Tragedy And Athenian Religion
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| Author | : Christiane Sourvinou-Inwood |
| Publisher | : Lexington Books |
| Total Pages | : 580 |
| Release | : 2003 |
| Genre | : Drama |
| ISBN | : 9780739104002 |
Stemming from Harvard University's Carl Newell Jackson Lectures, Christiane Sourvinou-Inwood's Tragedy and Athenian Religion sets out a radical reexamination of the relationship between Greek tragedy and religion. Based on a reconstruction of the context in which tragedy was generated as a ritual performance during the festival of the City Dionysia, Sourvinou-Inwood shows that religious exploration had been crucial in the emergence of what developed into fifth-century Greek tragedy. A contextual analysis of the perceptions of fifth-century Athenians suggests that the ritual elements clustered in the tragedies of Euripides, Aeschylus, and Sophocles provided a framework for the exploration of religious issues, in a context perceived to be part of a polis ritual. This reassessment of Athenian tragedy is based both on a reconstruction of the Dionysia and the various stages of its development and on a deep textual analysis of fifth-century tragedians. By examining the relationship between fifth-century tragedies and performative context, Tragedy and Athenian Religion presents a groundbreaking view of tragedy as a discourse that explored (among other topics) the problematic religious issues of the time and so ultimately strengthened Athenian religion even at a time of crisis in very complex ways-- rather than, as some simpler modern readings argue, challenging and attacking religion and the gods.
| Author | : Jon D. Mikalson |
| Publisher | : UNC Press Books |
| Total Pages | : 376 |
| Release | : 2014-03-19 |
| Genre | : History |
| ISBN | : 1469617188 |
In Honor Thy Gods Jon Mikalson uses the tragedies of Aeschylus, Sophocles, and Euripides to explore popular religious beliefs and practices of Athenians in the fifth and fourth centuries B.C. and examines how these playwrights portrayed, manipulated, and otherwise represented popular religion in their plays. He discusses the central role of honor in ancient Athenian piety and shows that the values of popular piety are not only reflected but also reaffirmed in tragedies. Mikalson begins by examining what tragic characters and choruses have to say about the nature of the gods and their intervention in human affairs. Then, by tracing the fortunes of diverse characters -- among them Creon and Antigone, Ajax and Odysseus, Hippolytus, Pentheus, and even Athens and Troy -- he shows that in tragedy those who violate or challenge contemporary popular religious beliefs suffer, while those who support these beliefs are rewarded. The beliefs considered in Mikalson's analysis include Athenians' views on matters regarding asylum, the roles of guests and hosts, oaths, the various forms of divination, health and healing, sacrifice, pollution, the religious responsibilities of parents, children, and citizens, homicide, the dead, and the afterlife. After summarizing the vairous forms of piety and impiety related to these beliefs found in the tragedies, Mikalson isolates "honoring the gods" as the fundamental concept of Greek piety. He concludes by describing the different relationships of the three tragedians to the religion of their time and their audience, arguing that the tragedies of Euripides most consistently support the values of popular religion.
| Author | : D. G. Beer |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 211 |
| Release | : 2004-03-30 |
| Genre | : Literary Criticism |
| ISBN | : 0313039321 |
The Athenian democracy of the 5th century B.C. created the most important political theatre of western culture. Sophocles, the most successful tragic playwright of the age, was a radical innovator who produced his tragedies to present to his audience complex moral, social, and political issues of a kind that they might be faced with in their various legal and political assemblies. Beer examines Sophocles as a political playwright against the background of Athenian democracy, breaking new ground by showing the importance of the mask for understanding Sophoclean tragedy and redefining the notion of skenographia, or setting the scene. He concludes that Sophocles revolutionized the concept of dramatic space. The Athenian tragic theatre was deeply political and played an important and active role in the life of Athenian democracy. This book presents an introduction to the political nature of Greek tragedy and Sophoclean tragedy in an effort to shed new light on the dramatic works of the 5th century playwright. As Aristotle noted, Sophocles' two most important innovations were the introduction of the third actor and skenographia, which brought tragedy to its fully evolved form. Beer argues that although his use of the third actor has been widely understood, his use of skenographia has not. Carefully exploring the true sense of this method of using dramatic space, Beer brings a new understanding to the works of this old master.
| Author | : Peter J. Ahrensdorf |
| Publisher | : Cambridge University Press |
| Total Pages | : 193 |
| Release | : 2009-04-06 |
| Genre | : History |
| ISBN | : 1139475584 |
In this book, Peter Ahrensdorf examines Sophocles' powerful analysis of a central question of political philosophy and a perennial question of political life: should citizens and leaders govern political society by the light of unaided human reason or religious faith? Through an examination of Sophocles' timeless masterpieces - Oedipus the Tyrant, Oedipus at Colonus and Antigone - Ahrensdorf offers a sustained challenge to the prevailing view, championed by Nietzsche in his attack on Socratic rationalism, that Sophocles is an opponent of rationalism. Ahrensdorf argues that Sophocles is a genuinely philosophical thinker and a rationalist, albeit one who advocates a cautious political rationalism. Ahrensdorf concludes with an incisive analysis of Nietzsche, Socrates and Aristotle on tragedy and philosophy. He argues, against Nietzsche, that the rationalism of Socrates and Aristotle incorporates a profound awareness of the tragic dimension of human existence and therefore resembles in fundamental ways the somber and humane rationalism of Sophocles.
| Author | : Esther Eidinow |
| Publisher | : Cambridge University Press |
| Total Pages | : 443 |
| Release | : 2016-08-03 |
| Genre | : History |
| ISBN | : 1316715213 |
Studied for many years by scholars with Christianising assumptions, Greek religion has often been said to be quite unlike Christianity: a matter of particular actions (orthopraxy), rather than particular beliefs (orthodoxies). This volume dares to think that, both in and through religious practices and in and through religious thought and literature, the ancient Greeks engaged in a sustained conversation about the nature of the gods and how to represent and worship them. It excavates the attitudes towards the gods implicit in cult practice and analyses the beliefs about the gods embedded in such diverse texts and contexts as comedy, tragedy, rhetoric, philosophy, ancient Greek blood sacrifice, myth and other forms of storytelling. The result is a richer picture of the supernatural in ancient Greece, and a whole series of fresh questions about how views of and relations to the gods changed over time.
| Author | : Nancy Evans |
| Publisher | : Univ of California Press |
| Total Pages | : 294 |
| Release | : 2010-05-03 |
| Genre | : History |
| ISBN | : 0520945484 |
Civic Rites explores the religious origins of Western democracy by examining the government of fifth-century BCE Athens in the larger context of ancient Greece and the eastern Mediterranean. Deftly combining history, politics, and religion to weave together stories of democracy’s first leaders and critics, Nancy Evans gives readers a contemporary’s perspective on Athenian society. She vividly depicts the physical environment and the ancestral rituals that nourished the people of the earliest democratic state, demonstrating how religious concerns were embedded in Athenian governmental processes. The book’s lucid portrayals of the best-known Athenian festivals—honoring Athena, Demeter, and Dionysus—offer a balanced view of Athenian ritual and illustrate the range of such customs in fifth-century Athens.
| Author | : Nancy Sorkin Rabinowitz |
| Publisher | : John Wiley & Sons |
| Total Pages | : 232 |
| Release | : 2008-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 0470693266 |
Greek Tragedy sets ancient tragedy into its original theatrical, political and ritual context and applies modern critical approaches to understanding why tragedy continues to interest modern audiences. An engaging introduction to Greek tragedy, its history, and its reception in the contemporary world with suggested readings for further study Examines tragedy’s relationship to democracy, religion, and myth Explores contemporary approaches to scholarship, including structuralist, psychoanalytic, and feminist theory Provides a thorough examination of contemporary performance practices Includes detailed readings of selected plays
| Author | : Edith Hall |
| Publisher | : |
| Total Pages | : 428 |
| Release | : 2010-01-21 |
| Genre | : Drama |
| ISBN | : 0199232512 |
An illustrated introduction to ancient Greek tragedy, written by one of its most distinguished experts, which provides all the background information necessary for understanding the context and content of the dramas. A special feature is an individual essay on every one of the surviving 33 plays.
| Author | : Jon D. Mikalson |
| Publisher | : John Wiley & Sons |
| Total Pages | : 316 |
| Release | : 2021-12-06 |
| Genre | : History |
| ISBN | : 1119565626 |
Provides undergraduate students with a vibrant account of the religious world of ancient Greece, now in its third edition Ancient Greek Religion offers a detailed yet accessible introduction to the beliefs, myths, rituals, and deities of Greek religion. Author Jon D. Mikalson provides a vivid depiction of Greek religious practice in Athens, Delphi, and Olympia during the Classical period and in select other cities during the Hellenistic period. This reader-friendly textbook explains basic concepts of Greek polytheism, describes major deities and cults, and discusses various aspects of Greek religious life in the context of the city-state, the village, the family, and the individual. The revised third edition features new contributions by Andrej and Ivana Petrovic. It has two new chapters: one highlighting Roman, Christian, and modern scholars’ approaches to Greek religion and one identifying the types of sources used to understand and reconstruct ancient Greek religion. This edition also expands discussion of magic and personal practices and includes an updated and expanded bibliography for each chapter. This popular textbook: Offers thorough coverage of major Greek gods, heroes, myths, and cults Presents translations of ancient texts to promote reflection and discussion Features a glossary of recurring Greek terms and a wealth of high-quality color maps, images, figures, and illustrations Describes Greek religious practice from the perspectives of different worshippers, such as priests, slaves, family members, and public officials Discusses various interpretations of the gods and the afterlife, the nature of piety and impiety, and the larger social and political context of ancient Greece Ancient Greek Religion, Third Edition, remains the ideal introductory textbook for undergraduate courses including Greek Civilization, Greek Religion, Greek and Roman Religion, Ancient Religions, and Greek History. It is also an excellent source of reference for graduate students, instructors, and scholars studying religious life in Classical Greece.
| Author | : Jon D. Mikalson |
| Publisher | : Univ of California Press |
| Total Pages | : 543 |
| Release | : 2023-12-22 |
| Genre | : Religion |
| ISBN | : 052091967X |
Until now, there has been no comprehensive study of religion in Athens from the end of the classical period to the time of Rome's domination of the city. Jon D. Mikalson provides a chronological approach to religion in Hellenistic Athens, disproving the widely held belief that Hellenistic religion during this period represented a decline from the classical era. Drawing from epigraphical, historical, literary, and archaeological sources, Mikalson traces the religious cults and beliefs of Athenians from the battle of Chaeroneia in 338 B.C. to the devastation of Athens by Sulla in 86 B.C., demonstrating that traditional religion played a central and vital role in Athenian private, social, and political life. Mikalson describes the private and public religious practices of Athenians during this period, emphasizing the role these practices played in the life of the citizens and providing a careful scruntiny of individual cults. He concludes his study by using his findings from Athens to call into question several commonly held assumptions about the general development of religion in Hellenistic Greece.
