Transcending Textuality
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| Author | : Ariadna García-Bryce |
| Publisher | : Penn State Press |
| Total Pages | : 166 |
| Release | : 2016-11-29 |
| Genre | : Literary Criticism |
| ISBN | : 0271078901 |
In Transcending Textuality, Ariadna García-Bryce provides a fresh look at post-Trent political culture and Francisco de Quevedo’s place within it by examining his works in relation to two potentially rival means of transmitting authority: spectacle and print. Quevedo’s highly theatrical conceptions of power are identified with court ceremony, devotional ritual, monarchical and spiritual imagery, and religious and classical oratory. At the same time, his investment in physical and emotional display is shown to be fraught with concern about the decline of body-centered modes of propagating authority in the increasingly impersonalized world of print. Transcending Textuality shows that Quevedo’s poetics are, in great measure, defined by the attempt to retain in writing the qualities of live physical display.
| Author | : Barbara A. Holdrege |
| Publisher | : State University of New York Press |
| Total Pages | : 784 |
| Release | : 2012-02-01 |
| Genre | : Religion |
| ISBN | : 1438406959 |
Enlarges our understanding of the term "scripture" through a comparative study of Veda and Torah.
| Author | : E.F. Kaelin |
| Publisher | : BRILL |
| Total Pages | : 257 |
| Release | : 2022-07-18 |
| Genre | : Philosophy |
| ISBN | : 9004494022 |
Texts on Texts and Textuality argues the case for an American phenomenology as applied to works of literary artworks. The argument is made by a surrounding frame (the Preface and the Afterword) that encloses ten chapters. The chapters are divided into two parts: the phenomenological theory and practical criticism. In making his case, Kaelin traces the development in the American academic tradition from the American New Criticism through structuralism to the French nouvelle critique. He calls his theory phenomenological structuralism, and shows its derivation from American pragmatism (contextualism) to an unabashed phenomenology through the criticisms of Roman Ingarden, Martin Heidegger, and Paul Ricoeur. The structuralism derives from the work of Ferdinand de Saussure, as incorporated into the philosophical linguistics of Maurice Merleau-Ponty. Part II contains five chapters, each concerned with either direct application of the theory in acts of criticism, or in the metacriticism of accepted critical theories, such as the Aristotelians of early dramatic critics (Chapter 6), or of applied procedures in recent academic critical circles (Chapter 10). The argument is concluded in the author's Afterword, where pedagogical issues are introduced to suggest the future applicability of the theory. A glossary of technical and new terms is added, and a double index - of names and a subject matter - is included to map out the author's own interpretation of his bibliographic references.
| Author | : Matthew Edwards |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 193 |
| Release | : 2023-03-24 |
| Genre | : Performing Arts |
| ISBN | : 1496844475 |
Contributions by Donald L. Anderson, Brian Brems, Eric Brinkman, Matthew Edwards, Brenda S. Gardenour Walter, Andrew Grossman, Lisa Haegele, Gavin F. Hurley, Mikel J. Koven, Sharon Jane Mee, Fernando Gabriel Pagnoni Berns, Émilie von Garan, Connor John Warden, and Sean Woodard The giallo (yellow) film cycle, characterized by its bloody murders and blending of high art and cinematic sleaze, rose to prominence in Italy in the 1960s and 1970s. Beginning with Mario Bava’s The Girl Who Knew Too Much (1963) and Dario Argento’s The Bird with the Crystal Plumage (1970), giallo films influenced the American slasher films of the 1980s and attracted an increasingly large fandom. In Bloodstained Narratives: The Giallo Film in Italy and Abroad, contributors explore understudied aspects of gialli. The chapters introduce readers to a wide range of films, including masterpieces from Argento and overlooked gems, all of them examined in close detail. Rather than understanding giallo as focalized exclusively in Italy in the 1970s, this collection explores the extension of gialli narratives abroad through different geographies and times. This book examines Italian gialli of the 1970s as well as American neo-gialli, French productions, Canadian horror films of the 1980s, and Asian rewritings of this “yellow” cycle of crime/horror films. Bloodstained Narratives also features interviews with two giallo film directors, including cult favorite Antonio Bido. Rather than fading from the cinematic stage, gialli serves as a precursor and steady accomplice to horror-thriller films through the twenty-first century.
| Author | : Elizabeth Klett |
| Publisher | : Routledge |
| Total Pages | : 323 |
| Release | : 2019-10-16 |
| Genre | : Performing Arts |
| ISBN | : 1351238663 |
Choreographing Shakespeare presents a hitherto unexplored history of the choreographers and performers who have created dance adaptations of Shakespeare. This book investigates forty dance works in genres such as ballet, modern dance, and hip-hop, produced between 1940 and 2016 by choreographers in Britain, America, and Europe, all of which use Shakespeare’s plays and Sonnets as their source material. By combining scholarly analysis of these productions with practice-based conversations from six contemporary choreographers, Klett offers both breadth of coverage and in-depth analysis of how Shakespeare’s poetic language is translated into the usually wordless medium of dance, and shows exactly how these dance adaptations move beyond the Shakespearean texts to engage with musical and choreographic influences. Ideal for students of Shakespeare and Dance Studies, Choreographing Shakespeare explores how dance adaptations strive to design legible and intelligible stories, while ultimately celebrating the beauty of pure movement.
| Author | : Bert O. States |
| Publisher | : Univ of California Press |
| Total Pages | : 227 |
| Release | : 2023-09-01 |
| Genre | : Performing Arts |
| ISBN | : 0520908600 |
This is a book about the theater phenomenon. It is an extension of notes on the theater and theatergoing that have been accumulating for some time. It does not have an argument, or set out to prove a thesis, and it will not be one of those useful books one reads for the fruits of its research. Rather, it is a form of critical description that is phenomenological in the sense that it focuses on the activity of theater making itself out of its essential materials: speech, sound, movement, scenery, text, etc. Like most phenomenological description, it will succeed to the extent that it awakens the reader's memory of his own perceptual encounters with theater. If the book fails in this it will be about as interesting to read as an anthology of someone else's dreams. In any case, this book is less concerned with the scientific purity of my perspective and method than with retrieving something from the theater experience that seems to me worthy of our critical admiration.
| Author | : Paul S Chung |
| Publisher | : James Clarke & Company |
| Total Pages | : 281 |
| Release | : 2012-07-26 |
| Genre | : Religion |
| ISBN | : 0227901010 |
Incorporating a tour of the past and a proposition for the future, Chung presents a fascinating study of inter civilizational hermeneutics that embraces our modern times and suggests the liberative potential of hermeneutical study. Adopting a subtleapproach that stays clear of trying to impose upon the reader a simplistic understanding of hermeneutical discourses, Chung instead draws on a host of classical and modern scholars in search of a new and refreshing global hermeneutical theory.
| Author | : Moshe Idel |
| Publisher | : Yale University Press |
| Total Pages | : 686 |
| Release | : 2008-10-01 |
| Genre | : Religion |
| ISBN | : 0300135076 |
In this wide-ranging discussion of Kabbalah—from the mystical trends of medieval Judaism to modern Hasidism—one of the world’s foremost scholars considers different visions of the nature of the sacred text and of the methods to interpret it. Moshe Idel takes as a starting point the fact that the postbiblical Jewish world lost its geographical center with the destruction of the temple and so was left with a textual center, the Holy Book. Idel argues that a text-oriented religion produced language-centered forms of mysticism. Against this background, the author demonstrates how various Jewish mystics amplified the content of the Scriptures so as to include everything: the world, or God, for example. Thus the text becomes a major realm for contemplation, and the interpretation of the text frequently becomes an encounter with the deepest realms of reality. Idel delineates the particular hermeneutics belonging to Jewish mysticism, investigates the progressive filling of the text with secrets and hidden levels of meaning, and considers in detail the various interpretive strategies needed to decodify the arcane dimensions of the text.
| Author | : Elina Gertsman |
| Publisher | : Routledge |
| Total Pages | : 367 |
| Release | : 2017-07-05 |
| Genre | : Performing Arts |
| ISBN | : 1351537377 |
Taking a fresh look at the interconnections between medieval images, texts, theater, and practices of viewing, reading and listening, this explicitly interdisciplinary volume explores various manifestations of performance and meanings of performativity in the Middle Ages. The contributors - from their various perspectives as scholars of art history, religion, history, literary studies, theater studies, music and dance - combine their resources to reassess the complexity of expressions and definitions of medieval performance in a variety of different media. Among the topics considered are interconnections between ritual and theater; dynamics of performative readings of illuminated manuscripts, buildings and sculptures; linguistic performances of identity; performative models of medieval spirituality; social and political spectacles encoded in ceremonies; junctures between spatial configurations of the medieval stage and mnemonic practices used for meditation; performances of late medieval music that raise questions about the issues of historicity, authenticity, and historical correctness in performance; and tensions inherent in the very notion of a medieval dance performance.
| Author | : Richard Hillman |
| Publisher | : Springer |
| Total Pages | : 222 |
| Release | : 2016-07-27 |
| Genre | : Literary Criticism |
| ISBN | : 134922149X |
These essays apply the postmodernist theory of intertextuality to romantic drama of the English Renaissance, including work by Heywood, Beaumont and Fletcher, Ford, and especially Shakespeare. Placing the plays into dynamic relation with a wide variety of literary, cultural, and political 'intertexts' causes them to signify in ways not previously appreciated, as well as to define neglected features of the staged romance of the period. Equally important is the development of intertextuality as a critical methodology with a particular affinity for the genre and the period.
