Transatlantic Modernism And The Us Lecture Tour
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| Author | : Robert Volpicelli |
| Publisher | : Oxford University Press |
| Total Pages | : 224 |
| Release | : 2021-06-24 |
| Genre | : Literary Collections |
| ISBN | : 0192645536 |
Many Americans' first encounter with international modernism came, not on the page, but in person—through the widespread phenomenon of the US lecture tour. Attending to these encounters, Transatlantic Modernism and the US Lecture Tour reroutes our understanding of modernism away from the magazines and other mass media that have so far characterized its circulation and toward the unique form of cultural distribution that coalesced around the tour. Offering many new and compelling archival insights, this volume works across an admirably broad cultural landscape to reveal the US lecture tour as a primary mover of modernism. The study highlights the role this circuit played in the formation of transatlantic modernism by following a diverse group of authors—Oscar Wilde, W. B. Yeats, Rabindranath Tagore, Gertrude Stein, and W. H. Auden—on their whistle-stop tours across America, illuminating in the process how this extremely physical form of circulation transformed authors into object-like commodities to be sold in a variety of performance venues. Moreover, it shows how these writers responded to such wide-ranging distribution by stretching their own ideas about modernist authorship. In doing so, Transatlantic Modernism and the US Lecture Tour adds to a critical tradition of exposing those popular dimensions of modernism that far exceeded its standard coterie definition while also uncovering something else: how the circuit's particular diversity of social contexts forced modernists to take on a new authorial flexibility that would allow them to make in-roads with practically any audience—elite, popular, and everything in between.
| Author | : Robert Volpicelli |
| Publisher | : Oxford University Press |
| Total Pages | : 231 |
| Release | : 2021 |
| Genre | : Literary Collections |
| ISBN | : 0192893386 |
Many Americans' first encounter with international modernism came, not on the page, but in person--through the widespread phenomenon of the US lecture tour. Attending to these encounters, Transatlantic Modernism and the US Lecture Tour reroutes our understanding of modernism away from the magazines and other mass media that have so far characterized its circulation and toward the unique form of cultural distribution that coalesced around the tour. Offering many new and compelling archival insights, this volume works across an admirably broad cultural landscape to reveal the US lecture tour as a primary mover of modernism. The study highlights the role this circuit played in the formation of transatlantic modernism by following a diverse group of authors--Oscar Wilde, W. B. Yeats, Rabindranath Tagore, Gertrude Stein, and W. H. Auden--on their whistle-stop tours across America, illuminating in the process how this extremely physical form of circulation transformed authors into object-like commodities to be sold in a variety of performance venues. Moreover, it shows how these writers responded to such wide-ranging distribution by stretching their own ideas about modernist authorship. In doing so, Transatlantic Modernism and the US Lecture Tour adds to a critical tradition of exposing those popular dimensions of modernism that far exceeded its standard coterie definition while also uncovering something else: how the circuit's particular diversity of social contexts forced modernists to take on a new authorial flexibility that would allow them to make in-roads with practically any audience--elite, popular, and everything in between.
| Author | : Peter B. Howarth |
| Publisher | : Oxford University Press |
| Total Pages | : 385 |
| Release | : 2024-09-19 |
| Genre | : Literary Criticism |
| ISBN | : 0192650920 |
Live performance has changed poetry more than anything else in the last hundred years: it has given poets new audiences and a new economy, and it has generated new styles, from Imagism, to confessional, to contemporary Spoken Word. But the creative impact that public reading had right through the twentieth century has not been well understood. Mixing close listening to archive performances with intimate histories of modernist venues and promotors, The Poetry Circuit tells the story of how poets met their audience again, and how the feedback loops between their voices, the venues, and the occasions turned poems into running dramas between poet and listener. A nervous T. S. Eliot reveals himself to be anything but impersonal, while Marianne Moore's accident-prone readings become subtle ways of keeping her poems in constant re-draft. Robert Frost used his poems to spar with his fans and rivals, while Langston Hughes wrote Ask Your Mama to expose the prejudice circulating in the room as he spoke it. The Poetry Circuit also shows how the post-war reading boom made new kinds of poetry involving their audience and setting in the performance, such as John Ashbery's anti-charismatic Poets' Theatre, Amiri Baraka's documentary soundtracks of the streets, or the confessional readings of Allen Ginsberg, which shame the listeners more than the poet. Covering the first seventy years of the poetry reading, The Poetry Circuit demonstrates that there never were 'page' and 'stage' poets: the reading simply changed what every modern poet could do.
| Author | : Jeff Westover |
| Publisher | : Liverpool University Press |
| Total Pages | : 174 |
| Release | : 2024-05-09 |
| Genre | : Literary Criticism |
| ISBN | : 1835533191 |
Marianne Moore and the Archives features new archival research to explore the work of a major American modernist poet, providing innovative approaches to Moore’s career as it is documented in her archives in Philadelphia. This volume is also the first that draws upon the Marianne Moore Digital Archive (MMDA).
| Author | : George B. Stauffer |
| Publisher | : Oxford University Press |
| Total Pages | : 289 |
| Release | : 2024 |
| Genre | : Art |
| ISBN | : 0197558054 |
| Author | : Heather A. Love |
| Publisher | : Cambridge University Press |
| Total Pages | : 223 |
| Release | : 2023-09-30 |
| Genre | : Literary Criticism |
| ISBN | : 1009387472 |
In Cybernetic Aesthetics, Heather A. Love makes a new contribution to ongoing debates about modern communication networks and information culture. This book draws from cybernetics theory and terminology to interpret experimental modernist texts, illustrating how cybernetic approaches to communication emerged long before World War II.
| Author | : Sarah O'Brien |
| Publisher | : Indiana University Press |
| Total Pages | : 345 |
| Release | : 2024-01-02 |
| Genre | : History |
| ISBN | : 0253067898 |
What can the life writing of post-famine Irish immigrants tell us about Irish diasporic memory? Of Memory and the Misplaced considers the endurance and nature of Irish American memory across the twentieth century. Guided by 30 memoirs written between 1900 and 1970, Sarah O'Brien shows the prevalence of intimate and taboo themes in ordinary immigrants' writing, such as domestic violence, same-sex love, and famine-induced trauma. Importantly, Of Memory and the Misplaced critiques the role of the Irish landscape as a site of memory and shows how the interiority of the domestic world has provided Irish women with the language needed to reclaim their own lives. Combining literary and historical theory, Of Memory and the Misplaced highlights voices that have traditionally been silenced and offers a rare and unexplored collection of primary source autobiographical texts to better understand the experiences of Irish immigrants in the United States.
| Author | : Jay Sherry |
| Publisher | : Springer |
| Total Pages | : 182 |
| Release | : 2018-06-27 |
| Genre | : History |
| ISBN | : 1137557745 |
In studies of psychology’s role in modernism, Carl Jung is usually relegated to a cameo appearance, if he appears at all. This book rethinks his place in modernist culture during its formative years, mapping Jung’s influence on a surprisingly vast transatlantic network of artists, writers, and thinkers. Jay Sherry sheds light on how this network grew and how Jung applied his unique view of the image-making capacity of the psyche to interpret such modernist icons as James Joyce and Pablo Picasso. His ambition to bridge the divide between the natural and human sciences resulted in a body of work that attracted a cohort of feminists and progressives involved in modern art, early childhood education, dance, and theater.
| Author | : Elke Seibert |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 273 |
| Release | : 2023-09-21 |
| Genre | : Art |
| ISBN | : 1350185256 |
In April 1937, the Museum of Modern Art in New York hosted an exhibition that served as a catalyst for the appropriation of prehistoric rock art in postwar abstract painting. With the title "Prehistoric Rock Pictures in Europe and Africa", it displayed a range of copies from the influential collection of the German ethnologist Leo Frobenius. Largely disregarded in modern American art history up until now, this book highlights the importance of this exhibition to artists such as Josef Albers, Adolph Gottlieb, David Smith, and The American Abstract Artists group, who sought inspiration from the prehistoric images' primordial creativity. With a transnational scope, this book reveals new facts about the connections between Paris and New York, and the importance of communication and collaboration between them for these artists. In doing so, Seibert shows that this debate was about more than just legitimizing abstract art forms from the past, but about recognizing an autonomous American abstract art. Presenting unseen archival material, letters, and exhibition documentation, Prehistoric Pictures and American Modernism offers a new reading of the development of modern American abstraction, and will hold an important place in the historiography of the movement, its global traditions, and its legacy.
| Author | : Mark Bevir |
| Publisher | : Cambridge University Press |
| Total Pages | : 275 |
| Release | : 2017-09-28 |
| Genre | : Political Science |
| ISBN | : 1316802647 |
This wide-ranging and original study reveals how prevalent modernism has become in the social sciences. With contributions from a number of leading international scholars, Modernism and the Social Sciences explores the rise and nature of modernist tropes and approaches within social sciences such as economics, econometrics, behaviourism, sociology, administrative science, linguistics, history and anthropology. The essays demonstrate how the social sciences turned away from the developmental historicisms of the nineteenth century. Instead, social scientists have become increasingly committed to synchronic and formal explanations that rely on models, correlations and ideal types, and they have increasingly appealed to systems and functions and to institutions and norms. This book will reveal wider trends and parallels to specialists in particular disciplines and it will also appeal to those interested in intellectual history and social science theory. This volume is a companion to Historicism and the Human Sciences in Britain, a product of the Mellon project on Britain's Modernity, published by Cambridge in 2017.
