Transactions
Author | : Royal Society of Arts and Sciences of Mauritius |
Publisher | : |
Total Pages | : 212 |
Release | : 1872 |
Genre | : |
ISBN | : |
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Author | : Royal Society of Arts and Sciences of Mauritius |
Publisher | : |
Total Pages | : 212 |
Release | : 1872 |
Genre | : |
ISBN | : |
Author | : Nancy A. Lynch |
Publisher | : Morgan Kaufmann Publishers |
Total Pages | : 476 |
Release | : 1994 |
Genre | : Computers |
ISBN | : 9781493303496 |
This book develops a theory for transactions that provides practical solutions for system developers, focusing on the interface between the user and the database that executes transactions. Atomic transactions are a useful abstraction for programming concurrent and distributed data processing systems. Presents many important algorithms which provide maximum concurrency for transaction processing without sacrificing data integrity. The authors include a well-developed data processing case study to help readers understand transaction processing algorithms more clearly. The book offers conceptual tools for the design of new algorithms, and for devising variations on the familiar algorithms presented in the discussions. Whether your background is in the development of practical systems or formal methods, this book will offer you a new way to view distributed systems.
Author | : |
Publisher | : |
Total Pages | : 222 |
Release | : 1896 |
Genre | : Electronic journals |
ISBN | : |
"Transactions and publications of the Royal Historical Society" in each vol., ser. 4, v. 18-26.
Author | : Royal Institute of British Architects |
Publisher | : |
Total Pages | : 276 |
Release | : 1890 |
Genre | : |
ISBN | : |
Author | : Ralph Haughwout Folsom |
Publisher | : |
Total Pages | : 1068 |
Release | : 1995 |
Genre | : Foreign trade regulation |
ISBN | : |
Author | : Adam O’Brien |
Publisher | : Berghahn Books |
Total Pages | : 228 |
Release | : 2016-02-01 |
Genre | : Performing Arts |
ISBN | : 1785330012 |
In their bold experimentation and bracing engagement with culture and politics, the “New Hollywood” films of the late 1960s and early 1970s are justly celebrated contributions to American cinematic history. Relatively unexplored, however, has been the profound environmental sensibility that characterized movies such as The Wild Bunch, Chinatown, and Nashville. This brisk and engaging study explores how many hallmarks of New Hollywood filmmaking, such as the increased reliance on location shooting and the rejection of American self-mythologizing, made the era such a vividly “grounded” cinematic moment. Synthesizing a range of narrative, aesthetic, and ecocritical theories, it offers a genuinely fresh perspective on one of the most studied periods in film history.