Download Tradition And Desire full books in PDF, epub, and Kindle. Read online free Tradition And Desire ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Norman Bryson |
| Publisher | : Cambridge University Press |
| Total Pages | : 252 |
| Release | : 1987-03-19 |
| Genre | : Literary Criticism |
| ISBN | : 9780521335621 |
In this highly original book Norman Bryson applied 'structuralist' and 'post-structuralist' approaches to French Romantic Painting. He considers the work of David, Ingres and Delacroix as artists who found themselves within an artistic tradition that had nothing creative to offer them.
| Author | : Lily Anand |
| Publisher | : Pen and Paper Academy |
| Total Pages | : 88 |
| Release | : |
| Genre | : Antiques & Collectibles |
| ISBN | : 8197464766 |
In "Arranged Love," Lily Anand takes readers on an emotional journey through the intricate world of arranged marriages. Set against a backdrop of rich cultural traditions and contemporary desires, the story explores the lives of two individuals bound by a match arranged by their families. Despite the initial reluctance, they discover a profound connection that transcends societal expectations. As they navigate the complexities of love, duty, and tradition, their bond deepens, revealing the true power of an arranged match. This heartwarming tale beautifully captures the essence of finding love in the most unexpected places, challenging the boundaries between tradition and modernity.
| Author | : Egon Mayer |
| Publisher | : Springer |
| Total Pages | : 293 |
| Release | : 2013-11-11 |
| Genre | : Social Science |
| ISBN | : 1489960864 |
| Author | : Sir John Templeton |
| Publisher | : Templeton Foundation Press |
| Total Pages | : 113 |
| Release | : 2008-01-01 |
| Genre | : Religion |
| ISBN | : 1890151750 |
The tradition of agape, or unconditional love, is not exclusive to any religion. It is a primary underlying principle found in religions worldwide. The concept of altruistic love challenges the spiritual person to "love your enemies" or to "love without thought of return." It is a love that flows out to others through compassion, kindness, tenderness, and charitable giving. Buddhists have a path of compassion, where caring for others becomes the motivating force behind existence. Hindus have a branch of yoga, the heart-centered path, that leads to enlightenment through an overwhelming love for God that takes the form of loving all humanity. Eastern religions, such as Taoism and Confucianism, see transcendent love as essential to true wisdom. Love is a universal theme of love found in all religious traditions, Buddhist, Christian, Islam, or others. As we realize that all religions have this spiritual principle of love at their core, we can develop a sense of shared humanity. The religious tradition of agape love examined in this book will inspire those who are learning to grow in compassion and love for all people.
| Author | : Ellen G. White |
| Publisher | : Bytes 4 the Heart |
| Total Pages | : 886 |
| Release | : 1898 |
| Genre | : Seventh-Day Adventists |
| ISBN | : |
| Author | : Gabriel Levine |
| Publisher | : MIT Press |
| Total Pages | : 353 |
| Release | : 2020-03-24 |
| Genre | : Art |
| ISBN | : 0262043564 |
Examining radical reinventions of traditional practices, ranging from a queer reclamation of the Jewish festival of Purim to an Indigenous remixing of musical traditions. Supposedly outmoded modes of doing and making—from music and religious rituals to crafting and cooking—are flourishing, both artistically and politically, in the digital age. In this book, Gabriel Levine examines collective projects that reclaim and reinvent tradition in contemporary North America, both within and beyond the frames of art. Levine argues that, in a time of political reaction and mass uprisings, the subversion of the traditional is galvanizing artists, activists, musicians, and people in everyday life. He shows that this takes place in strikingly different ways for Indigenous and non-Indigenous people in settler colonies. Paradoxically, experimenting with practices that have been abandoned or suppressed can offer powerful resources for creation and struggle in the present. Levine shows that, in projects that span “the discontinuum of tradition,” strange encounters take place across the lines of class, Indigeneity, race, and generations. These encounters spark alliance and appropriation, desire and misunderstanding, creative (mis)translation and radical revisionism. He describes the yearly Purim Extravaganza, which gathers queer, leftist, and Yiddishist New Yorkers in a profane reappropriation of the springtime Jewish festival; the Ottawa-based Indigenous DJ collective A Tribe Called Red, who combine traditional powwow drumming and singing with electronic dance music; and the revival of home fermentation practices—considering it from microbiological, philosophical, aesthetic, and political angles. Projects that take back the vernacular in this way, Levine argues, not only develop innovative forms of practice for a time of uprisings; they can also work toward collectively reclaiming, remaking, and repairing a damaged world.
| Author | : Jericho Brown |
| Publisher | : Copper Canyon Press |
| Total Pages | : 78 |
| Release | : 2019-06-18 |
| Genre | : Poetry |
| ISBN | : 1619321955 |
WINNER OF THE 2020 PULITZER PRIZE FOR POETRY Finalist for the 2019 National Book Award "100 Notable Books of the Year," The New York Times Book Review One Book, One Philadelphia Citywide Reading Program Selection, 2021 "By some literary magic—no, it's precision, and honesty—Brown manages to bestow upon even the most public of subjects the most intimate and personal stakes."—Craig Morgan Teicher, “'I Reject Walls': A 2019 Poetry Preview” for NPR “A relentless dismantling of identity, a difficult jewel of a poem.“—Rita Dove, in her introduction to Jericho Brown’s “Dark” (featured in the New York Times Magazine in January 2019) “Winner of a Whiting Award and a Guggenheim Fellowship, Brown's hard-won lyricism finds fire (and idyll) in the intersection of politics and love for queer Black men.”—O, The Oprah Magazine Named a Lit Hub “Most Anticipated Book of 2019” One of Buzzfeed’s “66 Books Coming in 2019 You’ll Want to Keep Your Eyes On” The Rumpus poetry pick for “What to Read When 2019 is Just Around the Corner” One of BookRiot’s “50 Must-Read Poetry Collections of 2019” Jericho Brown’s daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction.
| Author | : Katherine Angel |
| Publisher | : Penguin UK |
| Total Pages | : 322 |
| Release | : 2012 |
| Genre | : Biography & Autobiography |
| ISBN | : 1846146674 |
Unmasteredis a new kind of book that allows us to think afresh about desire. Incisive, moving, and lyrical, it opens up a larger space for the exploration of feelings that can be difficult to express. Touching on experiences of desire and pleasure, as well as grief and pain, the book probes the porousness between masculine and feminine, thought and sensation, self and culture, power and pliancy. Katherine Angel reflects on the history of her own feelings, on her encounters and beliefs, and shows how our lives can be shaped by sexuality and feminism; by the words we use, and the stories we tell. The result is a book letting light into places that are often dark and constrained - a searching, erotic work that shifts in meaning and resonance even as it is read.
| Author | : Patricia Fagan |
| Publisher | : Northwestern University Press |
| Total Pages | : 162 |
| Release | : 2013-01-31 |
| Genre | : Philosophy |
| ISBN | : 0810166364 |
Plato’s dialogues are some of the most widely read texts in Western philosophy, and one would imagine them fully mined for elemental material. Yet, in Plato and Tradition, Patricia Fagan reveals the dialogues to be continuing sources of fresh insight. She recovers from them an underappreciated depth of cultural reference that is crucial to understanding their central philosophical concerns. Through careful readings of six dialogues, Fagan demonstrates that Plato’s presentation of Socrates highlights the centrality of tradition in political, erotic, and philosophic life. Plato embeds Socrates’s arguments and ideas in traditional references that would have been familiar to contemporaries of Socrates or Plato but that today’s reader typically passes over. Fagan’s book unpacks this cultural and literary context for the proper and full understanding of the philosophical argument of the Platonic dialogues. She concludes that, as Socrates demonstrates in word and deed, tradition is essential to successful living. But we must take up tradition with a critical openness to questioning its significance and future. Her original and compelling analyses may change the views of many readers who think themselves already well versed in the dialogues.
| Author | : Mohammed Hamdouni Alami |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 304 |
| Release | : 2013-12-20 |
| Genre | : Architecture |
| ISBN | : 0857731750 |
What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.
