Transcendental Train Yard
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Author | : Norma Cantú |
Publisher | : Wings Press |
Total Pages | : 133 |
Release | : 2015-10-01 |
Genre | : Art |
ISBN | : 1609402286 |
Transcendental Train Yard is a collection of color serigraphs accompanied by bilingual poems, in Spanish and English, inspired by the artwork. Transcendental Train Yard provides the reader a glimpse of the role the railroad and the carpas (itinerant vaudeville troupes) played in the Mexican American community. Artist Marta Sanchez and poet Norma Elia Cantú collaboratively render images and words that poignantly reflect specific periods in that history.
Author | : Marta Sánchez |
Publisher | : Wings Press (TX) |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Art |
ISBN | : 9780916727970 |
Transcendental Train Yard is a collection of color serigraphs accompanied by bilingual poems, in Spanish and English, inspired by the artwork. Transcendental Train Yard provides the reader a glimpse of the role the railroad and the carpas (itinerant vaudeville troupes) played in the Mexican American community. Artist Marta Sanchez and poet Norma Elia Cantú collaboratively render images and words that poignantly reflect specific periods in that history. The scholarly essays by Cortez and Haney and the evocative preface by noted Chicano scholar Tomás Ybarra Frausto bring an added depth.
Author | : Blanca López de Mariscal |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 143 |
Release | : 2019-01-29 |
Genre | : Literary Criticism |
ISBN | : 1527527344 |
This book explores the cultural and historical imaginary expressed in literary works that emphasize Latina/o world views. The essays here employ critical approaches based on discourse and cultural analyses that highlight individual and collective identity. They encompass a wide spectrum of topics that deal with border newspapers published early in the twentieth century and their function as a forum for conserving memory based on cultural values and religious beliefs; life writing and fictional rewritings of memory; autobiographical texts that emphasize the diasporic experience of immigrants; and the essay and the poetic/visual literary forms that recover border memory. The discussion of alternative life views presented here will be of interest to academics involved in the recovery of print culture and genre specialists in the area of autobiography, as well as readers who wish to become more familiar with literature from the US-Mexico border region.
Author | : Norma Elia Cantú |
Publisher | : University of Arizona Press |
Total Pages | : 363 |
Release | : 2023-10-10 |
Genre | : Literary Criticism |
ISBN | : 0816551812 |
This innovative collection details critical biographies of twelve key Chicana writers, offering an engaging look at their work, contributions to the field, and major achievements. Portraits of the authors are each examined by a noted scholar, who delves deep into the authors' lives for details that inform their literary, artistic, feminist, and political trajectories and sensibilities. What results is a brilliant intersection of visual and literary arts that explores themes of sexism and misogyny, the fragility of life, Chicana agency, and more.
Author | : Gabriella Gutiérrez y Muhs |
Publisher | : University of Arizona Press |
Total Pages | : 233 |
Release | : 2017-04-25 |
Genre | : Literary Criticism |
ISBN | : 0816534098 |
This book explores and celebrates works by Norma Elia Cantú, focusing on her critically-acclaimed book, Canícula: Snapshots of a Girlhood en La Frontera, a fictionalized memoir of Laredo in the 1940s, 1950s, and early 1960s--Provided by publisher.
Author | : Soleida Rios |
Publisher | : Wings Press |
Total Pages | : 243 |
Release | : 2018-04-01 |
Genre | : Literary Collections |
ISBN | : 1609405587 |
The Oval Portrait was originally published as El retrato ovalado (Ediciones Union, Havana, Cuba, 2015). Editor Soleida Ríos set a difficult task for herself and nearly three dozen other Cuban women writers, artists, and thinkers. She asked each to "choose a mask. With it she spins her story so that her own image appears in the story as well as the connection (always mysterious) and the symbol with which she has chosen to represent herself." The result, beyond being a postmodernist tour de force, was "a perfect vehicle for introspection." As Ríos herself puts it: "The game requires us to go deep.... Shall we say: Rather than a portrait, construct a mirror, through which you may touch the difficult and shared places. And then, at the end, ask yourself the question: Which are your favorite lies?" By way of example, Jamila Medina Ríos writes in her piece: "I know (I have learned it well) the fate of my grandmother and her aunts, the fate of Maria and my mother, the blossoms of mythical women and women poets, of female warriors, of weak women and of the famous. My head shaved so as not to intimidate her with my abundant hair." The Oval Portrait has been exquisitely translated into English by Margaret Randall. As she writes: "In an era of special interest media and superficial travelogues, I believe The Oval Portrait offers readers a uniquely profound glimpse of the Cuban psyche."
Author | : Elizabeth Joan Dell |
Publisher | : Texas A&M University Press |
Total Pages | : 358 |
Release | : 2022-07-01 |
Genre | : Literary Collections |
ISBN | : 0875658113 |
A Fire to Light Our Tongues: Texas Writers on Spirituality brings together the works of writers in Texas. The title is taken, with permission, from Naomi Shihab Nye’s introduction to Salting the Ocean: 100 Poems by Young Poets, where she states the role of poetry serves as “a fire to light our tongues.” This view describes the role that creative writers, encountering the challenges of this past decade, face as they grapple with shifting views of spirituality. While the project started before COVID-19, given the current worldwide pandemic, a book of creative work responding to writers’ spirituality could not be more timely. This anthology offers readers creative works by Texas writers as they wrestle with evolving systems of belief or nonbelief.
Author | : Norma Elia Cantú |
Publisher | : University of Arizona Press |
Total Pages | : 145 |
Release | : 2019-09-24 |
Genre | : Poetry |
ISBN | : 0816539359 |
This collection is a beautifully crafted exploration of life in the Texas-Mexico borderlands. Written by Norma Elia Cantú, the award-winning author of Canícula, this collection carries the perspective of a powerful force in Chicana literature—and literature worldwide. The poems are a celebration of culture, tradition, and creativity that navigates themes of love, solidarity, and political transformation. Deeply personal yet warmly relatable, these poems flow from Spanish to English gracefully. With Gloria Anzaldúa’s foundational work as an inspiration, Meditación Fronteriza unveils unique images that provide nuance and depth to the narrative of the borderlands. Poems addressed to talented and influential women such as Gwendolyn Brooks and Adrienne Rich, among others, pour gratitude and recognition into the collection. While many of the poems in Meditación Fronteriza are gentle and inviting, there are also moments that grieve for the state of the borderlands, calling for political resistance.
Author | : Bryce Milligan |
Publisher | : Texas A&M University Press |
Total Pages | : 507 |
Release | : 2019-04-18 |
Genre | : Literary Collections |
ISBN | : 0875656935 |
San Antonio is often described as the “mother” of Texas cities—the oldest and, for two and a half centuries, the largest city in Texas. To many it is, as novelist Larry McMurtry once famously proclaimed, “the one truly lovely city in the state.” Long recognized as a cultural crossroads between two continents, writers in San Antonio, both native and visiting, have had a significant effect upon the city’s literary and cultural landscape. Novels were being written in the city by the late 1830s. Nineteenth century writers like Frederick Law Olmsted, Sydney Lanier, and O. Henry wrote effusively about San Antonio; Oscar Wilde found here “a thrill of strange pleasure.” Here the Mexican Revolution was called into being, and here were the political and literary origins of the Chicano Movement. Literary San Antonio provides dozens of examples of the interplay and cross-pollination of Anglo and Latino literary forms, ideas, and traditions that led to the creation of a unique borderlands or frontera literature. This city, with its winding, still-sleepy river and its story-shrouded springs; its ancient acequias and missions, now acknowledged as valued “world heritage” sites; its sacred battle grounds and historic military forts and bases; its several unique neighborhoods and barrios that have produced and been celebrated by generations of writers; its rich heritage of heroism and revolutionary passion; its endlessly celebratory ability to revel in its multiracial, multiethnic, multilingual roots and branches . . . this city is a good place to write, to write about, and to wander with a book in hand.
Author | : Norma E. Cantú |
Publisher | : UNM Press |
Total Pages | : 148 |
Release | : 1995 |
Genre | : Biography & Autobiography |
ISBN | : 9780826318282 |
In this fictionalized memoir of Laredo, Texas, canícula represents a time between childhood and a yet unknown adulthood.