Literary Criticism |
| ISBN | : 9780742515468 |
Picturing the Maghreb critiques photographic and verbal representations, with a focus on four of the most prominent French-language writers of recent years: Michel Tournier, J.M.G. Le Cl-zio, Tahar Ben Jelloun and Le=la Sebbar. Their activist writing reframes a picture of Maghreb produced by two centuries of Orientalist misrepresentation. The book explores photography as a metaphor for other sorts of representation and examines the cultural impact of actual photographs.
| Author | : Laura Rice |
| Publisher | : State University of New York Press |
| Total Pages | : 254 |
| Release | : 2012-02-01 |
| Genre | : Literary Criticism |
| ISBN | : 0791479528 |
Of Irony and Empire is a dynamic, thorough examination of Muslim writers from former European colonies in Africa who have increasingly entered into critical conversations with the metropole. Focusing on the period between World War I and the present, "the age of irony," this book explores the political and symbolic invention of Muslim Africa and its often contradictory representations. Through a critical analysis of irony and resistance in works by writers who come from nomadic areas around the Sahara—Mustapha Tlili (Tunisia), Malika Mokeddem (Algeria), Cheikh Hamidou Kane (Senegal), and Tayeb Salih (Sudan)—Laura Rice offers a fresh perspective that accounts for both the influence of the Western, instrumental imaginary, and the Islamic, holistic one.
| Author | : Jessica da Silva C. de Oliveira |
| Publisher | : Springer |
| Total Pages | : 244 |
| Release | : 2019-06-19 |
| Genre | : Political Science |
| ISBN | : 3030199851 |
This book explores narratives produced in the Maghreb in order to illustrate shortcomings of imagination in the discipline of international relations (IR). It focuses on the politics of narrating postcolonial Maghreb through a number of writers, including Abdelkebir Khatibi, Fatema Mernissi, Kateb Yacine and Jacques Derrida, who explicitly embraced the task of (re)imagining their respective societies after colonial independence and subsequent nation-building processes. Narratives are thus considered political acts speaking to the turbulent context in which postcolonial Maghrebian Francophone literature emerges as sites of resistance and contestation. Throughout the chapters, the author promotes an encounter between narratives from the Maghreb and IR and makes a case for the kinds of thinking and writing strategies that could be used to better approach international and global studies.
| Author | : Edwige Tamalet Talbayev |
| Publisher | : Fordham Univ Press |
| Total Pages | : 364 |
| Release | : 2017-10-24 |
| Genre | : Political Science |
| ISBN | : 0823275175 |
The writer Gabriel Audisio once called the Mediterranean a “liquid continent.” Taking up the challenge issued by Audisio’s phrase, Edwige Tamalet Talbayev insists that we understand the region on both sides of the Mediterranean through a “transcontinental” heuristic. Rather than merely read the Maghreb in the context of its European colonizers from across the Mediterranean, Talbayev compellingly argues for a transmaritime deployment of the Maghreb across the multiple Mediterranean sites to which it has been materially and culturally bound for millennia. The Transcontinental Maghreb reveals these Mediterranean imaginaries to intersect with Maghrebi claims to an inclusive, democratic national ideal yet to be realized. Through a sustained reflection on allegory and critical melancholia, the book shows how the Mediterranean decenters postcolonial nation-building projects and mediates the nomadic subject’s reinsertion into a national collective respectful of heterogeneity. In engaging the space of the sea, the hybridity it produces, and the way it has shaped such historical dynamics as globalization, imperialism, decolonization, and nationalism, the book rethinks the very nature of postcolonial histories and identities along its shores.
| Author | : Barbara Fister |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 402 |
| Release | : 1995-09-14 |
| Genre | : Literary Criticism |
| ISBN | : 0313032777 |
This reference volume serves as a companion to Third World women's literatures in English and in English translation by presenting entries on works, writers, and themes. Entries are chosen to present a balance of well-known writers and emerging ones, contemporary as well as historical writers, and representative selections of genres, literary styles, and themes. What plays have been written by women in the developing world? What books have been written by Sri Lankan or Brazilian women? Which works address themes of feminism or exile or politics in the Third World? These are the types of questions that can now be answered through Fister's companion to Third World women's literatures in English and English translation. Organized alphabetically, this reference volume presents entries on works, writers, and themes. Entries are chosen to present a balance of well-known writers and emerging ones, contemporary as well as historical writers, and representative selections of genres, literary styles, and themes. By providing information about and leads to works by and about Third World women, an important and largely marginalized literature, Fister has created a unique reference tool that will help teachers, scholars, and librarians, both public and academic, expand their definitions of the literary, making the voices of Third World women available in the same format in which many companions to Western literature do. An important book for all public and college-level libraries.
| Author | : Doris H. Gray |
| Publisher | : Lexington Books |
| Total Pages | : 222 |
| Release | : 2008 |
| Genre | : Religion |
| ISBN | : 9780739118054 |
This book offers a comparison of two Muslim populations that to date have not been compared in this way. The personal views of young, educated women in Morocco are compared with those of young, educated women of Moroccan immigrant origins in France.
| Author | : Prem Poddar |
| Publisher | : Edinburgh University Press |
| Total Pages | : 847 |
| Release | : 2011-09-21 |
| Genre | : Literary Criticism |
| ISBN | : 0748650970 |
The first reference work to provide an integrated and authoritative body of information about the political, cultural and economic contexts of postcolonial literatures that have their provenance in the major European Empires of Belgium, Denmark, France, G
| Author | : Jane Hiddleston |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 302 |
| Release | : 2017-09-21 |
| Genre | : Literary Criticism |
| ISBN | : 1350022810 |
'Focusing on francophone writing from North Africa as it has developed since the 1980s, Writing After Postcolonialism explores the extent to which the notion of 'postcolonialism' is still resonant for literary writers a generation or more after independence, and examines the troubled status of literature in society and politics during this period. Whilst analysing the ways in which writers from Algeria, Morocco and Tunisia have reacted to political unrest and social dissatisfaction, Jane Hiddleston offers a compelling reflection on literature's ability to interrogate the postcolonial nation as well as on its own uncertain role in the current context. The book sets out both to situate the recent generation of francophone writers in North Africa in relation to contemporary politics, to postcolonial theory, and evolving notions of 'world literature, and to probe the ways in which a new and highly sophisticated set of writers reflect on the very notion of 'the literary' during this period of transition.'
| Author | : Edward John Still |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 438 |
| Release | : 2019-01-14 |
| Genre | : Literary Criticism |
| ISBN | : 3110583860 |
This monograph explores the ways in which canonical Francophone Algerian authors, writing in the late-colonial period (1945–1962), namely Kateb Yacine, Mohammed Dib, Mouloud Feraoun, Mouloud Mammeri and Assia Djebar, approached the representation of Algerian women through literature. The book initially argues that a masculine domination of public fields of representation in Algeria contributed to a postcolonial marginalization of women as public agents. However, it crucially also argues that the canonical writers of the period, who were mostly male, both textually acknowledged their inability to articulate the experiences and subjectivity of the feminine Other and deployed a remarkable variety of formal and conceptual innovations in producing evocations of Algerian femininity that subvert the structural imbalance of masculine symbolic hegemony. Though it does not shy from investigating those aspects of its corpus that produce ideologically conditioned masculinist representations, the book chiefly seeks to articulate a shared reluctance concerning representativity, a pessimism regarding the revolution's capacity to deliver change for women, and an omnipresent subversion of masculine subjectivity in its canonical texts.
