Tragic Drama And The Family
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Author | : Bennett Simon |
Publisher | : Yale University Press |
Total Pages | : 292 |
Release | : 1988-01-01 |
Genre | : Psychology |
ISBN | : 9780300058055 |
One of the most important characteristics of tragic drama--as of psychoanalysis-- is the focus on the family. Dr. Bennett Simon here provides a psychoanalytic reading of Aeschylus' Oresteia, Euripedes' Medea, Shakespeare's King Lear and Macbeth, O'Neill's Long Day's Journey into Night, and Beckett's Endgame, six plays from ancient to modern times which involve a particular form of intrafamily warfare: the killing of children or of the possibility of children.
Author | : Bennett Simon |
Publisher | : |
Total Pages | : 274 |
Release | : 1988 |
Genre | : Drama |
ISBN | : 9780300041323 |
Dr. Bennett Simon provides a psychoanalytic reading of Aeschylus' Oresteia, Euripedes' Medea, Shakespeare's King Lear and Macbeth, O'Neill's Long Day's Journey into Night, and Beckett's Endgame, six plays from ancient to modern times which involve a particular form of intrafamily warfare: the killing of children or of the possibility of children.
Author | : Bennett Simon |
Publisher | : Yale University Press |
Total Pages | : 298 |
Release | : 1988-01-01 |
Genre | : Psychology |
ISBN | : 0300058055 |
One of the most important characteristics of tragic drama--as of psychoanalysis-- is the focus on the family. Dr. Bennett Simon here provides a psychoanalytic reading of Aeschylus' Oresteia, Euripedes' Medea, Shakespeare's King Lear and Macbeth, O'Neill's Long Day's Journey into Night, and Beckett's Endgame, six plays from ancient to modern times which involve a particular form of intrafamily warfare: the killing of children or of the possibility of children.
Author | : Fanny Burney |
Publisher | : |
Total Pages | : 220 |
Release | : 1818 |
Genre | : |
ISBN | : |
Author | : Joanna Baillie |
Publisher | : Gale ECCO, Print Editions |
Total Pages | : |
Release | : 2017-07-21 |
Genre | : |
ISBN | : 9781375353199 |
Nineteenth Century Collections Online: European Literature, 1790-1840: The Corvey Collection includes the full-text of more than 9,500 English, French and German titles. The collection is sourced from the remarkable library of Victor Amadeus, whose Castle Corvey collection was one of the most spectacular discoveries of the late 1970s. The Corvey Collection comprises one of the most important collections of Romantic era writing in existence anywhere -- including fiction, short prose, dramatic works, poetry, and more -- with a focus on especially difficult-to-find works by lesser-known, historically neglected writers. The Corvey library was built during the last half of the 19th century by Victor and his wife Elise, both bibliophiles with varied interests. The collection thus contains everything from novels and short stories to belles lettres and more populist works, and includes many exceedingly rare works not available in any other collection from the period. These invaluable, sometimes previously unknown works are of particular interest to scholars and researchers. European Literature, 1790-1840: The Corvey Collection includes: * Novels and Gothic Novels * Short Stories * Belles-Lettres * Short Prose Forms * Dramatic Works * Poetry * Anthologies * And more Selected with the guidance of an international team of expert advisors, these primary sources are invaluable for a wide range of academic disciplines and areas of study, providing never before possible research opportunities for one of the most studied historical periods. Additional Metadata Primary Id: B1037600 PSM Id: NCCOF0063-C00000-B1037600 DVI Collection Id: NCCOC0062 Bibliographic Id: NCCO021695 Reel: 8832 MCODE: 4UVC Original Publisher: Printed by James Ballantyne and Co. for John Ballantyne and Co. Original Publication Year: 1810 Original Publication Place: Edinburgh Original Imprint Manufacturer: Printed by James Ballantyne & Co. Subjects English drama (Tragedy) -- 19th century
Author | : Synnøve Des Bouvrie |
Publisher | : Museum Tusculanum Press |
Total Pages | : 0 |
Release | : 2018 |
Genre | : Greek drama (Tragedy) |
ISBN | : 9788763545952 |
Tragic Workings in Euripides? Drama' offers a substantially new theory and method for understanding Attic tragedy. Starting from anthropological insights, and drawing on Aristotle?s theory of the specific ?tragic? reactions of ?shock and horror? as well as his propositions on the ?tragic? violation of fundamental social values, Des Bouvrie argues that the participating community in fifth-century Greece, for instance at the Dionysia, the Athenian dramatic festival, assembled as a collective body engaging in a program of ?prescribed sentiments.? She identifies this program as a ?tragic process? that mobilized the audience into revitalizing their institutional order, the unquestionable values sustaining the oikos and preserving the polis.00Des Bouvrie?s novel, not to say revolutionary, and explicitly ?anthropological? approach, consists in focusing primarily on the ?tragic workings? of Attic tragedy. While Euripides is singled out ? with astute readings of Heracleidae, Andromache, Hecuba, Heracles, The Trojan Women, Iphigenia in Tauris and Iphigenia at Aulis on offer - the author?s earlier work on other Greek tragedians suggests that these features were operating in the genre as such. For students and scholars interested in ancient Greek tragedy, this volume constitutes a remarkable contribution. It will significantly further studies of the tragic genre as well as stimulate new debate.
Author | : Adriana E. Brook |
Publisher | : University of Wisconsin Pres |
Total Pages | : 257 |
Release | : 2018 |
Genre | : Drama |
ISBN | : 0299313808 |
An analysis of the literary and dramatic function of ritual within the world of Sophocles' plays, for scholars of Greek tragedy, ancient theater, and poetics.
Author | : K. M. Newton |
Publisher | : Edinburgh University Press |
Total Pages | : 192 |
Release | : 2008-06-20 |
Genre | : Literary Criticism |
ISBN | : 0748636749 |
This book explores modern literature's responses to the tragic. It examines writers from the latter half of the nineteenth century through to the later twentieth century who respond to ideas about tragedy. Although Ibsen has been accused of being responsible for the 'death of tragedy', Ken Newton argues that Ibsen instead generates an anti-tragic perspective that had a major influence on dramatists such as Shaw and Brecht. By contrast, writers such as Hardy and Conrad, influenced by Schopenhauerean pessimism and Darwinism, attempt to modernise the concept of the tragic. Nietzsche's revisionist interpretation of the tragic influenced writers who either take pessimism or the 'Dionysian' commitment to life to an extreme, as in Strindberg and D. H. Lawrence. Different views emerge in the period following the second world war with the 'Theatre of the Absurd' and postmodern anti-foundationalism.
Author | : Jennifer Wallace |
Publisher | : Cambridge University Press |
Total Pages | : 260 |
Release | : 2007-05-10 |
Genre | : Drama |
ISBN | : 9780521671491 |
An introductory study into tragedy in drama and literature, and in the real world.
Author | : Edwin Wong |
Publisher | : FriesenPress |
Total Pages | : 363 |
Release | : 2019 |
Genre | : Drama |
ISBN | : 1525537555 |
WHEN YOU LEAST EXPECT IT, BIRNAM WOOD COMES TO DUNSINANE HILL The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events. In this book, classicist Edwin Wong shows how tragedy imitates reality: heroes, by taking inordinate risks, trigger devastating low-probability, high-consequence outcomes. Such a theatre forces audiences to ask themselves a most timely question---what happens when the perfect bet goes wrong? Not only does Wong reinterpret classic tragedies from Aeschylus to O’Neill through the risk theatre lens, he also invites dramatists to create tomorrow’s theatre. As the world becomes increasingly unpredictable, the most compelling dramas will be high-stakes tragedies that dramatize the unintended consequences of today's risk takers who are taking us past the point of no return.