Transatlantic Spectacles Of Race
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| Author | : Kimberly Snyder Manganelli |
| Publisher | : Rutgers University Press |
| Total Pages | : 240 |
| Release | : 2012-02-28 |
| Genre | : Literary Criticism |
| ISBN | : 0813549914 |
The tragic mulatta was a stock figure in nineteenth-century American literature, an attractive mixed-race woman who became a casualty of the color line. The tragic muse was an equally familiar figure in Victorian British culture, an exotic and alluring Jewish actress whose profession placed her alongside the “fallen woman.” In Transatlantic Spectacles of Race, Kimberly Manganelli argues that the tragic mulatta and tragic muse, who have heretofore been read separately, must be understood as two sides of the same phenomenon. In both cases, the eroticized and racialized female body is put on public display, as a highly enticing commodity in the nineteenth-century marketplace. Tracing these figures through American, British, and French literature and culture, Manganelli constructs a host of surprising literary genealogies, from Zelica to Daniel Deronda, from Uncle Tom’s Cabin to Lady Audley’s Secret. Bringing together an impressive array of cultural texts that includes novels, melodramas, travel narratives, diaries, and illustrations, Transatlantic Spectacles of Race reveals the value of transcending literary, national, and racial boundaries.
| Author | : Pamela K. Gilbert |
| Publisher | : Cambridge University Press |
| Total Pages | : 370 |
| Release | : 2024-01-31 |
| Genre | : Literary Criticism |
| ISBN | : 1009063022 |
Offering an in-depth overview and reappraisal of the 1860s in British literature, this innovative volume features in-depth analyses from noted scholars at the tops of their fields. Covering characteristic literary genres of the 1860s (including sensation and lyric, as well as Golden Age children's literature), and topics of current and enduring interest in the field, from empire and slavery to evolution, environmental issues and economics, it incorporates drama as well as poetry and fiction, and emphasizes the history of publishing and periodicals so important to the period. Chapters are attentive to the global context, from Ireland on the stage, to Bengali literature, to Britain's muted response to the US Civil War. The Introduction gives an overview that places these individual chapters in the historical context of the 1860s, as well as the current scholarly conversation in the field.
| Author | : Frances R. Botkin |
| Publisher | : Rutgers University Press |
| Total Pages | : 241 |
| Release | : 2017-12-31 |
| Genre | : Biography & Autobiography |
| ISBN | : 0813587417 |
The fugitive slave known as “Three-Fingered Jack” terrorized colonial Jamaica from 1780 until vanquished by Maroons, self-emancipated Afro-Jamaicans bound by treaty to police the island for runaways and rebels. A thief and a killer, Jack was also a freedom fighter who sabotaged the colonial machine until his grisly death at its behest. Narratives about his exploits shed light on the problems of black rebellion and solutions administered by the colonial state, creating an occasion to consider counter-narratives about its methods of divide and conquer. For more than two centuries, writers, performers, and storytellers in England, Jamaica, and the United States have “thieved" Three Fingered Jack's riveting tale, defining black agency through and against representations of his resistance. Frances R. Botkin offers a literary and cultural history that explores the persistence of stories about this black rebel, his contributions to constructions of black masculinity in the Atlantic world, and his legacies in Jamaican and United States popular culture.
| Author | : Cherene Sherrard-Johnson |
| Publisher | : Cambridge University Press |
| Total Pages | : 331 |
| Release | : 2024-05-16 |
| Genre | : Literary Criticism |
| ISBN | : 1009204173 |
Whether invisible or hyper-visible, adored or reviled, from the inception of American literature the Black body has been rendered in myriad forms. This volume tracks and uncovers the Black body as a persistent presence and absence in American literature. It provides an invaluable guide for teachers and students interested in literary and artistic representations of Blackness and embodiment. The book is divided into three sections that highlight Black embodiment through conceptual flashpoints that emphasize various aspects of human body in its visual and textual manifestations. This Companion engages past and continuing debates about the nature of embodiment by showcasing how writers from multiple eras and communities defined and challenged the limits of what constitutes a body in relation to human and nonhuman environment.
| Author | : Jessica Cox |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 190 |
| Release | : 2019-04-25 |
| Genre | : Literary Criticism |
| ISBN | : 1137471727 |
Since the establishment of sensation fiction in the 1860s, key trends have emerged in critical readings of these texts. From Victorian responses emphasising the 'lowbrow' or potentially dangerous qualities of the genre to the prolific critical attention of the present day, this Reader's Guide identifies the dominant approaches to sensation fiction and charts the critical trends of various scholarly evaluations and interpretations. With coverage spanning empire, class, sexuality and adaptation, this is the ideal companion for students of Victorian Literature looking for an introduction to the key debates surrounding sensation fiction.
| Author | : Maureen Connors Santelli |
| Publisher | : Cornell University Press |
| Total Pages | : 263 |
| Release | : 2020-12-15 |
| Genre | : History |
| ISBN | : 1501715801 |
The Greek Fire examines the United States' early global influence as the fledgling nation that inserted itself in conflicts that were oceans away. Maureen Connors Santelli focuses on the American fascination with and involvement in the Greek Revolution in the 1820s and 1830s. That nationalist movement incited an American philhellenic movement that pushed the borders of US interests into the eastern Mediterranean and infused a global perspective into domestic conversations concerning freedom and reform. Perceiving strong cultural, intellectual, and racial ties with Greece, American men and women identified Greece as the seedbed of American democracy and a crucial source of American values. From Maryland to Missouri and Maine to Georgia, grassroots organizations sent men, money, and supplies to aid the Greeks. Defending the modern Greeks from Turkish slavery and oppression was an issue on which northerners and southerners agreed. Philhellenes, often led by women, joined efforts with benevolence and missionary groups and together they promoted humanitarianism, education reform, and evangelism. Public pressure on the US Congress, however, did not result in intervention on behalf of the Greeks. Commercial interests convinced US officials, who wished to cultivate commercial ties with the Ottomans, to remain out of the conflict. The Greek Fire analyzes the role of Americans in the Greek Revolution and the aftermath of US involvement. In doing so, Santelli revises understandings of US involvement in foreign affairs, and she shows how diplomacy developed at the same time as Americans were learning what it meant to be a country, and what that country stood for.
| Author | : Reiland Rabaka |
| Publisher | : Taylor & Francis |
| Total Pages | : 190 |
| Release | : 2023-10-30 |
| Genre | : Music |
| ISBN | : 1000966798 |
Black Women’s Liberation Movement Music argues that the Black Women’s Liberation Movement of the mid-to-late 1960s and 1970s was a unique combination of Black political feminism, Black literary feminism, and Black musical feminism, among other forms of Black feminism. This book critically explores the ways the soundtracks of the Black Women’s Liberation Movement often overlapped with those of other 1960s and 1970s social, political, and cultural movements, such as the Black Power Movement, Women’s Liberation Movement, and Sexual Revolution. The soul, funk, and disco music of the Black Women’s Liberation Movement era is simultaneously interpreted as universalist, feminist (in a general sense), and Black female-focused. This music’s incredible ability to be interpreted in so many different ways speaks to the importance and power of Black women’s music and the fact that it has multiple meanings for a multitude of people. Within the worlds of both Black Popular Movement Studies and Black Popular Music Studies there has been a long-standing tendency to almost exclusively associate Black women’s music of the mid-to-late 1960s and 1970s with the Black male-dominated Black Power Movement or the White female-dominated Women’s Liberation Movement. However, this book reveals that much of the soul, funk, and disco performed by Black women was most often the very popular music of a very unpopular and unsung movement: The Black Women’s Liberation Movement. Black Women’s Liberation Movement Music is an invaluable resource for students, teachers, and researchers of Popular Music Studies, American Studies, African American Studies, Critical Race Studies, Gender Studies, and Sexuality Studies.
| Author | : Maria A. Windell |
| Publisher | : Oxford University Press |
| Total Pages | : 361 |
| Release | : 2020-07-11 |
| Genre | : Literary Criticism |
| ISBN | : 0192606859 |
Sentimentalism is usually studied through US-British relations after the American Revolution or in connection to national reforms like the abolitionist movement. Transamerican Sentimentalism and Nineteenth-Century US Literary History instead argues that African American, Native American, Latinx, and Anglo American women writers also used sentimentalism to construct narratives that reframed or countered the violence dominating the nineteenth-century Americas, including the Haitian Revolution, Indian Removal, the US-Mexican War, and Cuba's independence wars. By tracking the transformation of sentimentalism as the US reacted to, enacted, and intervened in conflict Transamerican Sentimentalism and Nineteenth-Century US Literary History demonstrates how marginalized writers negotiated hemispheric encounters amidst the gendered, racialized, and cultural violence of the nineteenth-century Americas. It remaps sentiment's familiar transatlantic and national scholarly frameworks through authors such as Leonora Sansay and Mary Peabody Mann, and considers how authors including John Rollin Ridge, John S. and Harriet Jacobs, María Amparo Ruiz de Burton, Victor Séjour, and Martin R. Delany adapted the mode. Transamerican sentimentalism cannot unseat the violence of the nineteenth-century Americas, but it does produce other potential outcomes-including new paradigms for understanding the coquette, a locally successful informal diplomacy, and motivations for violent slave revolt. Such transformations mark not sentiment's failures or distortions, but its adaptive attempts to survive and thrive.
| Author | : Lorgia García Peña |
| Publisher | : Duke University Press |
| Total Pages | : 199 |
| Release | : 2022-08-29 |
| Genre | : Social Science |
| ISBN | : 1478023287 |
In Translating Blackness Lorgia García Peña considers Black Latinidad in a global perspective in order to chart colonialism as an ongoing sociopolitical force. Drawing from archives and cultural productions from the United States, the Caribbean, and Europe, García Peña argues that Black Latinidad is a social, cultural, and political formation—rather than solely a site of identity—through which we can understand both oppression and resistance. She takes up the intellectual and political genealogy of Black Latinidad in the works of Frederick Douglass, Gregorio Luperón, and Arthur Schomburg. She also considers the lives of Black Latina women living in the diaspora, such as Black Dominicana guerrillas who migrated throughout the diaspora after the 1965 civil war and Black immigrant and second-generation women like Mercedes Frías and Milagros Guzmán organizing in Italy with other oppressed communities. In demonstrating that analyses of Black Latinidad must include Latinx people and cultures throughout the diaspora, García Peña shows how the vaivén—or, coming and going—at the heart of migrant life reveals that the nation is not a sufficient rubric from which to understand human lived experiences.
| Author | : Aaron Lefkovitz |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 227 |
| Release | : 2018-06-20 |
| Genre | : Music |
| ISBN | : 1498567525 |
This book examines Louis Armstrong, Duke Ellington, and Miles Davis as distinctively global symbols of threatening and nonthreatening black masculinity. It centers them in debates over U.S. cultural exceptionalism, noting how they have been part of the definition of jazz as a jingoistic and exclusively American form of popular culture.
